The Cold Room
Taylor Jackson, Book 4
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Narrado por:
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Joyce Bean
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De:
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J. T. Ellison
Thriller Award Winner, Best Paperback Original, 2011
Homicide detective Taylor Jackson thinks she's seen it all in Nashville—from the Southern Strangler to the Snow White Killer. But she's never seen anything as perverse as The Conductor. Once his victim is captured, he contains her in a glass coffin, slowly starving her to death. Only then does he give in to his attraction.
When he's finished, he creatively disposes of the body by reenacting scenes from famous paintings. And similar macabre works are being found in Europe. Taylor teams up with her fiancee, FBI profiler Dr. John Baldwin, and New Scotland Yard detective James "Memphis" Highsmythe, a haunted man who has eyes only for Taylor, to put an end to this horror.
Has the killer gone international with his craft? Or are there two "artists," competing to create the ultimate masterpiece?
©2010 J.T. Ellison (P)2010 Brilliance Audio, Inc.Los oyentes también disfrutaron:
Reseñas de la Crítica
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Ok
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Overall pretty good
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Addictive
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The writer does an adequate job in eliciting a bit of pity, and possibly, sympathy for the murderer along with requisite negative feelings and thoughts. There's an interesting racial component to the story which the author handles well, primarily; improvements could be made. But I have read/listened to much worse. And, unfortunately, people of greater cultural understanding and sensibility are too rare to expect in commonplace fiction.
As the book nears its culmination it moves overseas, and we get a sense of Italy, it's language, the sights, smells and tastes. The narrator handles it well, and it adds another layer to the story, albeit, an unnecessary layer.
There's a bit of an established romance between Baldwin, a male FBI agent, and Taylor, a female detective. But there's no explicitness sexually, and the relationship was less than half the focus of the story. As the book is closing, manufactured conflict in the romance comes to a head. So it becomes a bit more of the focus, unnecessarily. The author seemed to be trying to make the book something it wasn't or couldn't be. Here the story was at its worst. Still, Baldwin and Taylor are likeable characters. Taylor was described as 5'9 or 6' and has a scar while also considered stunning. So she wasn't entirely the "typical" beauty and heroine in EVERY way.
The book held my attention until one of the final reveals in the last 2+ hrs.; it was just so cliché. Also, I think the story could've been wrapped up a little sooner. And I was turned off by the compliment to a woman regarding her emotional strength when she was told that she was stronger than 10 men. So even emotional strength is based on a man too?
There's a small thread in the story that references an unrelated case, and that case is dangled as bate to continue with Taylor's story. I'm not interested.
Unusual mystery
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Good Story bit of everything
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