-
The Genocidal Gaze
- From German Southwest Africa to the Third Reich
- Narrated by: Alice C. Schoo-Jerger
- Length: 6 hrs and 31 mins
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The Genocidal Gaze
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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Publisher's summary
The first genocide of the 20th century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman - lacking any kind of civilization, history, or meaningful religion - and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze", an attitude that was later perpetuated by the Nazis.
In The Genocidal Gaze: From German Southwest Africa to the Third Reich, Baer uses the trope of the gaze to trace linkages between the genocide of the Herero and Nama and that of the victims of the Holocaust. Baer explores the threads of shared ideology in the Herero and Nama genocide and the Holocaust - concepts such as racial hierarchies, racial shame, final solution, that were deployed by German authorities in 1904 and again in the 1930s and 1940s to justify genocide. She also notes the use of shared methodology - concentration camps, death camps, intentional starvation, rape, indiscriminate killing of women and children - in both instances.
"An essential book, a necessary reading and a path breaking piece of scholarship." (Patrice Nganang, co-author of German Colonialism Revisites)
"A brilliant contribution to genocide studies and post-colonial studies scholarship." (Carol Rittner, Distinguished Professor Emerita of Holocaust and Genocide Studies Stockton University)
"Important and timely." (Jeremy Silvester, Museums Association of Namibia)
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- The Storytellers Who Shaped the Past
- By: Richard Cohen
- Narrated by: Richard Cohen
- Length: 26 hrs and 8 mins
- Unabridged
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Overall4.5 out of 5 stars 42
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Performance4 out of 5 stars 37
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Story4.5 out of 5 stars 35
There are many stories we can spin about previous ages, but which accounts get told? And by whom? Is there even such a thing as “objective” history? In this “witty, wise, and elegant” (The Spectator), book, Richard Cohen reveals how professional historians and other equally significant witnesses, such as the writers of the Bible, novelists, and political propagandists, influence what becomes the accepted record. Cohen argues, for example, that some historians are practitioners of “Bad History” and twist reality to glorify themselves or their country.
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5 out of 5 stars
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Missing 20 pages from book
- By Rick, Austin on 04-23-22
By: Richard Cohen
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War Without Mercy
- Race and Power in the Pacific War
- By: John W. Dower
- Narrated by: Tim Campbell
- Length: 13 hrs and 32 mins
- Unabridged
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Overall4 out of 5 stars 80
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Performance4.5 out of 5 stars 65
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Story4 out of 5 stars 64
War Without Mercy has been hailed by the New York Times as "one of the most original and important books to be written about the war between Japan and the United States." In this monumental history, professor John Dower reveals a hidden, explosive dimension of the Pacific War - race - while writing what John Toland has called "a landmark book...a powerful, moving, and evenhanded history that is sorely needed in both America and Japan."
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1 out of 5 stars
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War without Mercy
- By rbergen on 05-02-17
By: John W. Dower
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On the Natural History of Destruction
- By: W. G. Sebald, Anthea Bell - Translator
- Narrated by: Simon Vance
- Length: 4 hrs and 30 mins
- Unabridged
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Overall4.5 out of 5 stars 28
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Performance4.5 out of 5 stars 25
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Story4.5 out of 5 stars 25
On the Natural History of Destruction is W.G. Sebald's harrowing and precise investigation of one of the least examined "silences" of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This void in history is in part a repression of things - such as the death by fire of the city of Hamburg at the hands of the RAF - too terrible to bear.
By: W. G. Sebald, and others
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When Montezuma Met Cortes
- The True Story of the Meeting That Changed History
- By: Matthew Restall
- Narrated by: Steven Crossley
- Length: 16 hrs and 6 mins
- Unabridged
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Overall4.5 out of 5 stars 82
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Performance4.5 out of 5 stars 72
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Story4.5 out of 5 stars 72
In 1519, the Spanish conquistador Hernando Cortés first met Montezuma, the Aztec emperor, at the entrance to the capital city of Tenochtitlan. This introduction - the prelude to the Spanish seizure of Mexico City and to European colonization of the mainland of the Americas - has long been the symbol of Cortés' bold and brilliant military genius. Montezuma, on the other hand, is remembered as a coward who gave away a vast empire and touched off a wave of colonial invasions across the hemisphere. But is this really what happened?
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3 out of 5 stars
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Flawed, but worth it for those interested.
- By "J" on 02-16-18
By: Matthew Restall
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This Republic of Suffering
- Death and the American Civil War
- By: Drew Gilpin Faust
- Narrated by: Lorna Raver
- Length: 10 hrs and 54 mins
- Unabridged
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Overall4.5 out of 5 stars 295
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Performance4 out of 5 stars 197
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Story4.5 out of 5 stars 197
During the Civil War, 620,000 soldiers lost their lives - equivalent to six million in today's population. This Republic of Suffering explores the impact of the enormous death toll from material, political, intellectual, and spiritual angles. Drew Gilpin Faust delineates the ways death changed not only individual lives but the life of the nation and describes how a deeply religious culture reconciled the slaughter with its belief in a benevolent God.
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5 out of 5 stars
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a unique civil war perspective
- By D. Littman on 04-21-08
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At the Existentialist Café
- Freedom, Being, and Apricot Cocktails
- By: Sarah Bakewell
- Narrated by: Antonia Beamish
- Length: 14 hrs and 39 mins
- Unabridged
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Overall4.5 out of 5 stars 1,048
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Performance4.5 out of 5 stars 922
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Story4.5 out of 5 stars 916
Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"
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4 out of 5 stars
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Consistent look at incoherent philosophy
- By Gary on 06-19-16
By: Sarah Bakewell
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Nothing Ever Dies
- Vietnam and the Memory of War
- By: Viet Thanh Nguyen
- Narrated by: P. J. Ochlan
- Length: 11 hrs and 57 mins
- Unabridged
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Overall4 out of 5 stars 83
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Performance4 out of 5 stars 71
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Story4 out of 5 stars 72
Nothing Ever Dies, Viet Thanh Nguyen writes. All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the best-selling novel The Sympathizer comes a searching exploration of a conflict that lives on in the collective memory of both the Americans and the Vietnamese.
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4 out of 5 stars
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Good, probably should be read and not listened to via audible for the best experience.
- By Tanya on 10-24-16
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Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
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Overall4.5 out of 5 stars 295
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Performance4.5 out of 5 stars 261
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Story4 out of 5 stars 260
In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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3 out of 5 stars
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An interesting take
- By CN on 07-30-19
By: W. Scott Poole
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Vasily Grossman and the Soviet Century
- By: Alexandra Popoff
- Narrated by: Stefan Rudnicki
- Length: 15 hrs and 44 mins
- Unabridged
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Overall4.5 out of 5 stars 62
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Performance5 out of 5 stars 57
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Story4.5 out of 5 stars 57
If Vasily Grossman's 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak's Doctor Zhivago and before Solzhenitsyn's Gulag. But Life and Fate was seized by the Russian KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the 20th century.
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5 out of 5 stars
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What? Nazism = communism?
- By James Messelbeck on 06-25-19
By: Alexandra Popoff
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The Man Who Invented Fiction
- How Cervantes Ushered in the Modern World
- By: William Egginton
- Narrated by: Michael Butler Murray
- Length: 8 hrs and 14 mins
- Unabridged
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Overall4.5 out of 5 stars 46
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Performance4 out of 5 stars 42
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Story4.5 out of 5 stars 41
In the early 17th century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a novel. It was the story of a poor nobleman, his brain addled from studying too many novels of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That story, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history.
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4 out of 5 stars
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Very Interesting and Informative, but Poorly Read
- By LCorSMT on 06-21-23
By: William Egginton
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Seven Myths of the Spanish Conquest
- By: Matthew Restall
- Narrated by: James Cameron Stewart
- Length: 8 hrs and 45 mins
- Unabridged
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Overall4 out of 5 stars 57
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Performance4 out of 5 stars 46
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Story4.5 out of 5 stars 46
Using a wide array of sources, historian Matthew Restall highlights seven key myths, uncovering the source of the inaccuracies and exploding the fallacies and misconceptions behind each myth. This vividly written and authoritative book shows, for instance, that native Americans did not take the conquistadors for gods and that small numbers of vastly outnumbered Spaniards did not bring down great empires with stunning rapidity. We discover that Columbus was correctly seen in his lifetime - and for decades after - as a briefly fortunate but unexceptional participant in efforts.
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4 out of 5 stars
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A good book marred by awful narration
- By Dr. Philip Fowler on 02-23-24
By: Matthew Restall
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Where the Jews Aren't
- The Sad and Absurd Story of Birobidzhan, Russia's Jewish Autonomous Region
- By: Masha Gessen
- Narrated by: Christina Delaine
- Length: 5 hrs and 52 mins
- Unabridged
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Overall4.5 out of 5 stars 54
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Performance4.5 out of 5 stars 47
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Story4.5 out of 5 stars 47
In 1929, the Soviet government set aside a sparsely populated area in the Soviet Far East for settlement by Jews. The place was called Birobidzhan. The idea of an autonomous Jewish region was championed by Jewish Communists, Yiddishists, and intellectuals, who envisioned a haven of post-oppression Jewish culture. By the mid-1930s tens of thousands of Soviet Jews, as well as about a thousand Jews from abroad, had moved there.
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4 out of 5 stars
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The Jewish World of Our Ancestors
- By Roberta L. Ruben on 06-16-18
By: Masha Gessen
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Practicing History
- Selected Essays
- By: Barbara W. Tuchman
- Narrated by: Wanda McCaddon
- Length: 12 hrs and 51 mins
- Unabridged
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Overall4.5 out of 5 stars 119
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Performance4.5 out of 5 stars 104
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Story4.5 out of 5 stars 102
Master historian Barbara W. Tuchman looks at history in a unique way and draws lessons from what she sees. This accessible introduction to the subject of history offers striking insights into America's past and present, trenchant observations on the international scene, and thoughtful pieces on the historian's role. Here is a splendid body of work, the story of a lifetime spent "practicing history".
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2 out of 5 stars
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Barbara Tuchman fan faced with reality
- By J. Whittle on 09-27-18
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Russia
- The Story of War
- By: Gregory Carleton
- Narrated by: James Cameron Stewart
- Length: 10 hrs and 35 mins
- Unabridged
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Overall4.5 out of 5 stars 103
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Performance4.5 out of 5 stars 88
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Story4.5 out of 5 stars 89
No nation is a stranger to war, but for Russians war is a central part of who they are. Their "motherland" has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world.
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4 out of 5 stars
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A bit dry and academic
- By Mike From Mesa on 07-16-17
By: Gregory Carleton
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Confronting the Classics
- Traditions, Adventures and Innovations
- By: Mary Beard
- Narrated by: Lynne Jenson
- Length: 12 hrs and 9 mins
- Unabridged
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Overall4 out of 5 stars 89
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Performance3.5 out of 5 stars 78
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Story4 out of 5 stars 77
One of the world's leading historians provides a revolutionary tour of the Ancient World, dusting off the classics for the twenty-first century. Mary Beard, drawing on thirty years of teaching and writing about Greek and Roman history, provides a panoramic portrait of the classical world, a book in which we encounter not only Cleopatra and Alexander the Great, Julius Caesar and Hannibal, but also the common people - the millions of inhabitants of the Roman Empire, the slaves, soldiers, and women.
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3 out of 5 stars
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Annoying narrator
- By Chris E on 02-27-15
By: Mary Beard
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Judgment Before Nuremberg
- The Holocaust in the Ukraine and the First Nazi War Crimes Trial
- By: Greg Dawson
- Narrated by: Gary Dikeos
- Length: 8 hrs and 3 mins
- Unabridged
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Overall4 out of 5 stars 183
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Performance4 out of 5 stars 170
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Story4.5 out of 5 stars 171
When people think of the Holocaust, they think of Auschwitz, of Dachau; and when they think of justice for this terrible chapter in history, they think of Nuremberg. Not of Russia or the Ukraine, and certainly not a town called Kharkov. But in reality, the first war-crimes trial against the Nazis was in this idyllic, peaceful Ukrainian city, which is fitting, because it is also where the Holocaust actually began.
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2 out of 5 stars
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Don’t Insult Your Audience
- By Michael Richards on 01-21-22
By: Greg Dawson
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Shadows at Dawn
- A Borderlands Massacre and the Violence of History
- By: Karl Jacoby
- Narrated by: Malcolm Hillgartner
- Length: 10 hrs and 20 mins
- Unabridged
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Overall4.5 out of 5 stars 79
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Performance4.5 out of 5 stars 65
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Story4.5 out of 5 stars 66
In April 1871, a group of Americans, Mexicans, and Tohono O'odham Indians surrounded an Apache village at dawn and murdered nearly 150 men, women, and children in their sleep. In the past century, the attack, which came to be known as the Camp Grant Massacre, has largely faded from memory. Now, drawing on oral histories, contemporary newspaper reports, and the participants' own accounts, prizewinning author Karl Jacoby brings this perplexing incident and tumultuous era to life to paint a sweeping panorama of the American Southwest.
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5 out of 5 stars
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An excellent coverage of early Arizona History.
- By AHB on 08-22-21
By: Karl Jacoby
What listeners say about The Genocidal Gaze
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall2 out of 5 stars
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Performance1 out of 5 stars
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Story2 out of 5 stars
- Cthulhu's slobber
- 07-22-19
Not for anyone interested in history
This reads as a sociological study of the concept of a "genocidal gaze". The author really wants to get her point across and repeats the term genocidal gaze or colonial gaze just about every other sentence. If you want to learn about intersectional studies and forcing history to match theory I'm sure this is fine. I was interested in the history of German colonialism and could not finish the book. The narrator also talked in a very fast monotone voice.
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