Major Labels

A History of Popular Music in Seven Genres

De: Kelefa Sanneh

Narrado por: Kelefa Sanneh

One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year

“One of the best books of its kind in decades.” —The Wall Street Journal

An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop

Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble.

Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

A must for music lovers

a great analysis and history of trends in music, not really about specific bands or people but the trends, ideas and cultures around them

Flawless!

such an amazing book filled with fun information and incredibly, no biases. This is a must read for anyone that loves music

Music lover?

As someone who classifies himself as eclectic when it comes to their musical likes and don’t likes. I found this book to be incredibly interesting. The music historian in me that loves the history of music was like a giddy child reading this book.

I found myself taking way longer than I should’ve to get through this book but every time he mentioned bands, I had forgotten about. I would go into my streaming library and pull up their catalogs and listen to some old tunes. don’t even appreciate him, turning me onto new artist that I had not even heard of.
I do have a couple of things I did take some issues with and wish I could ask the author about. My first issue is in his rap genre. He does not cover West Coast rap as much as I think he should. It is very East Coast biased and as someone who lives on the West Coast I appreciate the history but I think he missed a lot of what happened on our side of the US.
My second issue comes in the pop of genre when there is only a feeding mention of Michael Jackson “the king of Pop “as someone to me who defined pop music. I would just want to hear the author spots on my two takes.
I highly recommend this book to any music fan or anyone you know who loves music I cannot stop recommending this book to anyone I talk to about music or about audiobooks .

the overview of modern music history everyone needs to listen to.

this book gave me an education that I had, through needless neglect and unwillful sheltering, never received growing up. the author's work was erudite and informative without being dryly academic, and Riley humorous when appropriate. I would hardly recommend this book to anyone looking to either confirm, or broaden, their musical base of knowledge and opinion.

Pure Pleasure Cultural History

I was surprised upon finishing this listen that it was 19 hours long. The time slipped right by as I found myself absorbed in this book's brisk histories. What they lack in comprehensive depth they make up for in clarity and pacing. The chapters on genres I knew little about were as interesting as the ones on genres I know well (played those chapters at double speed). I found myself pausing to call up Spotify to listen to various milestone recordings raised in the narrative. While listeners versed in the genres under discussion might notice some of the leaps that such a broad discussion has to make, skipping over crucial bands (no St. Etienne in the discussion of UK 90s dance culture bummed me out) that does not take away from the pleasure of this work -- its stranger-than-fiction origin stories and the music it will point the listener to along the way.