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My Name Is Red
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Overall4.5 out of 5 stars 4,594
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Performance4.5 out of 5 stars 4,184
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Story4.5 out of 5 stars 4,120
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- By SAMA on 03-11-14
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- By: V.S. Naipaul
- Narrated by: Sam Dastor
- Length: 21 hrs and 29 mins
- Unabridged
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Overall4 out of 5 stars 195
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Performance4.5 out of 5 stars 180
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Story4 out of 5 stars 180
A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.
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4 out of 5 stars
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- By Liz W. on 12-11-17
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Istanbul
- Memories and the City
- By: Orhan Pamuk
- Narrated by: John Lee
- Length: 9 hrs and 46 mins
- Unabridged
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Overall4 out of 5 stars 143
-
Performance4 out of 5 stars 123
-
Story4 out of 5 stars 126
A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy - or hüzün - that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.
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3 out of 5 stars
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Terrible pronunciation
- By K. Jaynes on 02-25-18
Publisher's Summary
In Istanbul, in the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day – in the European manner. But when one of the miniaturists is murdered, their master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror?
A thrilling murder mystery, My Name Is Red is also a stunning meditation on love, artistic devotion and the tensions between East and West.
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Average Customer Ratings
Overall
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3.5 out of 5 stars
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4 out of 5 stars
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Story
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3.5 out of 5 stars
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Reviews - Please select the tabs below to change the source of reviews.
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Overall3 out of 5 stars
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Performance1 out of 5 stars
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Story5 out of 5 stars
- Paula Johnson
- 04-15-19
Reader
I couldn’t get through the whole book because I couldn’t stand the reader. He took the story far away from Istanbul with his interpretation of the characters.
2 of 2 people found this review helpful
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Losa
- 05-06-16
Captivating and beautiful
Thoroughly enjoyable, intriguing with a knowledgeable basis. Narrator is fantastic, as always. Highly recommended book.
2 of 2 people found this review helpful
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Overall3 out of 5 stars
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Performance2 out of 5 stars
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Story4 out of 5 stars
- S. Potter
- 07-31-17
Performance mars content.
An important novel, but one where voice performance dreadfully obstructs the accessibility and enjoyment. To be ungenerous, it screams unrestrained 'luvvy'.
1 of 1 people found this review helpful
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Overall3 out of 5 stars
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Performance4 out of 5 stars
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Story3 out of 5 stars
- jon
- 03-22-16
Great storyteller even though he tired me at times
A wonderful technique by Orhan but the philosophy of painting didn't inspire me. I prefer his post Nobel books.
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Overall1 out of 5 stars
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Performance1 out of 5 stars
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Story1 out of 5 stars
- P1969
- 11-01-14
Torturous
It's hard to say what does not work here. Is the translation poor? Are the sentences too elaborate and baroque? Is the difference between an contemporary Anglo-phone audience and a medieval Turkish court too wide to remain interested? Temporal and cultural distance does not prevent the enjoyment of say, Umberto Eco's work or Garcia Marquez's, though.
The story begins - intriguingly - with the murder of an illuminator of manuscripts, and we expect to be taken into the world of scribes and illustrators. And so we are, but the pace of description and plotting is as slow, and the story as digressive, as the arabesques adorning the margins of medieval manuscripts. Perhaps that is the point. Unfortunately it did not hold my attention. I have no idea who killed whom and why, and I'm never going to find out: I gave up after four hours.
John Lee's narration feels laboured. Certainly the editing of the chapters, with their abrupt ending and no pause between end and new chapter, makes it harder for the reader to digest the narrative. It's all a little too abrupt.
3 of 7 people found this review helpful