North by Shakespeare

A Rogue Scholar's Quest for the Truth Behind the Bard's Work

De: Michael Blanding

Narrado por: Will Collyer

From the acclaimed author of The Map Thief comes the true story of a self-taught Shakespeare sleuth's quest to prove his eye-opening theory about the source of the English language's most famous plays.

A work of gripping non-fiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community," and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.

For the last fifteen years, Dennis McCarthy has obsessively pursued the true source of Shakespeare's works, with fascinating results. Using plagiarism software, he has found direct links between Hamlet, Macbeth, Romeo and Juliet, and other plays and Thomas North's published and unpublished writings-as well as Shakespearean plotlines seemingly lifted straight from North's colorful life.

McCarthy's wholly original conclusion is this: Shakespeare wrote the plays, but he adapted them from source plays written by North decades before-many of them penned on behalf of North's patron Robert Dudley, in his efforts to woo Queen Elizabeth. That bold theory answers many lingering questions about the Bard with compelling new evidence, including a newly unearthed journal of North's travels through France and Italy, filled with locations and details appearing in Shakespeare's plays.

North by Shakespeare alternates between the dramatic life of Thomas North, the intrigues of the Tudor court, the rivalries of English Renaissance theatre, and academic outsider Dennis McCarthy's attempts to air his provocative ideas in the clubby world of Shakespearean scholarship. Through it all, Blanding employs his keen journalistic eye to craft a highly readable drama, up-ending our understanding of the beloved playwright and his "singular genius."

This is a great story about collaboration

If you take nothing else away from this book it opens up the possibility for collaboration. If you think about the Renaissance idea of the lonely genius creating masterpiece after masterpiece and contrast that with the reality of staging an actual theater production, where actors might make suggestions for possible edits to the dialogue, It’s not difficult to imagine that there could have been other collaborators. And that William Shakespeare, not unlike Lin-Manuel Miranda just happened to be brilliant at putting everything into memorable poetry with an emphasis on the psychology of his characters. I don’t think this book takes anything away from Shakespeare, but rather it might be a roadmap for the creation of new masterpieces in our time.
I would read this book in the spirit of Elizabeth Gilbert‘s “Big Magic”
enjoy

Pretty good

I have a hard time understanding shakespere. The old english is tough for me to process and I’ve only studied a couple plays in school. So not a huge fan. So interesting to hear a story about Shakespeare’s story. It seems to be a compelling argument of North’s strong influence (at a minimum) on Shakespeare’s (?) plays. A good story but for someone who doesn’t know the plays there was too much minutia for my likings. I suspect fans of the plays or Tudor England would get more from it. I enjoyed learning about Elizabethan England and that period of history with the intrigue. Good not great for my taste. A nice perspective and view on the plays and the times. I’m more interested to read the plays now.

A bit of a rollercoaster… Some good, some bad

As context, I have a master’s degree in Medieval & Renaissance Studies, so I was definitely interested in this book when it came up as a suggestion for me.

I think the problem of the book is that it takes 6 hours to get to the point that should have been made right at the beginning: plagiarism, collaboration, and borrowing from other works was RIFE in the Renaissance. In fact, the whole Renaissance was spawned by reviving classical (Greek, Roman) works. It then takes 2 hours after that for him to admit that his ideas are, in fact, not new, and it’s reasonably agreed upon that Shakespeare did use North as a source (though McCarthy argues that literally everything Shakespeare wrote came from North, while most scholars are more in the camps of “some” influence).

Essentially, I don’t find this book to be particularly groundbreaking in the way I think others might. I think he makes strong points regarding the works of Thomas North and that there really might be something to it. Shakespeare almost certainly drew from other sources. However, there’s a thin line that’s walked better in some places than others about dismissing Shakespeare’s influence on the works. In some places in the book, it feels like McCarthy doesn’t give credit where credit is due. But that’s just my opinion.

I think the usage of EEBO and plagiarism software is a great idea. I did take issue with McCarthy - not trained in Elizabethan language - “translating” North’s work to put it into the software. The tricky bit is that English wasn’t standardized at that point, and adapting modern English spelling to run it through plagiarism software does 2 things: it may change the meaning of some words if not completed by someone properly trained in the ins and outs of 16th century English (which would potentially fix any bias), and it also adds a barrier between determining true plagiarism. For example, we know that current English translations of the Bible can be extremely different from the original Greek. I think it would be fascinating to create a plagiarism software that accounts for different spellings of words and running it through that - it would seem that would be a much more accurate investigation.

All of that being said, I will also say that academia has a tendency to outright bully people with different thoughts. I would genuinely like to hear the rebuttal of a Shakespearean scholar rather than just the countless examples of them rebuffing McCarthy. Is McCarthy’s method unproven? Mostly. Is it something that can be tested in a way to make it proven? Absolutely. If I were in academia, I would think it would behoove me to have this be a project to undertake. It could potentially open up a lot of avenues.

At the end, McCarthy seems to make the outlandish claim that a half a dozen of Shakespeare’s plays published after his death were actually the original North plays that Shakespeare had laying around and his buddies mistook them for ones he wrote. Putting that in with 25 minutes to go really made me feel like I had wasted my time. McCarthy keeps insisting that this isn’t a conspiracy, but something tells me he’s holding back some of the even crazier ideas he has….

All in all, I think this is a good start - but again, needs some revision. Thomas North was not Shakespeare, though the two men certainly knew of each other and Shakespeare likely drew material from North’s works.

Fascinating read (listen)

Great book. Lots of things to think about. The story and information was well laid out. Kept me interested the whole time.

An exciting investigative adventure

Speaking as someone who has been passionate about the plays and poems of Shakespeare since my teens (30 years), and about as long equally engaged in the Shakespeare Authorship Question, this is truly a spellbinding book. I've read many books, essays, articles, watched many videos, documentaries, presentations, lectures on the SAQ, and changed my position on the various candidates over the decades, seeing the Stratfordian, Oxfordian, Marlovian cases, and others such as Neville's, Stanley's, and others, as having many good, persuasive arguments. There have been many brilliant people arguing for these candidates, Ros Barber and Peter Farey for Marlowe, Roger Stritmatter and Mark Anderson for Oxford, Brenda James and William Rubenstein for Henry Neville, Stephen Greenblatt and Anthony Burgess for the man from Stratford, John Raithel and James Greenstreet for William Stanley, and more. And yet, despite all of their arguments, it is hard to deny the strong possibility that what Dennis McCarthy has done with the brilliant help of his two collaborators, Michael Blanding (the author of this book) and June Schlueter (co-author of North's 1555 Travel Journal), just might have put forth a greater and more convincing argument than any previous Biographer of the Bard. In addition for the case that McCarthy makes for North's contribution, Blanding's writing in North by Shakespeare is absolutely spellbinding. Following two narratives that parallel each other - 1) McCarthy's journey to prove North's contribution to The Canon, including a very engaging narrative of their physical journey through Europe with McCarthy's daughter following with her documentary crew (a forthcoming doc that I am definitely looking forward to seeing), and 2) North's life and times. Blanding brilliantly goes back and forth between the two adventures of North's life in 16th century England and mainland Europe to McCarthy's journey of the last 15 years, the two narratives balancing and adding significance to each other in extremely engaging ways. As someone who has been open to changing my position when looking at new evidence and new arguments (unlike many in the debate, both Stratfordians and Anti-Stratfordians alike) and yet also continuing my deep enthusiasm in the SAQ, reading this book and listening to this Audible narration of it, I absolutely had a difficult time staying away from either, and have come away feeling that North was the true author of the Shakespeare Canon. Read the book or listen to this Audible production to find out why, along with checking out McCarthy's site on North and read the book by McCarthy and Schlueter about the 1555 Travel Journal by North. Take a look for yourself for North's case, the case for Marlowe, the case for Oxford, the case for Neville, the case for Stanley, the case for the Stratford man or anyone else, and come to your own conclusions. What is undeniable is that North has now become just as strong a candidate as any of them, if not more so. For I, after serious consideration, feel strongly that North (and unlike McCarthy, North alone, without the help of the Stratford man) was The True Bard. Enjoy and explore!