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Publisher's Summary

One of the Observer's 1,000 novels everyone must read, The Beast Must Die is a darkly compelling psychological thriller in which a crime writer plans to commit the perfect murder. The fourth Nigel Strangeways mystery.

Respected crime writer Frank Cairns plots the perfect murder - a murder that he himself will commit. Cairns intends to murder the hit-and-run driver who killed his young son, but when his intended victim is found dead and Cairns becomes the prime suspect, the author insists that he has been framed. An old friend of Cairns calls in private detective Nigel Strangeways, who must unravel a fiendishly plotted mystery if he is to discover what really happened to George Rattery.

About the author: Nicholas Blake was the pseudonym of Poet Laureate Cecil Day-Lewis, who was born in County Laois, Ireland in 1904. After his mother died in 1906, he was brought up in London by his father, spending summer holidays with relatives in Wexford. He was educated at Sherborne School and Wadham College, Oxford, from which he graduated in 1927. Blake initially worked as a teacher to supplement his income from his poetry writing and he published his first Nigel Strangeways novel, A Question of Proof, in 1935. Blake went on to write 19 more crime novels, all but four of which featured Nigel Strangeways, as well as numerous poetry collections and translations. During the Second World War he worked as a publications editor in the Ministry of Information, which he used as the basis for the Ministry of Morale in Minute for Murder, and after the war he joined the publishers Chatto & Windus as an editor and director. He was appointed Poet Laureate in 1968 and died in 1972 at the home of his friend, the writer Kingsley Amis.

©2013 Nicholas Blake (P)2013 Audible Ltd

Critic Reviews

"A fiendishly baffling murder" (Observer)
"Ingenious" (P.D. James)
"An engaging yarn" (Guardian)

What members say

Average Customer Ratings

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  • Overall
    3 out of 5 stars
  • Performance
    1 out of 5 stars
  • Story
    4 out of 5 stars

Narration is very bad

What did you like best about The Beast Must Die? What did you like least?

The story is wonderful - as are all Nigel Blake's books. I least liked the narration - painful to listen to.

Who was your favorite character and why?

Main character - the protagonist

Who would you have cast as narrator instead of Kris Dyer?

Jonathan Cecil, Hugh Fraser, Stephen Thorne, Nigel Lambert, Diana Bishop

Did The Beast Must Die inspire you to do anything?

I'm considering returning the book.

Any additional comments?

A huge disappointment. A favorite author with many more title available from Audible, but will not purchase because of narration.

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  • Overall
    4 out of 5 stars
  • Performance
    2 out of 5 stars
  • Story
    4 out of 5 stars
  • Ms. grant
  • 10-31-15

Staccato

If you could sum up The Beast Must Die in three words, what would they be?

Long. Intriguing. Amusing.

What was one of the most memorable moments of The Beast Must Die?

The putter incident.

How could the performance have been better?

Why so staccato? I like the series and the narrator has excellent tone and pitch but why... He.. Has... To. Talk.. Like... This... I ... Don't... Know... It's annoying and puts me off buying his work which is sad as I like the stories.

1 of 1 people found this review helpful

  • Overall
    3 out of 5 stars
  • Performance
    2 out of 5 stars
  • Story
    5 out of 5 stars
  • J.S.J
  • 06-10-18

new narrator please

Good story. Had to give up on the audible version, the narrator seems to be doing a Dr Evil impression; don't know why they choice this voice for the series.

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    4 out of 5 stars
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    4 out of 5 stars
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  • N. Hammond
  • 10-08-15

A good mystery struggling with a dull agenda

What would have made The Beast Must Die better?

A good deal less mid-twentieth century sexual and moral and pseudo-science ideology agenda pushing; also a slightly less staccato style of reading, perhaps this is as much to do with Cecil Day-Lewis' text as Dyer's presentation.

What was most disappointing about Nicholas Blake’s story?

A lack of sensible character development or even of careful presentation, almost throughout stereotype clings even in any attempt at development. Cecil Day-Lewis' twee Oxbridge self-justifying style intrudes rather too much, marked as this is by didacticism wrapped up thinly in social themes.

Would you listen to another book narrated by Kris Dyer?

Of course. He isn't the best reader, even of second class (but interesting) psycho-babble mystery, still, he does a fair job.

You didn’t love this book--but did it have any redeeming qualities?

Kris Dyer captures Nigel Strangeway's necessarily clipped-tones and fussy mannerisms rather well .. a redeeming quality that some current actors/ readers seem to play down, in capturing the era.

Any additional comments?

Stick at it, despite all the drawbacks .. it is a good story (if longing to be so much better).