What is the state of the stream-of-gags formula that used to stand tall in the films of the Zucker Brothers (mainly Airplane) and Mel Brooks? A new generation attempts to revive that with a new Naked Gun film. How does this new effort relate to the classic films?

Are these kinds of films particularly timeless? Rewatchable? Do young people appreciate this kind of thing? Mark, Lawrence, Sarahlyn, and (for the third or so) Al speculate wildly as usual.

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In light of the new James Gunn film Superman, Mark, Lawrence, Sarahlyn, and Al talk about the character, his stories, and past films and shows.

Did Zack Snyder (Man of Steel) miss the point? Are the Richard Donner films (chiefly 1978's Superman: The Movie) as good as nostalgia would have us recall them? How does one write a convincing plot centered around a flawless, basically all-powerful hero? How should the Lex Luthor character fit in?

Get an ad-free experience, plus bonus talking for this and nearly every episode at patreon.com/prettymuchpop for only the tiniest per-month financial pledge, or you can sign up directly with Apple Podcasts for a subscription for ad-free and bonus material for three of Mark's podcasts together on the Mark Lintertainment Podcasts Channel.

Purported the first summer blockbuster, Jaws has now hit 50 years, and so we discuss this wonderful early Spielberg film, its ill-conceived sequels, some of the making-of docs, and the legacy of shark/big carnivore films that it spawned.

Is the film as flawless as it's made out to be? Are the sequels as awful as typically described? Mark, Lawrence, Sarahlyn, and Al discuss!

Get an ad-free experience, plus bonus talking for this and nearly every episode at patreon.com/prettymuchpop for only the tiniest per-month financial pledge, or you can sign up directly with Apple Podcasts for a subscription for ad-free and bonus material for three of Mark's podcasts together on the Mark Lintertainment Podcasts Channel.