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When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theater, Ari is dragged straight into the heart of a community where he can trust no one and secrets and lies are a way of life. Past plays tag with the present and the claustrophobic tension mounts as Ari is thrust ever deeper into his own darkness - blinded by snow and with a killer on the loose.
Stavern, 1983. After a brutal robbery, a young policeman named William Wisting is edged off the investigation by more experienced officers, but soon he is on another case that has not even been recognised as murder. Forgotten in a dilapidated barn stands a bullet-riddled old car, and it looks as if the driver did not get out alive. This case will shape William Wisting as a policeman and give him insight that he will carry with him for the rest of his career.
The only person who might have the answers to a baffling murder case is the victim's seven-year-old daughter, found hiding in the room where her mother died. And she's not talking. Newly-promoted, out of his depth, detective Huldar turns to Freyja for her expertise with traumatized young people. Freyja, who distrusts the police in general and Huldar in particular, isn't best pleased. But she's determined to keep little Margret safe. It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers on the radio.
When a young boy discovers the body of a woman beneath a thick sheet of ice in a South London park, Detective Erika Foster is called in to lead the murder investigation. The victim, a beautiful young socialite, appeared to have the perfect life. Yet when Erika begins to dig deeper, she starts to connect the dots between the murder and the killings of three prostitutes, all found strangled, hands bound, and dumped in water around London.
In a Stockholm city park, police discover the hideously abused body of a young boy. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of a nameless immigrant child. But with the discovery of two more mutilated children's corpses, it becomes clear that a serial killer is at large.
Rebecka Martinsson is heading home to Kiruna, the town she'd left in disgrace years before. A Stockholm attorney, Rebecka has a good reason to return: her friend, Sanna, whose brother has been horrifically murdered in the revivalist church his charisma helped create. Beautiful and fragile, Sanna needs someone like Rebecka to remove the shadow of guilt that is engulfing her, to forestall an ambitious prosecutor and a dogged policewoman.
When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theater, Ari is dragged straight into the heart of a community where he can trust no one and secrets and lies are a way of life. Past plays tag with the present and the claustrophobic tension mounts as Ari is thrust ever deeper into his own darkness - blinded by snow and with a killer on the loose.
Stavern, 1983. After a brutal robbery, a young policeman named William Wisting is edged off the investigation by more experienced officers, but soon he is on another case that has not even been recognised as murder. Forgotten in a dilapidated barn stands a bullet-riddled old car, and it looks as if the driver did not get out alive. This case will shape William Wisting as a policeman and give him insight that he will carry with him for the rest of his career.
The only person who might have the answers to a baffling murder case is the victim's seven-year-old daughter, found hiding in the room where her mother died. And she's not talking. Newly-promoted, out of his depth, detective Huldar turns to Freyja for her expertise with traumatized young people. Freyja, who distrusts the police in general and Huldar in particular, isn't best pleased. But she's determined to keep little Margret safe. It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers on the radio.
When a young boy discovers the body of a woman beneath a thick sheet of ice in a South London park, Detective Erika Foster is called in to lead the murder investigation. The victim, a beautiful young socialite, appeared to have the perfect life. Yet when Erika begins to dig deeper, she starts to connect the dots between the murder and the killings of three prostitutes, all found strangled, hands bound, and dumped in water around London.
In a Stockholm city park, police discover the hideously abused body of a young boy. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of a nameless immigrant child. But with the discovery of two more mutilated children's corpses, it becomes clear that a serial killer is at large.
Rebecka Martinsson is heading home to Kiruna, the town she'd left in disgrace years before. A Stockholm attorney, Rebecka has a good reason to return: her friend, Sanna, whose brother has been horrifically murdered in the revivalist church his charisma helped create. Beautiful and fragile, Sanna needs someone like Rebecka to remove the shadow of guilt that is engulfing her, to forestall an ambitious prosecutor and a dogged policewoman.
A 90-year-old man is found dead in his bed, smothered with his own pillow. On his desk, the police find newspaper cuttings about a murder case dating from the Second World War, when a young woman was found strangled behind Reykjavik's National Theatre. Konrad, a former detective, is bored with retirement and remembers the crime. He grew up in "the shadow district", a rough neighborhood bordered by the National Theatre. Why would someone be interested in that crime now?
Before Harry took on the neo-Nazi gangs of Oslo, before he met Rakel, before The Snowman tried to take everything he held dear, he went to Australia. Harry Hole is sent to Sydney to investigate the murder of Inger Holter, a young Norwegian girl who was working in a bar. Initially sidelined as an outsider, Harry becomes central to the Australian police investigation when they start to notice a number of unsolved rape and murder cases around the country. The victims were usually young blondes. Inger had a number of admirers, each with his own share of secrets, but there is no obvious suspect.
Fredrik Welin is a former surgeon who retired in disgrace decades earlier to a tiny island on which he is the only resident. He has a daughter he rarely sees, and his mailman, Jansson, is the closest thing he has to a friend and to an adversary. He is perfectly content to live out his days in quiet solitude. One autumn evening, he is startled awake by a blinding light - only to discover that his house is on fire. With the help of Jansson, he escapes the flames just in time wearing two left boots.
A young woman's body is discovered on a deserted footpath. It seems like a simple crime for DCI Sophie Allen and her team to solve. But not when the victim's mother is found strangled the next morning. The case grows more complex as DCI Sophie Allen discovers that the victims had secret histories, involving violence and intimidation. There's an obvious suspect, but Detective Allen isn't convinced. Could someone else be lurking in the shadows, someone savagely violent, looking for warped revenge?
Aldis hates her job working in a juvenile detention center in rural Iceland. The boys are difficult, the owners are unpleasant, and there are mysterious noises at night. And then two of the boys go astray.... Decades later single father Odinn is looking into alleged abuse at the center. The more he finds out, though, the more it seems the odd events of the 1970s are linked to the accident that killed his ex-wife. Was her death something more sinister?
Returning to her hometown after the funeral of her parents, writer Erica Falck finds a community on the brink of tragedy. The death of her childhood friend, Alex, is just the beginning. Her wrists slashed, her body frozen in an ice cold bath, it seems that she has taken her own life. Erica conceives a memoir about the beautiful but remote Alex, one that will answer questions about their lost friendship. While her interest grows to an obsession, local detective Patrik Hedstrom is following his own suspicions about the case.
Three very different women come together to complete an environmental survey. Three women who, in some way or another, know the meaning of betrayal.... For team leader Rachael Lambert, the project is the perfect opportunity to rebuild her confidence after a double betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide....
It is a cold January morning, and Shetland lies beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a splash of color on the frozen ground, ravens circling above. It is the strangled body of her teenage neighbor, Catherine Ross. The locals on the quiet island stubbornly focus their gaze on one man - loner and simpleton Magnus Tait.
From the best-selling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham. A woman at home in Liverpool is disturbed by a persistent tapping at her back door. She's disturbed to discover the culprit is a raven and tries to shoo it away. Which is when the killer strikes. DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case.
In The Gap of Time, Jeanette Winterson's cover version of The Winter's Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology, and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand and redemption and the enduring love of a lost child on the other.
Jan Reyna is a murder squad detective, British by adoption and choice, Faroese by birth and history. Called back to the remote Danish Faroe Islands when his father suffers a paralysing stroke, Reyna is forced to reexamine his decades-long rejection of the past and of his father in particular. But in this now-foreign country, whose language and customs he no longer understands, Reyna is also drawn into a rare Faroese murder case.
In 1986, Eddie and his friend are just kids on the verge of adolescence. They spend their days biking around their sleepy little English village and looking for any taste of excitement they can get. The chalk men are their secret code; little chalk stick figures they leave for each other as messages only they can understand. But then a mysterious chalk man leads them right to a dismembered body, and nothing will ever be the same.
Acclaimed Swedish author Camilla Grebe makes her solo American debut with a psychological thriller as cunning in its twists as it is captivating in its storytelling - for fans of the celebrated crime fiction of Camilla Läckberg, Jo Nesbø, Ruth Ware, and Fiona Barton.
Winter's chill has descended on Stockholm as police arrive at the scene of a shocking murder. An unidentified woman lies beheaded in a posh suburban home - a brutal crime made all the more disturbing by its uncanny resemblance to an unsolved killing 10 years earlier. But this time there's a suspect: the charismatic and controversial chain-store CEO Jesper Orre, who owns the home but is nowhere to be found.
To homicide detectives Peter Lindgren and Manfred Olsson, nothing about the suave, high-profile businessman - including a playboy reputation and rumors of financial misdeeds - suggests he conceals the dark heart and twisted mind of a cold-blooded killer. In search of a motive, Lindgren and Olsson turn to the brilliant criminal profiler Hanne Lagerlind-Schön. Once a valued police asset, now marooned in unhappy retirement and a crumbling marriage, she's eager to exercise her keen skills again - and offer the detectives a window into the secret soul of Jesper Orre.
But they're not the only ones searching. Two months before, Emma Bohman, a young clerk at Orre's company, chanced to meet the charming chief executive, and romance swiftly bloomed. Almost as quickly as the passionate affair ignited, it was over when Orre inexplicably disappeared. One staggering misfortune after another followed, leaving Emma certain that her runaway lover was to blame and transforming her confusion and heartbreak into anger.
Now, pursuing the same mysterious man for different reasons, Emma and the police are destined to cross paths in a chilling dance of obsession, vengeance, madness, and love gone hellishly wrong.
...but the book threw me a life raft about 3/4 of the way through, so somewhat time well spent. The book earned three stars because it ultimately turned out to be a pretty good mystery. However, the story plodded along for quite a while.
There are three main characters: Peter the detective, Hannah the "profiler" and Emma, the scorned lover. I thought the detective was a jerk, full stop. The profiler- well, she doesn't have much of a role in the criminal investigation at all, but her sad personal life is a focus. Emma's character grew on me as we learned more (in excruciating detail) about her background. The police detectives left me wondering where their heads were the whole time, as some basic investigative techniques were left out. Hannah was the only smart one, and the author would have been well advised to un-stereotype her and make her an effective character. The only character I really enjoyed was Olga, Emma's coworker in a retail clothing store. She had some backbone. The other female characters really weren't written well.
Here are some quotes so you can get a feeling for the writing:
"You should be suspicious of strange men who come knocking on your door in the middle of the night, and even more suspicious if they're not strangers."
"You could kill yourself, or you could have a beer."
"Love and beauty are transient; the shit is eternal."
There are many "striking revelations" and "deep thoughts" like this in the meandering minds of the main characters, and believe me you will hear them all if you make it through this book.
Not too highly recommended, but also not a complete waste of a credit.
12 of 12 people found this review helpful
Such a slow, quiet book. I was caught up in it and wondering just where the mystery might be - when - wham, the author suddenly launched it. I am a fan of the Scandinavian mysteries. This book is just fine!
7 of 7 people found this review helpful
What did you love best about The Ice Beneath Her?
It kept me guessing
Did the plot keep you on the edge of your seat? How?
You were never sure just who was the good guy and who was not.
Which character – as performed by the narrators – was your favorite?
I liked the cop
Was there a moment in the book that particularly moved you?
I really liked the plot twist at the end.
5 of 5 people found this review helpful