
Our Evenings
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Narrado por:
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Prasanna Puwanarajah
Acerca de esta escucha
A ‘Book of the Year’ for The Guardian, The Observer, The Times, Daily Express, The Spectator, The Financial Times, Daily Telegraph, New Statesman and the I
'I must confess my devotion immediately: I read every word this man writes. I wait for every new novel and the wait has been worth it: this is gorgeous. I simply love the way this man writes' – Russell T. Davies, writer and creator of It's A Sin
'The best novel that’s been written about contemporary Britain in the past ten years. It’s funny but desperately moving too' – The Sunday Times
Featured on Radio 4's 'Book at Bedtime'
Alan Hollinghurst, the Booker Prize-winning author of The Line of Beauty, brings us a dark, luminous and wickedly funny portrait of modern England through the lens of one man’s acutely observed and often unnerving experience. It is a story of race and class, theatre and sexuality, love and the cruel shock of violence, from one of the finest writers of our age.
Dave Win is thirteen years old when he first goes to stay with the sponsors of his scholarship at a local boarding school. This weekend, with its games and challenges and surprising encounters, will open up heady new possibilities, even as it exposes him to their son Giles’ envy and violence.
As their lives unfold over the next half a century, the two boys’ careers will diverge dramatically: Dave, a gifted actor struggling with convention and discrimination, Giles an increasingly powerful and dangerous politician.
Our Evenings is the intimate and touching story of Dave Win’s life as a schoolboy and student, his first love affairs, in London, and on the road with an experimental theatre company, and of a late-life affair, which transforms his sixties with a new sense of happiness and a perilous security.
Our Evenings entered the Sunday Times Fiction Hardback chart at #9 w/b 07-10-24.
Lo que los oyentes dicen sobre Our Evenings
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Ejecución
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Historia
- Arthur Begley
- 10-29-24
A very credible story beautifully read and interpreted
It felt very much a credible biography and commentary on life in the 1950s with all the historical nuances of prejudice both racial and gay.
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