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Sanaaq  By  cover art

Sanaaq

By: Mitiarjuk Nappaaluk, Bernard Saladin d'Anglure - introduction
Narrated by: Tiffany Ayalik
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Publisher's summary

Sanaaq is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people, in the mid-19th century. Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live their lives hunting seal, repairing their kayak, and gathering mussels under blue sea ice before the tide comes in. These are ordinary extraordinary lives: marriages are made and unmade, children are born and named, violence appears in the form of a fearful husband or a hungry polar bear. Here the spirit world is alive and relations with non-humans are never taken lightly. And under it all, the growing intrusion of the qallunaat and the battle for souls between the Catholic and Anglican missionaries threatens to forever change the way of life of Sanaaq and her young family.

©2014 Mitiarjuk Nappaaluk (P)2021 University of Manitoba Press

Critic reviews

“Despite being a figure of great literary and cultural importance, Mitiarjuk and her work are almost entirely unknown in English-speaking Canada.... Sanaaq may be read as an ethnographic or historical document, but to do so would be to miss the skill and complexity of the storytelling. The novel is a creative and critical intervention into the process of representing Inuit experience.” (Keavy Martin, Studies in Canadian Literature)

“This simply told tale captures the stark and sometimes brutal reality of life in the Far North.” (Monique Polak, Montreal Gazette)

“Sanaaq begins abruptly and ends with a spiritual release, and everything in between carries the reader along the life journey of a small community tangling with the paradoxes, juxtapositions, and day-to-day realities of northern colonialism while also re-affirming the livelihoods and knowledge that people use to assert local ways of knowing upon colonial actors. This novel, now available in English, is important reading for anyone wishing to better understand the trajectories and ironies of mid-twentieth century state projects to furnish 'welfare' to Canada’s northern peoples, and to understand how Inuit actors approached these new realities.” (Zoe Todd, University of Aberdeen, The Goose)

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  • 02-16-24

Insight into a female Inuk POV pre and early colonization.

I enjoyed hearing a language unfamiliar to me. I love learning languages, it is something that feeds my soul, so hearing plenty of Inuit vocabulary has opened a new door within my mind. Although the story line is not entirely engaging to me, I enjoyed the voice of the narrator and felt like I was able to be a fly on the wall observing respectfully a way of life I am greatly unfamiliar with. My critique is being written honestly because it’s better to not oversell, though I don’t want to discourage anyone from experiencing this book either. This is the first book published in the Inuit Language, Inuktitut, and it is written from a point of view with extreme authenticity (by a female Inuk of a female Inuk). This type of publication is important to support. This publication is one of our only windows into a way of life and culture that has been greatly adulterated and influenced by white colonization and the atrocities that the Inuit faced there after. If you’re interested in continuing on the story of culture that has persevered despite multidisciplinary efforts to snuff it out… then click for purchase, thereby, supporting the Author, the trans literary agent, the translators, the narrator, and the Inuit peoples of past, present, and future.

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