Reading Lolita in Tehran
A Memoir in Books
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Narrado por:
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Azar Nafisi
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De:
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Azar Nafisi
Los oyentes también disfrutaron:
Reseñas de la Crítica
“Remarkable . . . an eloquent brief on the transformative power of fiction.”—The New York Times
“An inspiring account of an insatiable desire for intellectual freedom.”—USA Today
“A poignant, searing tale about the secret ways Iranian women defy the regime. . . . [Nafisi] makes you want to rush back to all these books to experience the hidden aspects she’s elucidated.”—Salon
“A quietly magnificent book . . . [Nafisi’s] passion is irresistible.”—LA Weekly
“Stunning . . . a literary life raft on Iran’s fundamentalist sea . . . all readers should read it.”—Margaret Atwood
“Anyone who has ever belonged to a book group must read this book.”—Geraldine Brooks, author of Horse
“[A] vividly braided memoir . . . anguished and glorious.”—The New Republic
“Certain books by our most talented essayists. . . carry inside their covers the heat and struggle of a life’s central choice being made and the price being paid, while the writer tells us about other matters, and leaves behind a path of sadness and sparkling loss. Reading Lolita in Tehran is such a book.”—The Atlantic Monthly
“Transcends categorization as memoir, literary criticism or social history, though it is superb as all three . . . Nafisi has produced an original work on the relationship between life and literature.”—Publishers Weekly (starred review)
“Brilliant . . . So much is right with this book, if not with this world.”—The Boston Globe
“An intimate memoir of life under a repressive regime and a celebration of the vitality of literature . . . as rich and profound as the novels Nafisi teaches.”—The Miami Herald
“[Nafisi] reminds us why we read in the first place.”—Newsday
“I was enthralled and moved by Azar Nafisi’s account of how she defied, and helped others to defy, radical Islam’s war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom—as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher.”—Susan Sontag
“An inspiring account of an insatiable desire for intellectual freedom.”—USA Today
“A poignant, searing tale about the secret ways Iranian women defy the regime. . . . [Nafisi] makes you want to rush back to all these books to experience the hidden aspects she’s elucidated.”—Salon
“A quietly magnificent book . . . [Nafisi’s] passion is irresistible.”—LA Weekly
“Stunning . . . a literary life raft on Iran’s fundamentalist sea . . . all readers should read it.”—Margaret Atwood
“Anyone who has ever belonged to a book group must read this book.”—Geraldine Brooks, author of Horse
“[A] vividly braided memoir . . . anguished and glorious.”—The New Republic
“Certain books by our most talented essayists. . . carry inside their covers the heat and struggle of a life’s central choice being made and the price being paid, while the writer tells us about other matters, and leaves behind a path of sadness and sparkling loss. Reading Lolita in Tehran is such a book.”—The Atlantic Monthly
“Transcends categorization as memoir, literary criticism or social history, though it is superb as all three . . . Nafisi has produced an original work on the relationship between life and literature.”—Publishers Weekly (starred review)
“Brilliant . . . So much is right with this book, if not with this world.”—The Boston Globe
“An intimate memoir of life under a repressive regime and a celebration of the vitality of literature . . . as rich and profound as the novels Nafisi teaches.”—The Miami Herald
“[Nafisi] reminds us why we read in the first place.”—Newsday
“I was enthralled and moved by Azar Nafisi’s account of how she defied, and helped others to defy, radical Islam’s war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom—as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher.”—Susan Sontag
Featured Article: The top 100 memoirs of all time
Featured Article: The top 100 memoirs of all time
All genres considered, the memoir is among the most difficult and complex for a writer to pull off. After all, giving voice to your own lived experience and recounting deeply painful or uncomfortable memories in a way that still engages and entertains is a remarkable feat. These autobiographies, often narrated by the authors themselves, shine with raw, unfiltered emotion sure to resonate with any listener. But don't just take our word for it—queue up any one of these listens, and you'll hear exactly what we mean.
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The Handmaid's Tale is Real
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I enjoyed the author’s accent and vocal quality, but she tends to say things without emotion. It made listening a little bit frustrating (and occasionally confusing). She doesn’t vary her delivery very much — she was reading in a flat voice and then said, “she said vehemently.” No vehemence. No fervor. It’s bad enough that I think it negatively affected the whole experience. I really wanted to love the book! When I realized I could listen to the book at 1.25x speed, the experience really improved.
Another issue: I don’t necessarily care about every one of the novels they’re reading. If you’re not a MAJOR classic author fan, it has some dull moments. Perhaps if I’d read every novel the author references I would have enjoyed it more? It was interesting to hear people react to the books from their point of view and try to apply their morals to the novel.
The women in the book study group are interesting, but the author doesn’t flesh them out enough for you. She’s too busy ruminating. It’s more navel-gazing than I was really prepared for — she has whole passages where she’s questioning whether or not her memory is really what happened or if she’s tainting it. And while I understand she wanted to work through that... it’s boring. Yes, memory isn’t a stack of DVDs you can sort through and push play on to relive. They’re fluid. You impart your own bias. This is not a history book, and since she fills page after page with her own opinions in almost a dairy-like writing style anyway, what does it really matter? I wanted an interesting story about women living in Tehran, forming community and escaping through books... and it’s there, but it’s muddy.
Speed it up
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Excellent book
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I read for fun and entertainment so it may be just not my cup of tea .
Very Literary
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Authors narration. Context. Insightful. Epiphany of truth
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