Orfeo

De: Richard Powers

Narrado por: Christopher Hurt

In Orfeo, Powers tells the story of a man journeying into his past as he desperately flees the present. Composer Peter Els opens the door one evening to find the police on his doorstep. His home microbiology lab - the latest experiment in his lifelong attempt to find music in surprising patterns - has aroused the suspicions of Homeland Security. Panicked by the raid, Els turns fugitive. As an Internet-fueled hysteria erupts, Els - the "Bioterrorist Bach" - pays a final visit to the people he loves, those who shaped his musical journey. Through the help of his ex-wife, his daughter, and his longtime collaborator, Els hatches a plan to turn this disastrous collision with the security state into a work of art that will reawaken its audience to the sounds all around them.

©2014 Richard Powers (P)2014 Recorded Books

Music in Print

Orpheus plot line is a little stretched, but the re-telling of the story of Messiaen in WWII alone is worth the price of admission here. Other sections on music are equally insightful and evocative. Few if any written works have moved me more as an adult to delve into listening to multiple great works of music.

Narrative flow not best for audio

Somewhat different than I expected. A little disconnected for an audio book. Clever juxtaposition of music genetics and aging. Well narrated.

Surprising Richard Powers

the story had themes of the power of music, disconnection, aging, curiosity, creation and art. the characters were fresh and knowable, even the outrageous ones.

A new standard for a 5 star rating

What made the experience of listening to Orfeo the most enjoyable?

The words, the phrases, the sentences, the paragraphs, the chapters, the imagery---difficult to contain my review--so much beauty & depth

What other book might you compare Orfeo to and why?

A rare blend--Powers' knowledge of the musical and scientific rendered so masterfully that it is difficult to compare this brilliant literary contribution.

What about Christopher Hurt’s performance did you like?

I liked that his mispronunciations did not annoy me more.

Who was the most memorable character of Orfeo and why?

Peter Ells--professor extraordinaire—aware that in teaching others, one reveals his soul. Two warnings from the professor, that discovery leads to creation and fermatas reveal the beauty of the music remained with me and left me wondering what else he teaches.

Any additional comments?

The author’s generosity has helped me resurrect fond memories of Mahler, deepen my hopes in life’s mysteries and thank God for these glimpses of the divine.

Powers Delivers again

To me it started off a bit slow but crescendoed into a spectacular masterpiece. Richard Powers is the most cerebral author out there. His books always make you look at the world and the human species in a different way while challenging your intellect and narrating a gripping plot.

Wonder Meditation on the Power of Music and Prose

Richard Powers is a wonder and a joy to take in. Makes me want to go out and read more of his ....

Gorgeous Language & Wonderful Performance

I really loved this! The way Powers translates music into words is just amazing! Bravo, Meastro!

Plot very slow to develop

What was most disappointing about Richard Powers’s story?

I'm almost 6 hours into this novel and I still don't really know what's at stake or where we're going. I'm cheap, so I'll keep listening, but I may not make it to the end. The first chapter is probably the worst, as an old man, a composer, buries his dead dog. Now we're following the young composer's intellectual development. Lots of Music 101, some of which is interesting, some less so. But the drama, if there is one, has yet to announce itself.

Would you be willing to try another one of Christopher Hurt’s performances?

No. He's monotonous. I was listening in the car yesterday and nearly drove off the road as I fell into a stupor. Some of that might be that the book, which has very little dialog. So it's lots and lots of omniscient narration with little opportunity for varied voices.

Self indulgent and only a meh storyline.

Self indulgent and only a meh storyline. Entertaining writing with great word pictures but otherwise just okay.

Nature is a giant work of performance art

All my life I thought I knew what music was. But I was like a kid who confuses his grandfather with God @Terrorchord

No. Not everybody's jam, but for me it resonnated perfectly. It was like Powers gradually tightened the D-string on this novel, page-by-page, pushing the natural frequencies, abusing the harmonics, gradually twisting the wave harmonics of his prose to a point where the novel and its narrative explode and break at the very end. I will write more (add more pictures perhaps), yes I must write more tomorrow after I've thought about as I fall asleep. I want to think about it as I wake at 2 am to pee. For now? I need to wind-down. Deflate. Diminuendo.

Just know this book is a stage where Powers is able to exhibit his love for classical music and his theory that life, love, nature is a giant work of performance art with an infinite number of progressions, fugues, loops, expositions, derivatives, etc. All we need to do is to stop, listen and hear the music behind the silence, the songs stacked behind the infinite, the opera playing on the rocks that makes our cells vibrate together in a symphony of life and orchestration of possibility. Yes, I loved it