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Teatro grottesco
- Narrated by: Alberto Caneva
- Length: 9 hrs and 49 mins
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Publisher's summary
Autore di culto della letteratura americana contemporanea, restio alle attenzioni dei media ma autenticamente seminale - suoi gli incubi che hanno ispirato la prima stagione di "True Detective" -, Thomas Ligotti è unanimamente considerato l'unico, grande successore di Edgar Allan Poe e H.P. Lovecraft. Lontano dalle atmosfere urbane e quotidiane che caratterizzano l'opera di Stephen King, Ligotti fa sua la lezione dei maestri del passato e mette il lettore di fronte a un orrore che non ha forma né volto né contorno, un orrore che non si può dire, a stento pensare, e che ha nell'assoluta indeterminatezza la radice della presa angosciante che esercita sulla nostra immaginazione.
In "Teatro grottesco" l'orrore nasce da seminterrati in cui il buio e l'umido hanno prodotto una vita brulicante che aspetta di insinuarsi nel nostro mondo; da isolate, solitarie fabbriche nelle cui viscere si producono artefatti meccanici dagli scopi imperscrutabili; da catene di montaggio in cui la presenza umbratile di misteriosi supervisori è così schiacciante da trasformare l'uomo in ingranaggio; da cittadine in cui la vita è una messinscena e solo quanto accade sui palcoscenici di una fiera itinerante è reale. Gli abitanti di questo mondo dalla mente impazzita e il cuore selvaggio si muovono in retrobottega fiocamente illuminati, lungo le pareti di bar fumosi, in gallerie d'arte dall'aspetto sinistro, al centro di paludi dove sopravvivono culti antichi e innominabili, tutti alla ricerca disperata di un senso che sembra perennemente alla loro portata e che, pure, è loro perennemente precluso.
In questa geografia che ha perso perfino la precisione toponomastica del New England di Lovecraft, e che si può riconoscere soltanto per il nero del cielo e il grigio della terra, la morte è un canto e la vita un carnevale; di autentico non rimane che l'arte, sembra suggerirci Ligotti, nella cui prosa scabra quanto barocca si celebra, nell'impossibilità ormai di esorcizzarlo, il declino di ogni facile antropocentrismo e, in ultima istanza, dell'Occidente.
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Story
You wouldn’t think events happening years apart, at points in the solar system hundreds of millions of miles distant, would have anything to do with each other. When she was six, Daphne was taken into a neighbor’s tool shed and came within seconds of never coming out alive. Most of the scars healed. Except for the one that went all the way through. You wouldn’t think that the serial murders of children and the one who got away would have any connection with the strange fate of one of Jupiter’s moons.
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What. The. Hell. Is. Going. On???
- By Woozle_Wuzzle on 03-06-21
By: Brian Hodge
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Gateways to Abomination
- By: Matthew M. Bartlett
- Narrated by: Jon Padgett
- Length: 3 hrs and 21 mins
- Unabridged
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Welcome to Leeds, Massachusetts, where the drowned walk, where winged leeches blast angry static, where black magic casts a shadow over a cringing populace. You've tuned in to WXXT. The fracture in the stanchion. The drop of blood in your morning milk. The viper in the veins of the Pioneer Valley.
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Bartlett's Awesome - Padgett Makes Him Even Better
- By Michael Hicks on 12-18-19
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A Collapse of Horses
- A Collection of Stories
- By: Brian Evenson
- Narrated by: Neil Shah
- Length: 8 hrs and 22 mins
- Unabridged
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A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).
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It was ok
- By Anonymous User on 03-13-24
By: Brian Evenson
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The Weird and the Eerie
- By: Mark Fisher
- Narrated by: Tom Lawrence
- Length: 4 hrs and 27 mins
- Unabridged
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What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.
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clear but mispronounced
- By SLV on 01-02-20
By: Mark Fisher
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Corpsemouth and Other Autobiographies
- By: John Langan
- Narrated by: Matt Godfrey
- Length: 13 hrs
- Unabridged
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John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.
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Finally more John Langan in audiobook form
- By Anonymous User on 09-10-23
By: John Langan
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Audition
- By: Ryu Murakami, Ralph McCarthy - translator
- Narrated by: David Shih
- Length: 4 hrs and 56 mins
- Unabridged
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In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.
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Adequate?
- By Evan Runyon on 01-04-22
By: Ryu Murakami, and others
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Horrorstör
- By: Grady Hendrix
- Narrated by: Tai Sammons, Bronson Pinchot
- Length: 6 hrs and 16 mins
- Unabridged
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Something strange is happening at the Orsk furniture superstore in Cleveland. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Brooka glassware, and vandalized Liripip sofa beds—clearly someone, or something, is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-till-dawn shift and encounter horrors that defy imagination.
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For Those of Us Who've Spent Too Much Time in IKEA
- By Dave on 03-08-16
By: Grady Hendrix
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Song for the Unravelling of the World
- Stories
- By: Brian Evenson
- Narrated by: Mauro Hantman
- Length: 7 hrs and 14 mins
- Unabridged
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A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.
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Short but satisfying
- By Prometheus on 10-28-23
By: Brian Evenson
What listeners say about Teatro grottesco
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 04-23-23
Not in English.....
Frustrating, to say the least. I thought this would be in English, as the title is in Italian either way
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- Elizabeth Whinery
- 07-30-22
didn't realize it was not in English, and now I do
didn't know it wasn't in English and now I don't know how to remove it from my que. quite frustrating I must admit.
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