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The Great Train Robbery
- Narrated by: Michael Kitchen
- Length: 8 hrs and 39 mins
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In teeming Victorian London, where lavish wealth and appalling poverty live side by side, Edward Pierce charms the most prominent of the well-to-do as he cunningly orchestrates the crime of the century. Who would suspect that a gentleman of breeding could mastermind the daring theft of a fortune in gold? Who could predict the consequences of making the extraordinary robbery aboard the pride of England's industrial era, the mighty steam locomotive? Based on fact, as lively as legend, and studded with all the suspense and style of a modern fiction master, here is a classic caper novel set a decade before the age of dynamite - yet nonetheless explosive....
Michael Crichton wrote and directed the screen adaptation of The Great Train Robbery, starring Sean Connery and Donald Sutherland.
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London, 1851. With the opening of the Great Exhibition at hand, interest in mounting in the engineering triumphs of the railways, but not everyone feels like celebrating. In an audacious attack, the London to Birmingham mail train is robbed and derailed, causing many casualties. Planned with military precision, this crime proves a challenge to Detective Inspector Robert Colbeck who fights to untangle a web of murder, blackmail and destruction.
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Very entertaining
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Except the Dying
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In the cold Toronto winter of 1895, the naked body of a servant girl is found frozen in a deserted laneway. The young victim was pregnant when she died. Detective William Murdoch soon discovers that many of those connected with the girl's life have secrets to hide. Was her death on attempt to cover up a scandal in one of the city's influential families?
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If you like the show - don't buy
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The Bedlam Detective
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Sebastian Becker, a former Pinkerton man, lives in England and investigates wealthy eccentrics who may be too insane to care for their own affairs. He is asked to investigate rich landowner Sir Owain, but arrives to discover two young girls have been murdered, and it is not the first time children have come to harm in this small town.
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Satisfying!
- By Margaret on 03-26-12
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The Powder Mage Novella Collection #1
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Enter a new world or return to see old friends in four Powder Mage Universe novellas featuring Erika, Tamas, Adamat, Taniel, Ka-poel, and Ben Styke.
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Great prequels, horrible narrator
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Art in the Blood: A Sherlock Holmes Adventure
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London. A snowy December, 1888. Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend - until a strangely encoded letter arrives from Paris. Mlle La Victoire, a beautiful French cabaret star, writes that her illegitimate son by an English lord has disappeared, and she has been attacked in the streets of Montmartre.
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Not a bad story, but too 21st century
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The Agency 1: A Spy in the House
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In Victorian England, orphan Mary Quinn lives on the edge. Sentenced as a thief at the age of 12, she’s rescued from the gallows by a woman posing as a prison warden. In her new home, Miss Scrimshaw’s Academy for Girls, Mary acquires a singular education, fine manners, and a surprising opportunity. The school is a cover for the Agency — an elite, top secret corps of female investigators with a reputation for results — and at 17, Mary’s about to join their ranks.
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yes, it's YA-but credible for genre for any age
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The Bastard
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Set against the colorful tumult of events that gave rise to our fledgling nation, this novel of romance and adventure introduces Phillipe Charboneau. The illegitimate son of an English nobleman, Phillipe flees Europe and, as Philip Kent, joins the men who set our course for freedom. The Bastard is the first volume in the Kent Family Chronicles, a series of novels that details one family's journey in the early years of the American nation.
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An Amazing Tale
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What listeners say about The Great Train Robbery
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Matthew
- 11-21-15
An unusual but rewarding listen
Any additional comments?
Michael Kitchen is not a typical sort of narrator, but he ends up being absolutely perfect for Michael Crichton's The Great Train Robbery, which is not a typical sort of novel. If you're familiar with Kitchen from FOYLE'S WAR, then just imagine Christopher Foyle reading an audiobook and you have some idea what to expect. Kitchen uses the same cadence and delivery that he does in that character, offering unusually breathy, matter-of-fact, brisk narration. It doesn't sound like someone narrating an adventure; it sounds like someone recounting events. And... that perfectly matches Crichton's writing style.
The Great Train Robbery is a novel, and some of the events are fictionalized, but it is based on true events. Crichton uses the same quasi-non-fiction style that he uses for his other historical novels like Eaters of the Dead or Pirate Latitudes. There are so many accurate period details and references to other events happening at the time or even events happening later that you think you're reading non-fiction... but then the events seem just a little too thrilling to be completely true. The novel is as much about early Victorian society as it is about the titular robbery, and it's largely a condemnation of that society. A story about the criminal element proves the perfect vessel for such condemnation, and Michael Kitchen proves the perfect narrator. He sounds like a professor - granted, a really interesting professor, probably the best you ever had - delivering a particularly good lecture. And that really does add to the reading experience!
The downside to Crichton's historical style is that you never really get into the characters' heads, since the tale is delivered as if by a researcher who would have no way of knowing their inner throughts. But then, rich characterizations were never what Crichton was best at anyway. What he's best at is making details - be they about genetics or viruses or Victorian London - fascinating and exciting. And that's certainly the case here.
Kitchen's unique style takes some getting used to, and despite being a fan of his, I wasn't sure I was going to like it at first. But stick with it, because you suddenly realize it's PERFECT for this material, and adds a lot!
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119 people found this helpful
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- stevenk1155
- 09-20-17
UTTERLY DELIGHTFUL!
A gem of a crime story, artfully told with liberal use of the amusing, endearing jargon of the criminal element in Victorian London, written in the form of brief chapters in a manner that engages the reader/listener, not least because the author manages to build and sustain suspense, even while providing strong hints and outright facts about what's to come.
The central figure leads a cast of characters worthy of a Dickens novel, and it's hard to imagine the superb performance of the reader being any better or more suitable for the historical setting and subject matter of the story.
An enthusiastic 5 STARS!
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67 people found this helpful
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- David E. Hurley
- 01-29-16
Outstanding Story and Performance
Would you recommend this audiobook to a friend? If so, why?
I would recommend this to everyone. This is the most perfect combination of story and performance I have ever heard, and I have heard a lot of good books. Michael Kitchen sets the perfect tone for Crichton's narrative. The writing is a history of Victorian England in itself and the story rushes along to a very satisfying conclusion
Did the plot keep you on the edge of your seat? How?
The plot moves from episode to episode with a great flow and engaging dialog. There is a great education in the slang of Victorian criminals that is in itself worth the reading. Find out how Scotland Yard got its name and what the nicknames for police are at that time. Authentic insight into the mores of Victorian England.
What does Michael Kitchen bring to the story that you wouldn’t experience if you just read the book?
Michael Kitchen is the perfect choice for this story. His pace and accents bring Victorian England alive for the reader. This would not be the same without his perfect performance. His tone, pace and elocution are just right. When the occasion calls for it you can almost hear him insert his tongue into his cheek.
Was there a moment in the book that particularly moved you?
The narrative of the ploy used to enter the railroad office is particularly engaging, but so were many of the other schemes to leverage Victorian customs to the advantage of the thieves. Many of these will make you laugh out loud
Any additional comments?
Listen to this book. It was great fun from beginning to end.
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60 people found this helpful
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- Sean Vikoren
- 07-26-17
Worst. Reader. Of. All. Time.
Michael Kitchen, the reader, is the worst example from the school of readers that refuses to try again when they get it wrong.
His method seems to be to strip out all punctuation, and then to reintroduce a double dose in random locations.
In the following example, I do my best to capture the experience you will have trying to listen to this book.
Excerpt:
"A few daring, commentators, even had the temerity to suggest. That, crime. Was not linked, to social conditions at all. But rather sprang from some other. Impulse. Such opinions were, to say the least. Highly. Distasteful. They remain. Distasteful. To the present day. More than a century, after the Great Train Robbery and more than a decade. After another. Spectacular. English. Train Robbery."
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53 people found this helpful
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- Dorothy
- 08-22-16
Great Book with lots of fun Victorian Trivia
I opted for this book because it was read by Michael Kitchen. I had previously listened to a Robert Goddard book read by Mr. Kitchen (no longer available) and loved his style. This book was a perfect fit for his narration style. I do understand why some might not be drawn to him as a narrator. But, I love his voice, tambour etc. and the clipped nature of his delivery.
The story itself is superb. What a great writer Mr. Crichton was! I am not a huge science fiction fan and I wished while listening that he had written more novels like this one.
The characters are all perfectly drawn and you definitely find yourself cheering on the robbers.
I don't want to give anything away. I did find that his little detours into history were fascinating and the explanation of Victorian street slang was very fun. I listened straight through. Could not stop. Highly recommend.
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34 people found this helpful
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- Wayne
- 10-06-17
Wonderfully researched novel based on true story
This 1975 novel was only the third published by Michael Crichton using his own name. It is not a techno-thriller like most of his novels, but the marvelous Victorian England trivia clearly demonstrates the normal quality of Crichton research obvious in all of his novels. I do not believe The quality of the story of The Great Train Robbery deserves 5 stars, but the Victorian trivia does. So does the narration.
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26 people found this helpful
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- Amazon Customer
- 05-13-17
great story, unsuitable narration
the narrator has a fine vocal tone and does a good job acting out the different parts, but his cadence is all off: he will pause for dramatic effect at the start of a sentence and then race through to the end of it.
the story itself is tremendous, not only detailing the events leading up to the robbery, but putting onto context thw whole of England in the 1850s, from the railroads to crime to urbanization. i just wish the narration had been someone more suited to the material.
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20 people found this helpful
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- scott Ringwelski
- 08-22-17
Great pace and realism
read the book, saw the movie, but listening has been a great pleasure. Try it
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17 people found this helpful
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- Calliope
- 12-27-15
Horrible narration! Virtually ruined the listen!
This audiobook has among the worst narration I have heard, and I've listened to almost 250 audiobooks since joining Audible.com. It's pacing is incredibly uneven, sometimes with strange pauses between pieces of a sentence, or even between words, but other times proceeding at a normal pace. If it were too slow, I could run it at a faster speed, but the unevenness removes that possibility of improving things.
"But in the mid century this practice was coming under attack. The dislocation of poor people.....(pause)......whose dwellings were demolished to make way for the incoming lines was one argument" or maybe "The mid-century halt left several of the new lines at a disadvantage....(pause)....and one of these was the southeastern railway, which ran from London...(pause)...to the coastal town of Folkestone, some 18 miles away"
Occasionally, it sounded like each new word was being revealed to him as he read it, so there is unusual pronunciation and pauses rather than a fluid sentence. Very odd.....I don't know if it was ignored by the editors, or if this is somehow created in post production editing, but either way it is very, very distracting. I'm finding the history of England and the railways so far to be interesting, but the narration might be the end of it for me. I'll give it another hour of listening before I decide to abandon it.
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16 people found this helpful
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- Usurper
- 08-04-17
Far different from the usual Critchon
Simply nothing short of Fantastic. I was skeptical, but extremely pleased i gave it a shot!
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13 people found this helpful