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The Scar
- Narrated by: Jonathan Davis
- Length: 15 hrs and 17 mins
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Publisher's summary
Reaching far beyond sword and sorcery, The Scar is a story of two people torn by disaster, their descent into despair, and their re-emergence through love and courage.
Sergey and Marina Dyachenko mix dramatic scenes with romance, action and wit, in a style both direct and lyrical. Written with a sure artistic hand, The Scar is the story of a man driven by his own feverish demons to find redemption and the woman who just might save him. Egert is a brash, confident member of the elite guards and an egotistical philanderer. But after he kills an innocent student in a duel, a mysterious man known as “The Wanderer” challenges Egert and slashes his face with his sword, leaving Egert with a scar that comes to symbolize his cowardice. Unable to end his suffering by his own hand, Egert embarks on an odyssey to undo the curse and the horrible damage he has caused, which can only be repaired by a painful journey down a long and harrowing path.
Plotted with the sureness of Robin Hobb and colored with the haunting and ominous imagination of Michael Moorcock, The Scar tells a story that cannot be forgotten.
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- Length: 14 hrs and 56 mins
- Unabridged
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A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells.
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The Book of Irish Fantasy
- By S. Wells on 12-10-12
By: R. A. MacAvoy
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The Seven Wonders
- A Novel of the Ancient World
- By: Steven Saylor
- Narrated by: Stephen Plunkett
- Length: 12 hrs and 16 mins
- Unabridged
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USA Today hails Steven Saylor as a “modern master of historical fiction.” Rich in intrigue and period detail, his novels set in ancient Rome have garnered acclaim the world over. A prequel to his epic Roma Sub Rosa series, The Seven Wonders follows series star Gordianus the Finder as an 18-year-old traveling the Mediterranean to witness the wonders of that fabled age. At each stop, the young investigator finds a beguiling mystery that pushes his powers of deduction to the limit.
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Interesting History, Not much of a story
- By Mark on 08-10-12
By: Steven Saylor
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Markswoman
- Asiana, Book 1
- By: Rati Mehrotra
- Narrated by: Emily Woo Zeller
- Length: 11 hrs and 5 mins
- Unabridged
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Kyra is the youngest Markswoman in the Order of Kali, a highly trained sisterhood of elite warriors armed with telepathic blades. Guided by a strict code of conduct, Kyra and the other Orders are sworn to protect the people of Asiana. But to be a Markswoman, an acolyte must repudiate her former life completely. Kyra has pledged to do so, yet she secretly harbors a fierce desire to avenge her dead family. When Kyra's beloved mentor dies in mysterious circumstances, and Tamsyn, the dangerous Mistress of Mental Arts, assumes control, Kyra is forced on the run.
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Everything I look for in a fantasy series!
- By Shawscribbles on 02-11-18
By: Rati Mehrotra
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House of Furies
- By: Madeleine Roux
- Narrated by: Billie Fulford-Brown
- Length: 8 hrs and 36 mins
- Unabridged
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After escaping a harsh school where punishment was the lesson of the day, 17-year-old Louisa Ditton is thrilled to find employment as a maid at a boardinghouse. But soon after her arrival at Coldthistle House, Louisa begins to realize that the house's mysterious owner, Mr. Morningside, is providing much more than lodging for his guests. Far from a place of rest, the house is a place of judgment, and Mr. Morningside and his unusual staff are meant to execute their own justice on those who are past being saved.
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One of the characters is Satan..lots of the occult
- By Angela Briggs on 07-25-19
By: Madeleine Roux
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Shadowmarch
- Shadowmarch, Volume I
- By: Tad Williams
- Narrated by: Dick Hill
- Length: 29 hrs and 19 mins
- Unabridged
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For generations the misty Shadowline has marked the boundary between the lands of men and the lost northern lands that are the lair of their inhuman enemies, the ageless Qar. But now that boundary line is moving outward, threatening to engulf the northernmost land in which humans still live - the kingdom of Southmarch.
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It's the characters that matter...
- By JC on 11-09-10
By: Tad Williams
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Transformation
- Rai-Kirah, Book 1
- By: Carol Berg
- Narrated by: Kevin Stillwell
- Length: 16 hrs and 34 mins
- Unabridged
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Seyonne is a man waiting to die. He has been a slave for 16 years, almost half his life, and has lost everything of meaning to him: his dignity, the people and homeland he loves, and the Warden's power he used to defend an unsuspecting world from the ravages of demons. Seyonne has made peace with his fate. With strict self-discipline he forces himself to exist only in the present moment and to avoid the pain of hope or caring about anyone.
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Seriously Excellent
- By Sharon on 09-25-13
By: Carol Berg
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A Shadow on the Glass
- The View From the Mirror Quartet, Book 1
- By: Ian Irvine
- Narrated by: Grant Cartwright
- Length: 21 hrs and 26 mins
- Unabridged
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Once there were three worlds, each with their own human species. Then, fleeing out of the void came a fourth species, the Charon. Desperate, on the edge of extinction, they changed the balance between the worlds forever. Karan, a sensitive with a troubled heritage, is forced to steal an ancient relic in repayment of a debt. It turns out to be the Mirror of Aachan, a twisted, deceitful thing that remembers everything it has ever seen.
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Not quite good enough.
- By Scott S. on 03-13-12
By: Ian Irvine
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Bloodleaf
- By: Crystal Smith
- Narrated by: Nicola Barber
- Length: 10 hrs and 35 mins
- Unabridged
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Princess Aurelia is a prisoner to her crown and the heir that nobody wants. Surrounded by spirits and banned from using her blood-magic, Aurelia flees her country after a devastating assassination attempt. To escape her fate, Aurelia disguises herself as a commoner in a new land and discovers a happiness her crown has never allowed. As she forges new bonds and perfects her magic, she begins to fall for a man who is forbidden to rule beside her.
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Not Understanding All the Praise
- By GPChlorine on 08-23-19
By: Crystal Smith
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The Second Generation
- By: Margaret Weis, Tracy Hickman
- Narrated by: Gabra Zackman
- Length: 16 hrs and 31 mins
- Unabridged
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Years have passed since the end of the War of the Lance. The people of Ansalon have rebuilt their lives, their houses, their families. The Companions of the Lance, too, have returned to their homes, raising children and putting the days of their heroic deeds behind them. But peace on Krynn comes at a price. The forces of darkness are ever vigilant, searching for ways to erode the balance of power and take control. When subtle changes begin to permeate the fragile peace, new lives are drawn into the web of fate woven around all the races.
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Good story
- By Tom Hiltbrunn on 01-04-15
By: Margaret Weis, and others
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Moonburner
- By: Claire Luana
- Narrated by: Emma Lysy
- Length: 9 hrs and 55 mins
- Unabridged
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When 17-year-old Kai is exposed as a female sorceress, a moonburner, she knows the punishment is death. Despite the odds against her, Kai escapes her fate and undertakes a harrowing journey to a land where moonburners are revered and trained as warriors. But the moonburner citadel is not the place of refuge and learning that Kai imagined.
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Excellent!!
- By Natalie @ ABookLoversLife on 11-07-16
By: Claire Luana
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Angelique's Descent
- By: Lara Parker
- Narrated by: Lara Parker
- Length: 16 hrs and 18 mins
- Unabridged
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The dashing heir of a New England shipping magnate, Barnabas Collins captures the heart of the exquisite, young Angelique amidst the sensual beauty of Martinique, her island home. But Angelique's brief happiness is doomed when Barnabas deserts her and becomes engaged to another. With this one betrayal, Barnabas unleashes an evil that will torment him for all time.
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I loved this!
- By Alabama purchaser on 07-19-15
By: Lara Parker
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The Oremere Chronicles Omnibus
- The Complete Series
- By: Helen Scheuerer
- Narrated by: Angele Masters
- Length: 52 hrs and 4 mins
- Unabridged
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At 16, Bleak lost the only person she cared for when her mentor died at sea. Now 19, she still misses him terribly. She needs him more than ever. That’s why Bleak drinks. But the haze of the mead and wine has hidden something from her. Her powers have grown more than she knows. Others have noticed. When the king sends his top commander to take her, Bleak is too hungover to resist. But he isn’t the only one who needs her for their plans. What does he want?
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“Whut?”
- By Anonymous User on 02-08-23
By: Helen Scheuerer
What listeners say about The Scar
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Robert
- 08-13-12
Highly, highly, Highly Recommended
This was one extraordinary book, one that I could not stop reading / listening to.
While this husband and wife team have been writing and receiving awards for books since 1994, their works are, for the most part, in the Ukrainian and Russian languages. Written in 1997, The Scar is apparently the first to be translated into English and has only come to Western shores this year. While this is the middle book of a trilogy, unlike other trilogies, this installment stands quite well on its own though I hope that the remaining installments become available in English. I cannot wait to read them. These are masterful writers.
While not one for spoilers, I will only say that this is a book of the fantasy genre that, while there is sorcery and sword-fighting, none of it is gratuitous. While there is a great deal about love, there is not too much romance. For my liking, all of these were good attributes. The book is about great courage and great cowardice, self-discovery and redemption. This is a wonderfully rich and vivid story about our humanity, our psychology and the nature of both. For me, perhaps the most powerful aspect of the book had to do with the power of forgiveness. This is story-telling at its best.
When beginning to listen to this book, I was already engaged (but not engrossed) in listening to one and reading another literary work of fiction. I was becoming drained by the complexity and work that I had to put into both. The Scar’s simplicity allowed me to just relax and enjoy one of the more remarkable books I have read/listened to. While simple in its parable-, morality play-like nature, it still had the depth and richness of quintessential Russian literature. The characters are richly and completely drawn. The plot is riveting, surprising and unpredictable to the end. The prose, perhaps owing to the translation by Elinor Huntington, is engrossing, lyrical and poetically beautiful.
The narration by Jonathan Davis did justice to the book. Sometimes narrators are so good that they draw one’s focus away from the book and toward the performer. For the most part, that was not the case with this selection. The narrator disappeared and the book revealed itself in all of its beauty. I will say this, though, there are passages in which the narrator’s voice became possibly a bit too stentorian. That was a distraction for me but the passages were few and far between. I think that it was a personal thing and I will not dock him for it. He did a superb job.
Rating this book is difficult for me. Thinking out loud, I would like to give it 5 stars but I gave that number to The Brothers Karamazov. 4 stars might suggest that the book was less than stellar. I would like to rate it within the context of the rest of the trilogy because of some unmentioned comments but two-thirds of that are unavailable. So, in the interest of enticing you to rather than dissuading you from reading this masterpiece, my fine reader of reviews, 5 Stars it is. You will not be disappointed.
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- Aaron
- 03-01-12
top 10
I have been searching for a decent book since the king killer chronicles and i would put this book up there with those. well written.
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32 people found this helpful
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- Jacobus
- 03-16-12
Its beauty lies in its simplicity
In my opinion ???The Scar??? is a beautiful gripping fairy tale. It has a simple storyline with very subtle twists at exactly the right places. The themes of love and hate, valour and cowardice, curses and blessings, vengeance and forgiveness, integrity and falsehood is woven in an integrate pattern of beautiful storytelling.
I enjoyed how Sergey Dyachenko and Marina Dyachenko used metaphors and similes to describe the life experiences of the main character Egert. I caught myself every now and then thinking, ???This description or that way of saying something is spot on.??? I couldn???t help myself to rewind to listen again to some of the ???ear candy??? in this book.
The story is woven around a man called Egert. The tremendous development that Egart undergoes through the story kept me spellbound for hours. It felt very authentic. I liked the fact that the authors didn???t rush to resolve tensions in the story. Instead, the story builds up to grant finale that satisfy the listener. It makes you hope that there will be a sequel to this book.
Where books in the English world tend to have more complicated plots, ???The Scar???s??? beauty lies in its simplicity. It???s an unpolluted minimalistic gem.
I am pleasantly surprised on how well Jonathan Davis narrated the book. I???ve listened to him narrating a Political Science book previously. It would have said that it is the same person. Here he comes to right.
This book comes highly recommended! If you are looking for good storytelling, a gripping story with subtle twists, don???t hesitate to buy ???The Scar.??? Be warned, you might not want to stop listening until you???ve finished the story.
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- Randall
- 04-26-12
A fantastic of the struggle for redemption
Where does The Scar rank among all the audiobooks you’ve listened to so far?
I would rank it as an 8 out of 10: it was not as entertaining as some books, but its deeper points really struck home. It is not exactly a light read, and many of the scenes were difficult to listen to because of the heartrending situations. I strongly recommend it for anyone interested in a story dealing with concepts of morality as opposed to just an entertaining page turner.
Which character – as performed by Jonathan Davis – was your favorite?
Jonathan Davis really brings to life the emotions of Egert: his pride, exhuberance, anguish, and hopelessness as the scene requires. He does an excellent job over the full range required, and adds a significant depth to the scenes.
Was this a book you wanted to listen to all in one sitting?
This book was not as difficult as some to put down simply because there were some significant lulls in the story. It isn't all action like the more entertaining page-turners, however, that doesn't detract from the true quality of the story.
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- Ryan
- 03-22-13
Crime and punishment
Several people whose opinions I respect gave this novel high marks, and I agree with them. The Scar was originally written by Ukrainian authors in the 1990s, and has a folkloric, parable-like character that makes for a somewhat different reading experience from typical American or British fantasy.
Its protagonist is a young, swaggering nobleman named Egert, who’s quite skilled with a sword and at seducing the wives of other men, but has little real respect for anyone. After making a bullying pass at the beautiful fiancee of a student, he ends up in duel with the student, and kills the young man, who isn’t a very capable fighter. This attracts the attention of a mysterious traveler, who curses Egert with the affliction most shameful to him: cowardice.
At first, Egert’s reduction to a terrified, contemptible wretch seems like his just deserts, but slowly the authors get us to pity, then empathize with him. Driven out of his hometown, he discovers a crushing human truth: that everyone has problems, and that his are of no great concern to the world. Ironically, the only place that welcomes him is the university he once disdained, where a kind professor and a few friendly students take him under their wing. But, troubles remain: he must once again face Toria, the fiancee of the student he killed, and a mysterious cult that has its own designs on him. Meanwhile, the curse of cowardice keeps its claws in him, its cure seemingly requiring that he find the one who bestowed it.
The Dyachenkos’ level of artistry is impressive. Even in translation, the writing, imagery, and metaphor have a timeless, lyrical quality that make the world breath with familiarity and meaning. The central characters struggle with their inner conflicts in a way that's complex and has thematic depth. As with other (translated) Russian-sphere novels I've read, there seems to be some implicit commentary on the human condition, though I lack the cultural insight to grasp the full perspective.
The world-building is a little basic compared to other fantasy, but the universe that the Dyachenkos create has enough colorful bits that I'd be glad to visit again (apparently, they’ve set other books in it). I enjoyed the dramatic conclusion, which offers a chance at redemption to Egert, though not without cost to him, Toria, and other characters, and left me contemplating the differences between simple fear and true moral cowardice. I thought there were also good questions about how bad experiences, even deeply regrettable ones, can lead to purpose that might not have been found otherwise.
While The Scar isn't quite complex enough to break out of its fairy-tale-for-grownups mold, it's very good, and I'd recommend it to fans of Patrick Rothfuss, Gene Wolfe, and Paolo Bacigalupi's The Alchemist. I should also mention that I've gotten to be a fan of audiobook narrator Jonathan Davis, who has read for several of the aforementioned authors, and has a languid, almost hypnotic, yet expressive voice that I consider an excellent fit for fantasy-that-gets-you-to-think. In fact, I have a hard time separating his performance from several books I've enjoyed in the recent past.
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18 people found this helpful
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- Holly Butterfly
- 05-08-12
Put the effort in, you'll get rewarded
What was the most interesting aspect of this story? The least interesting?
The most interesting aspect of the story is how Edgart deals with his curse and how he overcomes it.
The least interesting is the authors' long winded way of storytelling. Sometimes it seemed like it took forever for something interesting or relevant to happen. All of the action happens in the last quarter of the book.
Which scene was your favorite?
My favorite scenes are when Edgart has a swordfight/confrontation with the "Stranger" and the last few chapters of the book. Edgart's transformation or recovery from his scar is timed well.
Was this a book you wanted to listen to all in one sitting?
This book was hard to listen to all in one sitting. I took breaks, reread some of the reviews, and stuck with it to the end. Many people said that it gets better as the story evolves.
Any additional comments?
The narrator Jonathan Davis was fabulous. He was the reason I stuck with the story, instead of abandoning it. His style of narration made me feel like I was sitting around a campfire listening to the tribal elder or tribal storyteller weave a tale passed down through generations.
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- Amber
- 09-10-12
Beautifully translated & narrated!
Download this book for the sheer beauty of listening to it-- it's such an aesthetic pleasure the story hardly matters. I suspect Jonathan Davis could narrate a dishwasher assembly manual and make it enthralling. Davis's exposition is like a gently flowing sylvan stream beckoning the listener to explore its charming bends. On the other hand, listening to his dialog is more like listening to a dramatic reading of a play than a book, the voices of the characters are so distinct and read with such drama. After listening to this book, I checked out samples of some of his other narrations and found them good, but not nearly as entrancing as the voice he takes on for this book. More, please! The only downside is that his dialog is SO dramatic it often goes from a shout to a murmur, sometimes quite quickly. While the performance is wonderful, the extreme volume changes can create a logistical headache. Some of the quieter conversations, particularly involving female characters, required me to dial the volume way up.
I also think I have literally never read a book translated from another language that flows so beautifully and has such a lovely and natural style of prose. Translator Elinor Huntington did a wonderful job, and I expect she took some significant translational liberties with the text to ensure that flow. The language and phrasing is an interesting blend of modern and archaic, but always apt and never stilted. I don't speak or read a word of Russian, but I'd give an eyetooth to know how much of the credit for this lyrical beauty should go the Dyachenkos and how much Huntington imposed.
Oh yes, you want to know if the story is any good. It's... fine. It's a simple, almost fable-like archaic tale of courage, cowardice, and redemption that is a perfect vehicle for Huntington's wonderful translation and Davis's marvelous narration. I felt the biggest weakness was that the main character, Egert Soll, is not particularly likeable at any point during the story, He goes from being an arrogant jackass to a sniveling self-loathing worm, and it is never easy to feel much sympathy for him or understand how the female lead could fall for him, particularly given their history. Despite this, I was reasonably engaged by the story until the very end, when I felt the final denouement was fundamentally unsatisfying.
The Bottom Line: Proof that an "okay" story, perfectly told, becomes something much more than just okay.
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- Peppermint
- 03-15-12
Highly enjoyable!
Would you recommend this audiobook to a friend? If so, why?
Yeah, definitely. As a matter of fact, I already did.What I enjoyed most about this book was it's generous dose of originality. In addition the character development is both drastic and still believable and Jonathan Davis' job as a narrator was excellent. I am looking forward to hearing more both from him and from the authors who I now count as part of my favorites.
What was one of the most memorable moments of The Scar?
Egert driving in a coach that is stopped by robbers.
Which character – as performed by Jonathan Davis – was your favorite?
Jonathan Davis did such a good job, it's difficult to say. Egert's change of character is very lifely performed, easy to grasp not only in what he says but also how he says it. But I also liked to Wanderers cold voice.
Was this a book you wanted to listen to all in one sitting?
Not at first. Egert's...well... predicament made me stop more than once in the beginning, feeling too ashamed for Egert to listen on. But I always did listen in the end, and later I didn't stop until well into the night.
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- NC
- 09-15-12
A Series Worth Waiting For
If you've been bemoaning the wait for the next Patrick Rothfuss book, or wondering why nothing modern ever reads like Tolstoy or Dostoevsky, read this. The Scar is epic in a personal sense, lyrically haunting, and felt on every human level. Jonathan Davis did an amazing job at narration, catching the emotional nuances. I now count this among my favorite books, and Davis among my favorite narrators.
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- tazzer
- 08-15-12
a different twist
Would you listen to The Scar again? Why?
I would listen again if only to hear the narrator. You can get lost in the story with his talent.
The story reads like an adult fable and fantasy adventure.
What was one of the most memorable moments of The Scar?
Egerts dual with Dynar(?). after which you can't decide if you are disgusted with him, pity him or are sympathetic to his story.
What about Jonathan Davis’s performance did you like?
he can really paint a picture of characters and situations with his inflections. he draws you into the story as if you were an eyewitness to the events.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Just kept me listening, and entertained.
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10 people found this helpful