The January Dancer

By: Michael Flynn

Narrated by: Stefan Rudnicki

Michael Flynn, Hugo Award finalist and Robert A. Heinlein Award - winning science-fiction writer, has here written a space opera with stunningly successful results. The January Dancer tells the fateful story of an ancient prehuman artifact of great power and of the people who found it.

Starting with Captain Amos January, who quickly loses it, and then the others who fought, schemed, and killed to get it, we travel around the complex, decadent, brawling, mongrelized, interstellar human civilization that the artifact might save or destroy. Collectors want the Dancer, pirates take it, rulers crave it, and all will kill, if necessary, to get it.

This is a thrilling yarn of love, revolution, music, and mystery, and it ends, as all great stories do, with shock and a beginning.

©2008 Michael Flynn (P)2008 Blackstone Audio, Inc.

Critic reviews

"[A]n epic tale of adventure, intrigue, suspense and mystery....The plot evokes old-school space opera with its whirlwind pace, immense scope and twist ending, but cutting-edge extrapolation breathes vivid life into this universe of scoundrels, heroes and romantics." ( Publishers Weekly)

Elegant space opera

The prose, world building, narration, and story are excellent.
This is not an easy listen, and I can see where some people would be turned off. You may have to listen to parts more than once.
But I dont mind listening to an audio book more than once, and I thought the writing style was worth it.

I hope Flynn writes some more books in this setting..

Excelent space opera

The tale takes place in a universe where the losers in a galactic civil war were exiled across the "Rift" (an area through which very few of the "electric avenues" used for FTL travel pass.) About a thousand years later the refugees have built their own interstellar civilizations, although those in power fear the day when the victors in that old war will decide to cross the Rift and finish their conquest.

The amount of background detail that is gradually revealed is impressive, as is the careful balancing of factors to make a quest for an object of power seem reasonable. But those who desire a clear-cut ending may not be happy with this book. We are constantly being teased by new details, but even the big reveal at the end only leaves us with more questions and a desire for the sequels whose existence is hinted at in the final chapter.

The accent the reader applies to some characters' dialog is rather strong, but the characters in question are from planets that were originally all populated by a polyglot of refugees, many of which decided to adopt an Old Terran culture and accent as an affectation, so the over-emphasis is understandable and amusing.

I think this book will be enjoyed by fans of space opera, those who enjoy examples of extensive world building, and anyone who is intrigued the asking of questions, even if we're not always given all the answers to those questions.

Okay I don't get it.

Would you try another book from Michael Flynn and/or Stefan Rudnicki?

Love Stefan Rudnicki, great narrator, but Michael Flynn, this is the second book I've gotten from him and it is mediocre at best. Little dialogue, weak story, mediocre science. I usually support my Irish Brothers, however, this dude just is not that good. I am a Science fiction writer, and this guy does a lot of things that are just not that entertaining.

What could Michael Flynn have done to make this a more enjoyable book for you?

Oh....................I don't know, put in more dialogue, used words that did not smack of amateurism. Maybe, if he had actual good science to back up the scenes in the book. I am not impressed at all, he writes like Edgar Rice Boroughs, all description and little dialogue to move the story along. Crap I'm a better writer than he is, and that is not saying much.

What does Stefan Rudnicki bring to the story that you wouldn’t experience if you just read the book?

Mr. Rudnicki is a master, I have heard him on most of Ben Bova's work, "The Planet series, etc. I enjoy Bova's work immensely, however Bova is not quite Heinlein, and Flynn is about half as good Bova, and that is being generous! I wish I could give Mr. Flynn a better review. Read the first chapter of James Joyce's Ulysses, and you will see what a GREAT Irish writer can do!

Was The January Dancer worth the listening time?

No, I am deeply saddened to say I wish that it were, I will have my priest say a prayer for poor Mr. Flynn.

Any additional comments?

I don't know what the bloody problem with My. Flynn is but, I wish he were better. I had a bad time with his other works too.

A Big Idea Space Opera - Epic but not overly epic

One of my favorite series of books is Dan Simmons' Hyperion Cantos, reflecting the poem by John Keats first published in 1818. They are a sweeping, sometimes tortured but epic space opera.

January Dancer is akin to an abridged version of that type of epic. That is not a bad thing....as I wonder how many people actually finish the Cantos. While long and winding in epic style, it is one book. A story within a story, it starts with three themes and uses a good deal of analogy to music. I liked it. A number of clever side trips add to a great ending.

The narration is also quite a bit of fun. Rudnicki's heavy Irish efforts are worth the listen alone.

There are new ideas here -- but it is not so bizarre that it become inaccessible.



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Praiseworthy space opera

Flynn delivers a respectable space opera in a grand style. The basic plot concerns the discovery of an alien artifact that appears as a "twisting stone" known as the dancer which possesses special powers. Much of the tale concerns various players in this universe vying for its ownership. The timeframe is far into the future when Earth has settled much of the spiral arm, but has also suffered its own collapse with loss of its collective memory. We are treated to multiple variations on Earth's former cultural heritage. As an added bonus, the story is related as a tale within a tale.

The sci-fi elements are mostly limited to interplanetary travel by unique physics due to rifts in the space time fabric that can be traversed like highways. There is a bit of biological manipulation as well. The only knock to the story is a lack of closure for most of the characters.

The narration is superb with an excellent reprisal of the primary storyteller. The multiple characters, along with extreme accents and unique vernacular peccadilloes demand close listening in order to follow the complex plot.