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The Art Angle

The Art Angle

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A weekly podcast that brings the biggest stories in the art world down to earth. Go inside the newsroom of the art industry's most-read media outlet, Artnet News, for an in-depth view of what matters most in museums, the market, and much more.2019 © Arte Política y Gobierno
Episodios
  • How Raphael Made—and Unmade—the Renaissance

    How Raphael Made—and Unmade—the Renaissance
    Apr 2 2026
    Raphael is one of those names that everyone knows. He is the prince of painters, a master of the High Renaissance. And the Metropolitan Museum of Art has given him the full blockbuster treatment in a highly anticipated exhibition called "Raphael: Sublime Poetry." The show is the first comprehensive international loan exhibition ever dedicated to him in the United States. There are 237 works in total—33 paintings, 142 drawings—and his Sistine Chapel tapestries. There are loans from the Louvre, the Vatican Museums, the Prado, the Uffizi, and the British Museum. Many of these works, according to the Met, have never been shown together, and some have never previously left Europe. Curated by Carmen C. Bambach, it took 17 years to assemble. No one quite captured divine beauty like Raphael did. But what is the story within the story of this artist who left indelible mark on western art? Kate Brown is joined by art critic and podcast co-host Ben Davis, who has just published a review of the exhibition, to dive into that question. Register for the live discussion: ⁠The Intelligence Report, Year Ahead 2026 Edition
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    39 m
  • Whitney Biennial Trends, a New Baroque Art Star, and Banksy Unmasked

    Whitney Biennial Trends, a New Baroque Art Star, and Banksy Unmasked
    Mar 26 2026
    Spring is upon us. March has seen a burst of big art events—the true start of a busy year. This week, Kate Brown and Ben Davis are joined by senior writer Eileen Kinsella to discuss some of the biggest art stories of the month. In this episode, will be discussing: — The 2026 Whitney Biennial, which opened at the beginning of the month. It always gives a snapshot of who’s in and who’s out, and what’s on curators minds. (I've written two pieces on it, here and here) — The rise of a new art historical art star: the Flemish baroque painter Michaelina Wautier (1604–1689). — And a new investigation that claims to definitively, absolutely, positively once and for settle the question of who Banksy really is. Do we think they did it? Does it matter?
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    43 m
  • Are We Entering a Post-Individual Era of Art?

    Are We Entering a Post-Individual Era of Art?
    Mar 19 2026
    The New Museum opens its new building this week. And it’s doing so with a big show called “New Humans: Memories of the Future,” about how artists rethought what it means to be human through technology. It’s a topic on a lot of people’s minds. Among the many artists whose visions feature in the show is Christopher Kulendran Thomas. Kulendran Thomas has a lot going on. Aside from the New Museum, he’s got another video installation up at the Museum of Modern Art right now, while last fall, his work “Peace Core” showed at Gagosian Gallery in New York. He also runs a project space, Earth, on the Lower East Side in New York and in Echo Park in L.A. Kulendran Thomas's works are complicated. They often feature paintings, inspired by A.I.-generated images. His video installations at MoMA and the New Museum involve deepfake interviews with celebrities like Taylor Swift, Kim Kardashian, or even other artists, together with documentary footage about Sri Lanka, where his family is from. Beneath all these complex parts, Kulendran Thomas is weaving together an ambitious and maybe even unsettling argument, about political systems, philosophy, technology, human creativity, post-human creativity, and where we might be heading in the future—as artists and as a civilization.
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    45 m
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