The Abominations of God

De: Ignatius Antiqua, Zarqnon The Embarrassed

Narrado por: Virtual Voice

Shyn: How can a vampire become a Christian? Aren't you guys allergic to religion? The whole Christianity makes me really uncomfortable.

Ebershem: I understand. Christians killed my family.

----------------------------------

• What would lead a vampire to follow "Izua ja Mashiak"?
• Why would he refuse to call himself Christians?
• Why would he use inverted crosses?
• Why does he refer to Down-Syndrome as a "Sacred Phenomenon"?
• Why does eating people with Sickle Cell make him sick?
• Why would he risk his life to help "daywalkers" who would kill him if they found out what he was?
• Where are they getting resources like internet and electricity?
• "So... are there any vampires who were actually around when Jesus was?"

----------------------------------
Within a hidden mountain community that endures in the shadows, humans live uneasily beside the djinn’Qhumarwi: an ancient, vampire‑like people born with dimensional abilities, regenerative biology, and a history soaked in both myth and blood.

A wounded outsider named Shyn awakens on the floor of a candlelit cabin, and finds a watchful eye of Ebershem jin Alaar, a centuries‑old djinn’Qhumarwi who has walked through violence, trauma, and redemption. What begins as a suspicious, terrified exchange unfolds into a deep, often humorous, sometimes brutal dialogue about identity, morality, faith, and what it means to belong.

Through Ebershem’s memories—of persecution, lost family, ancient mentors, fractured dimensions, cult uprisings, and the mysterious Chalice that can trigger aging in an immortal race—Shyn is drawn into a world where science, myth, and theology collide. The village itself is a tapestry of contrasts: hydroelectric dams beside primitive cabins, woodshops and gardens shared by humans and vampires, veiled figures hiding genetic anomalies, and children of both species laughing between rows of nightshade and gourds.

But beneath the quiet rhythms of communal life lies a deeper thread: the struggle to forgive, to heal, and to exist without being devoured—literally or figuratively—by those who fear the unfamiliar.

The Abominations of God is a character‑driven, speculative drama blending supernatural worldbuilding with philosophical intimacy. Through dark humor, tender vulnerability, and relentless questioning, it explores Identity, brokenness and what it means to be labeled a monster—or an abomination—and still hope for acceptance.

*** Advisory: Yes, this is a vampire style book, so it will have discussions about blood. but it also discusses other topics which may be of offensive nature, including suicide, identity issues, disabilities and genetic complications, religious topics, and other philosophical subjects. It does not contain any nudity or sexual content ***