Meg Wolitzer presents stories that take the idea of “the magic of fiction” literally—or literarily. The British writer Penelope Lively offers up a tricky combination of love and real estate in “The Third Wife,” performed by real-life husband and wife Patricia Kalember and Daniel Gerroll. The only “trick” in our next story, “Tempo,” by R.O. Kwon, is the trick the mind plays when it wishes the present would restore a lost bit of the past. The reader is Hettienne Park. And Dave Eggers’ “The Alaska of Giants and Gods” includes a real magic act, but also the longing for some other kind of magic, misplaced on a rocky road, to be restored. Kate Burton reads.

Meg Wolitzer presents four works that consider various forms of risk, and risk taking. In “Clicking on Heaven’s Door,” by Anand Giridharadas, performed by Negin Farsad, the pearly gates require an online account, a password, a security question…you get the idea. “The Stand-In,” by Gerald Jones and Jean Marple, imagines a unique job. It’s read by Tony Hale. David Sedaris creates the ultimate in well-meant interference in other people’s lives—oh, and there’s a parrot. “Farnsworth” is read by Jessica Keenan Wynn. And—dining at the end of the world. Where’s the waiter? Robin Hemley’s “The Last Customer,” is read by Jane Curtin and Mike Doyle.

Meg Wolitzer presents stories by the incomparable Margaret Atwood, drawn from SELECTED SHORTS’ archives and a live performance evening hosted by the author. “There Was Once” is a brief satire about the art of writing and the importance of free speech. It’s performed by René Auberjonois, Zach Grenier, and Jane Kaczmarek. “Widows,” performed by Ellen Burstyn, is a delicate and ironic tale in which a recently widowed woman becomes accustomed to her new role. And Atwood is in full dystopian throttle in “Freeforall” where reproductive rights have become a matter of life and death. The reader is Becky Ann Baker. Portions of Atwood’s onstage talk with fellow writer A.M. Homes are also featured, and the full interview is available as a bonus on our podcast.