The Hundred-Year House

De: Rebecca Makkai

Narrado por: Jen Tullock

The acclaimed author of The Borrower returns with a dazzlingly original, mordantly witty novel about the secrets of an old-money family and their turn-of-the-century estate, Laurelfield.

Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents' wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her stepfather, who is stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time.

Then there's Violet Devohr, Zee's great-grandmother, who, they say, took her own life somewhere in the vast house and whose massive oil portrait still hangs in the dining room. Violet's portrait was known to terrify the artists who resided at the house from the 1920s to the 1950s, when it served as the Laurelfield Arts Colony - and this is exactly the period Zee's husband, Doug, is interested in.

An out-of-work academic whose only hope of a future position is securing a book deal, Doug is stalled on his biography of the poet Edwin Parfitt, once in residence at the colony. All he needs to get the book back on track - besides some motivation and self-esteem - is access to the colony records, rotting away in the attic for decades.

But when Doug begins to poke around where he shouldn't, he finds Gracie guards the files with a strange ferocity, raising questions about what she might be hiding. The secrets of the hundred-year house would turn everything Doug and Zee think they know about her family on its head - that is, if they were to ever uncover them.

In this brilliantly conceived, ambitious, and deeply rewarding novel, Rebecca Makkai unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house.

©2016 Rebecca Makkai (P)2016 Penguin Audio

Reseñas de la Crítica

Rebecca Makkai is a writer to watch, as sneakily ambitious as she is unpretentious. (Richard Russo)

Makkai fulfills the promise of her debut with this witty and darkly acerbic novel set in the rich soils of an artists' colony. The inverted timeline of the multi-generational narrative deepens the layered mysteries at its heart. As decades unfold in reverse, we find that nothing about Laurelfield's various inhabitants is at it first appears, and neither talent nor history sits on solid ground. (Ru Freeman, author of On Sal Mal Lane and A Disobedient Girl)