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The Late Scholar
- Narrated by: Gordon Griffin
- Length: 9 hrs and 49 mins
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Publisher's Summary
When the fellows at an Oxford college appeal to Peter Wimsey to resolve a dispute, he and Harriet are happy to oblige. The dispute between the two passionate parties is evenly balanced, that is, until several of the fellows unexpectedly die. And the causes of death bear an uncanny resemblance to the murder methods in Peter's past cases - methods that Harriet has used in her novels.…
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- Duncan
- 09-29-16
A Reasonable Progression
I write this after reading some less than positive reviews from others. JPW has made a good effort to keep the Wimsey canon going, and has done quite well. The stories have progressed the timeline reasonably although there seems an undue concentration on the domestic arrangements rather than the 'plot'.
Generally JPW books are longer, slower and more ponderous than those of Dorothy Sayers herself. The originals were much tighter, even if Sayers had a predilection for literary quotations, a predilection that JPW overuses.
I think The Late Scholar is one of JPWs better efforts, along the lines of The Attenbury Diamonds (athough in that book the fire a Dukes Denver and ducal accession were unecessary distractions). I enjoyed its sense of time and style and a good evocation of Oxford, certainly as good as the Gaudy Night sense of the University.
The narration was not good and did not add to the experience nor help the book, but this is compared to Ian Carmichael who was made for the part, as a narrator or actor.
Yes there were mispronunciations, yes the was confusion over character voices (Parker was the wrong voice altogether), but overall the sense of the place and time and people was reasonable. I do not agree with the reviewer who could not finish the audiobook. I have listened to it three times this year (in full) and probably will do again in the next few months.
Just a few other points, in my subjective view:
- Contrary to the Publishers Note, Gaudy Night was not one of Sayers's best, it also was too slow and ponderous.
- The Wimsey canon is just that, about Lord Peter Wimsey, and should not be just a vehicle for Harriet Vane.
- I hope JPW does continue the canon, about and of Wimsey, preferably set in the pre-WWII years, because that is his real period.
- I hope Ian Carmichael can be convinced to revive from his eternal rest too give us the best narration, or if not then a IC clone.
1 person found this helpful
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- Rev. Kate
- 04-18-21
Not a Wimsey book at all... sadly
As a detective story or a story in general it is good.
As a Wimsey story it is so far away from the real characters and so dislike Wimsey in all his behaviours, that it is incredibly disappointing.
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- Judith
- 10-04-14
Underwhelming
What was most disappointing about Jill Paton Walsh’s story?
The story is contrived. Too many bits brought in from earlier Sayers books in a very contrived way and lacking the development of relationship between Peter and Harriet. Lovely descriptions of Oxford but really not as good as Jill Paton walsh's earlier Sayers books.
How did the narrator detract from the book?
Like the other reviewers I love Edward Petherbridge and Ian Carmichael. Gordon Griffiths was a shock. You become used to it after a while but it lacks Peter's tone of irony and bunter's voice didn't seem to match at all.
Any additional comments?
I did listen all the way through but it was never gripping. If you have read all of the Sayers books then walsh's thrones and dominions! and the Attenborough emeralds are really good. Read them.
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- Liz
- 06-04-14
Underwhelming
On the narrator, I was momentarily devasted when I realised that Edward Petherbridge would not be reading this book to me. (Or even Ian Charmichael, as I've also learnt to associate him with Lord Peter through years of audiobooks, but Petherbridge brings the ennui of a very clever man's sarcasm and wit and false whimsy to everything.)
I grew to tolerate him. There's nothing particularly bad about his narration, except for Not Being Petherbridge. His voices are consistent, I especially liked Bunter, but there isn't any variation I noticed among the secondary characters, victims and villains, and in a cast of dozens, I might have used the extra help keeping them straight in my head. His tone for the narrator was a little stilted, but I think that might have been the writing style rather than any narrative choice on his part.
With the story as a whole, I don't think this was Paton Walsh's best take on Lord Peter. It relied on the original Sayers books too much (I know, a bit hypocritical, as I'm listening to a continuation on Sayers universe; obviously I'm desperately searching for more of what I love). What I mean is that some aspects of the plot were deliberately echoing things from early Lord Peter books, which became a bit frustrating, especially as it equated Harriet Vane with Dorothy L. Sayers (which Sayers said she disliked) in a way which was occasionally entertainly meta, but mostly annoying. It even occasionally tainted my enjoyment of the original book (I love The Nine Tailors, don't poop on it with logic, Walsh, I don't need to hear that).
I also think the exposition relied on Harriet as Peter's intellectual foil far too often. Harriet would say 'but, we don't know that, Peter', and Peter would explain all the things she missed, Sherlock to her Watson. I know that Bunter had occasionally been used in this way in the original books, but in this book Bunter was also a Sherlock (to Peter and Harriet's Watson), and Harriet was reduced to an intellectual sidekick, even when surrounded by Oxford dons and going off to research her academic work on slow days.
As a snap-shot of the 50s as the Wimseys would have known it, it was a strong book. I loved the idea of thinking about the politics of council housing, with estates being established on appropriated land, sitting next to the state of the modern housing crisis. There wasn't a strong sense of rationing (unlike in A Presumption of Death), but the continuation of the decline of the aristocracy, the birth of opportunities for boys (and characters) that didn't go to Eton, and ended up at Oxford, or miss the Oxbridge train altogether. Bunter's eldest wants to be an economist, and go to London School of Economics, and there's discussion of the limitations and isolation of Oxbridge, all of which I liked when reading with an eye on contemporary politics about the same. (However, since we have the benefit of prophetic knowledge by BEING ALIVE NOW, some of Peter and Harriet's musing seemed extremely optimistic. We have hardly moved away from a society where old Etonians run the place.)
The mystery is a little befuddled, and for the most part I didn't learn to care for any of the victims (except a tangentially-related suicide). I'm still not sure on one of the motivations, actually, I think I may have missed a nuance somewhere. In contrast to Gaudy Night, which is such a delight for its restraint in providing unnecessary bodies, this is filled with unnecessary deaths which add to a pattern, but don't seem to have much significance in themselves. The victims are definitely the equivalent of Prostitute #2 at the start of a CSI episode, rather than interesting academics whose names I can remember. Most of the secondary characters blurred into each other, (and were sometimes absurdly coincidental, inexplicably having all the information Harriet or Peter needed) and I only liked a bare few of them. (And, since it was a well-populated Oxford college, there were too many to keep track of, even if I could rely on Sayers for a few like Eilund Price and Marjorie Phelps etc.)
If you're struggling, I felt all the emotional impact from victims (both killed and alive) came in the last hour (15%) of the novel. It wasn't the denouement, necessarily, that brought the impact, but the emotional revelations of a character who is the survivor left after (some of) the deaths. That is probably worth waiting for, if the mystery is sliding by you.
It's a nice listen if you like getting your fix of Lord Peter as an aging man, with mostly-grown children. As a mystery, I don't think it succeeds really, but I'm not a crime fiction afficinado so YMMV. If you haven't listened/read any others of Paton Walsh, I'd recommend The Attenbury Emeralds with a thousand praises, and then meander over to A Presumption of Death, and then the others if they catch your fancy.
19 people found this helpful
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- Claire
- 05-15-14
Not as good as a DL Sayers but better than nothing
Would you listen to The Late Scholar again? Why?
Yes, because I'm addicted to DL Sayers, Lord Peter Wimsey & Harriet Vane.
What was one of the most memorable moments of The Late Scholar?
There was no one moment that stands out.
What did you like about the performance? What did you dislike?
Sadly Edward Petherbridge has not lent his voice to this reading which is a great shame. While Gordon Griffin does a competent job, his quavering voice and mis-pronunciation of "Domina" amongst other things grated and in no way conjured the image of Peter Wimsey. Ian Carmichael and Edward Petherbridge have stamped my auditory memory so anyone else reading this book is doomed to failure.
Did you have an emotional reaction to this book? Did it make you laugh or cry?
The Late Scholar met my double passion for the Wimseys and Oxford, so on that score alone it has to be a winner.
Any additional comments?
Jill Paton Walsh is no Dorothy L Sayers, there is an element of dumbing down of the language and sentiment, perhaps she is trying too hard? Nonetheless, it's a competent work, not faultless but it feeds the insatiable desire to follow the central relationship of Harriet Vane and Lord Peter Wimsey. Quite what Miss Sayers would have made of this volume remains to be seen. Having said that, I still give it 7/10 as it is much better than a lot of historical whodunits on the market.
17 people found this helpful
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- Robert Killington
- 01-22-17
Good story, poor narration
I liked the story. Jill Paton Walsh has done a good job of telling the story. I liked catching up with the characters. On the other hand I found the narrator made Bunter and Wimsey sound rather older - even older possibly than the Dowager Duchess!
6 people found this helpful
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- Richard Irwin
- 07-07-14
Nearly as good as Dorothy
Where does The Late Scholar rank among all the audiobooks you’ve listened to so far?
I enjoyed listening and will no doubt listen to other Jill Paton Walsh.
What other book might you compare The Late Scholar to, and why?
Deliberately reminiscent of Gaudy Night.
Have you listened to any of Gordon Griffin’s other performances? How does this one compare?
Shame about the voice used for Charles, Wimsey's police inspector brother-in-law. Far too old.
Any additional comments?
The big let down was the relationship with the police. With a suspected serial killer on the loose, it is hard to imagine Wimsey being given the freedom he has. The police would have been all over the place.
5 people found this helpful
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- Brenda
- 06-02-14
Well worth the wait.
Any additional comments?
Any fans of Dorothy L Sayers detective Lord Peter Wimsey will not be disappointed with this book. The characterisation of the more mature Peter and Harriet is extremely well done.
5 people found this helpful
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- Valerie
- 11-18-14
Didn't disappoint
I was a bit wary that this would be major let down by both the author (not DL Sayers) and the narrator (not Ian Carmichael) but I was very pleasantly surprised. Great plot, major characters well written and true to their creator. Well done to Ms Walsh, she pulled it off,
4 people found this helpful
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- NICOLA
- 09-15-18
a sad tale
This is a bad story if it's trying to follow Dorothy Sayers' Lord Peter style
The narrator was awful and if I hadn't been a Sayers fan I would have given up.
Sorry but it just didn't work.
3 people found this helpful
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- Mrs
- 01-16-17
Good
I've enjoyed listening to all Paton-Walsh's Wimsey books, she's followed the originals well and provided some excellent additional storylines. The only disappointment for me was the narrator this time, not a patch on Edward Petherbridge or the incomparable Ian Carmichael
3 people found this helpful
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- Katharine
- 08-07-14
Good enough but not Dorothy L Sayers
I enjoyed revisiting Peter Wimsey and Harriet Vane later on in life but the mystery plot was over-complicated and ultimately unsatisfying. The concept of using DLS's plots as Harriet's and then basing murders on them got tiring rather quickly. There was no sense of urgency in the detection which, with academics dropping like flies, there really should have been. What I did enjoy was the small details of Peter and Harriet's lives like the education of their children and the ageing of the Dowager Duchess.
The reading was better with some voices than others. The rendition of Peter and Harriet was OK but it was lucky there wasn't too much of Charles Parker as that sounded completely wrong to me.
3 people found this helpful
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- Seagull
- 11-19-14
Enjoyable, but not the best
I've enjoyed Jill Paton Walsh's previous recreations of the Wimsey detective stories and although this is a welcome addition, I must admit I don't think it's her best. SPOILER: The device of having a murderer using methods of murder inspired by Harriet's books (who, rather unbelievably, has apparently started to take her own inspiration from LPW's 'real-life' cases, as created by DL Sayers' books) must have seemed a fun idea in theory, but in practice it didn't work for me. It merely kept calling my attention to the fact I was reading fiction about other works of fiction. And sadly Gordon Griffin's narration did nothing to dispel the ghost of Ian Carmichael's wonderful readings of the other books. No light, quick witted tones here, but ponderous and slightly pompous speeches, which do tend to irritate. I know Peter Wimsey is meant to have aged since our last meeting with him, but in this reading he sounds like an elderly judge, while Bunter sounds so aged that I wondered if he was intended to expire before the end of the book. I'm sure Gordon Griffiths would be a great narrator for some books, but not this one.
I hope this review doesn't sound too negative. It's still an entertaining novel, and it's always good to catch up with Wimsey and Harriet. Although it's not the best, I have no regrets about buying it.
2 people found this helpful
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- DB Jones
- 01-25-23
Enjoyable and entertaining
While it is not my favourite story or performance, I it was still a very good idea behind the story as well as a very good performance. Well worth listening to....
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- Kelly Jones
- 11-13-20
Read all Dorothy L Sayers' Wimsey books first
Having left this until I could find no other of Sayers' books on Lord Wimsey, and having completed the Carmichael and Petherbridge audio books, I found this story and reading to be the least congruent and pleasing. I don't think it particularly matches Sayers' ideas of Peter Wimsey or Harriet Vane, but seems to "dumb" them down. If this was my introduction to Wimsey, I'd probably skip the whole wonderful concoction. The reading was clear and sensible, but not subtle and delightful as the others were. I think Paton Walsh was slack with this one. I enjoyed her second in the series above her others. I'm an atheist, but I don't think Sayers would represent Wimsey as an atheist, given he was an ideal male in her view; that's just one of many odd decisions from Paton Walsh in this book.
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
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Blink
- A psychological thriller with a killer twist you'll never forget
- By: K. L. Slater
- Narrated by: Lucy Price-Lewis
- Length: 8 hrs and 19 mins
- Unabridged
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Three years ago Toni's five-year-old daughter, Evie, disappeared after leaving school. The police have never been able to find her. There were no witnesses, no CCTV, no trace. But Toni believes her daughter is alive. And as she begins to silently piece together her memories, the full story of the past begins to reveal itself - and a devastating truth. Toni's mind is trapped in a world of silence. Her only chance to save herself is to manage the impossible: she must find a way to make herself heard. She must find her daughter.
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Entertaining
- By Michelle Harder on 05-09-17
By: K. L. Slater
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See How They Run
- A Novella
- By: Rachel Howzell Hall
- Narrated by: Imani Parks
- Length: 2 hrs and 48 mins
- Original Recording
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Still mourning the death of her own fiancée, Lauren Hudson must put on a brave face for her family as they gather in Zion National Park for her brother’s wedding. He’s co-founded a “glamping” (glamorous camping) start-up with Sadie, the soon-to-be bride whom the rest of the Hudsons have yet to meet, and they’re hosting their small destination wedding for their nearest and dearest right on their own campgrounds.
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Stereotyping
- By Anonymous User on 04-11-22
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Black Heart
- Detective Dan Riley, Book 1
- By: Anna-Lou Weatherley
- Narrated by: James Lailey
- Length: 9 hrs and 4 mins
- Unabridged
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When Nigel Baxter, a middle-aged married banker with an unremarkable past, is found dead in the bath of a plush hotel suite, his wrists slit, it looks as if he's taken his own life. At first. But when Detective Inspector Daniel Riley is assigned to the case, he soon realises all isn't as it first appears to be. When a postmortem shows Baxter was poisoned, Riley suspects foul play. And then there's the odd addition of a teddy bear left at the crime scene....
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Difficult to Love
- By Lynn on 06-06-20
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Liar
- By: K. L. Slater
- Narrated by: Lucy Price-Lewis
- Length: 8 hrs and 28 mins
- Unabridged
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How far would you go to protect your family? Single dad Ben is doing his best to raise his children, with the help of his devoted mother, Judi. And then Ben meets Amber. Everyone thinks this is a perfect match for Ben, but Judi isn't so sure.... There's just something about Amber that doesn't add up. Ben can't see why his mother dislikes his new girlfriend. And Amber doesn't want Judi anywhere near her new family. Amber just wants Ben and the children.
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Loved It!
- By TC on 07-03-17
By: K. L. Slater
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Solace House
- Jackman and Evans, Book 9
- By: Joy Ellis
- Narrated by: Richard Armitage
- Length: 11 hrs and 56 mins
- Unabridged
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Holly Stewart moved into Solace House thinking it would be a fresh start for her and her family. She knew a tragic murder had taken place there, but she didn’t know the full ghastly history of the house. Now, her husband has lost his job, the children are bullied at school, and someone is prowling around the garden at night. Someone who wants them gone. Detective Jackman wants to help. Instead he’s been pulled into a 20-year-old cold case.
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Best Jackman/Evans yet
- By MamaBear on 12-14-22
By: Joy Ellis
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The Silent Ones
- By: K. L. Slater
- Narrated by: Lucy Price-Lewis
- Length: 7 hrs and 35 mins
- Unabridged
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When 10-year-old cousins Maddy and Brianna are arrested for a terrible crime, Maddy’s mother, Juliet, cannot believe it. How could her bright, joyful daughter be capable of such a thing? As the small village community recoils in horror, the pressure of the tragedy blows Juliet and her sister’s lives apart. And things get even worse when their daughters retreat into a self-imposed silence. Can anyone reach Maddy and discover the truth before her fate is sealed? Juliet is crushed. Nothing will ever be the same for her darling girl.
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Duh I need Cpt Obvious to be my bestie
- By Shots RN on 10-04-19
By: K. L. Slater