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Publisher's Summary

One of the greatest novels to have come from the 19th century, a realistic, gritty exposure of the lives, loves, intrigue and rivalry that existed in the literary world of London.

The art form and culture of writing is becoming a business, expanding rapidly, and profit is more important than integrity of purpose. In the search for a wider readership, editors and publishers look to the poorer educated classes believing that shorter, slighter commercial treatments will sell and thus erudite writers with serious ideas and 'urgent messages for the world' have their work devalued. 'Instead of Chat I should call it Chit-Chat...it would sell like hot cakes. On the same principle...if the Tatler were changed to Tittle-Tattle its circulation would be trebled...An admirable idea! Tittle-Tattle -a magnificent title; the very thing to catch the multitude.'

The downward intellectual spiral is of course contrasted by the progress of lightweight, jobbing writers able to turn their pens, with ease, to any task and supply copy with trite, popular appeal. Gissing knew his subject well, and his characterisation of the facile, unscrupulous Milvain, the rancorous Yule, the paranoid and impoverished Reardon all have the note of authenticity, as do the women used and abused by them in their struggle for success and the publication of their work.

Truly one of the books from which we should learn, monumental in the telling, the story is an engrossing tale, describing a shabby Pyrrhic victory, at the expense of all those with a reasoning mind, of self-advertisement over artistic endeavour in an ongoing war- of what happens when pen meets penury.

Public Domain (P)2009 Assembled Stories

Critic Reviews

"This bitter 1891 tale illustrates the cry of struggling writer, Reardon, as his life disintegrates: 'to make a trade of an art is a brutal folly'. Unable to squander his talent and write saleable ephemera, Reardon drags himself and his wife into abject poverty. Superb narration." ( The Observer)

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  • Peter
  • 12-16-17

Mournful and brilliant

If you could sum up New Grub St in three words, what would they be?

Sad. sad. sad.

What was one of the most memorable moments of New Grub St?

Reardon's ecstatic reminiscences to Biffen of an evening at Athens, and Biffen's suicide.

Which scene did you most enjoy?

The terrible scene where the marriage of Reardon and Amy finally collapses under the impact of Reardon's terminal 'writer's block'.

Was this a book you wanted to listen to all in one sitting?

I wanted to, but I rationed myself. I know this novel very well but I loved Joyce's rendition of some of my favourite scenes. He is a brilliant narrator, although I think the Biffen 'voice' is not quite right.

Any additional comments?

This is Gissing's gloomy masterpiece. There are dreadful scenes in it, based on the author's experiences as an educated literary man, of life in the lower depths of London poverty, at a time when there was no safety net but the workhouse. I wish there was an audiobook of his 'The Odd Women'.