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Less Than Zero
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Imperial Bedrooms
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narrator doesn't fit
- By Andrew on 01-20-16
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The Rules of Attraction
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Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.
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Not Ellis's best work
- By Amy on 03-31-16
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From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.
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Riotous, as funny and brutal as American Psycho
- By Cory Cantales on 09-05-14
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Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
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Fanntastic book but maybe not for everyone....
- By So Fain on 03-27-11
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Lunar Park
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Imagine becoming a best-selling novelist, and almost immediately famous and wealthy, while still in college, and before long seeing your insufferable father reduced to a bag of ashes in a safety-deposit box, while after American Psycho your celebrity drowns in a sea of vilification, booze, and drugs.
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Addicting....haunting........disturbing.
- By Miad on 11-02-05
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The Informers
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The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.
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Really Good
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narrator doesn't fit
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Not Ellis's best work
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Overall
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Riotous, as funny and brutal as American Psycho
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Fanntastic book but maybe not for everyone....
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Addicting....haunting........disturbing.
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Editorial Reviews
The oft-referenced Los Angeles billboard in Bret Easton Ellis' novel Less Than Zero reads simply: Disappear Here. While that normally evokes a sunny, beach bum getaway in beautiful southern California, it's the disappearance of any moral grounding and individuality that become the true meaning behind the phrase. Clay, a young college student home for winter break in the early 1980s, is our guide to the lifestyles of the rich and truly screwed-up, where everyone wears the best clothes, drives the newest cars, and parties all the time, but has nothing to show for it. Drugs and alcohol flow freely. Conversations mostly revolve around party plans and petty gossip. Teenagers don't know where their jet-setting parents are and don't seem to care about anything or anyone. Clay passively partakes in everything around him; he's barely noticeable as a character despite his status as the narrator. He doesn't judge his friends when they lead him into dangerous lifestyles, but he also doesn't fully join in. Clay rekindles a physical affair with his loving ex-girlfriend Blair but insists they're no longer together, allowing him the freedom to sleep with other girls and boys. He's vaguely aware of the moral unwinding of those closest to him, but is unwilling to stop it and is actually intrigued enough to watch it all happen.
This is a bleak world without a shining beacon of hope. Ellis tips his hand at what he thinks are some of the causes: the superficiality of Hollywood and Los Angeles in general, the massive amounts of wealth afforded to the teens, the lack of any decent parenting, a world where people do what they want simply because they can without any consequence. But you'd be hard pressed to find a critical voice in the tone of the storytelling. This is what separates Less Than Zero from other cautionary coming-of-age tales. Clay witnesses a society facing moral collapse and there are ample descriptions about how the characters are affected. Still, outside of any superficial comments, Clay isn't really critical of this kind of moral decomposition and the author allows the world around Clay to exist without a contradictory note. The restraint Ellis shows in revealing the meanings and themes of the novel are in stark contrast to the Twitter-like detail of Clay's horrifying winter break. The countless (and in some instances shocking) stories of teen life in Los Angeles in the '80s combine to create a general sense of societal decay and a kind of death permeates the environment. You're left wondering whether or not Clay will come back home after he returns to college.
Christian Rummel provides the voices of Clay and a cast of reckless teens and parents, as well as a psychiatrist more interested in himself than his patients. Rummel's Clay is a study of passivity, rarely rising above an impassioned whine in all his interaction with others. Everyone else sounds appropriately numb and detached. The teens are drugged up spoiled brats, bravely voiced as such with no pause for how obnoxious they may sound (but then again, that's the point). Rummel easily conveys the impatient cluelessness of valley girls and the cocky, surfer-like aloofness of the lost boys. For the majority of the book, the narration occurs at a disconnected, cool pace. But late in the novel, as Clay accompanies his best friend Julian to a hotel room to partake in desperate act of male prostitution for drug money, Rummel's performance takes on a slightly anxious, panicked tone. The change in pacing here and in a few other important scenes highlights Clay's motivations and is key to understanding the meaning of the novel. In this way and more, Rummel serves Ellis' delicate vision with expert skill. —Josh Ravitz
Publisher's Summary
Set in Los Angeles in the early 1980s, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a world shaped by casual nihilism, passivity, and too much money – a place devoid of feeling or hope.
Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs, and also into the seamy world of L.A. after dark.
As an added bonus, when you purchase our Audible Modern Vanguard production of Bret Easton Ellis' book, you'll also get an exclusive Jim Atlas interview that begins when the audiobook ends.
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- Cheryl C. Flohr
- Irvine, CA United States
- 06-12-15
Messed up. But listen to the author commentary.
A little too fucked up for me. I am all for the dark shit, but this is is meant to trigger people. I would have enjoyed it more when I was younger.
6 of 6 people found this review helpful
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- steve
- kearny, NJ, United States
- 09-18-10
Realistically good
I enjoyed the movie but absolutely loved the book. Ellis is an excellent writer and it's a shame the movie couldn't quite capture his writing abilities. He's so descriptive and details. Great musical references, lots of drugs and sex and overall, I'd certainly recommend this for anyone who could relate to the Hollywood lifestyle from back in the 80s.
5 of 5 people found this review helpful
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- Amazon Customer
- 09-05-16
Rich kids rape and trick for drugs
Didn't really care for this book, very overrated and disgusting book. All the characters are useless, wastes of time with no morals or real loyalty to each other or themselves. Clay the main character is the worst of them all cuz he just watches all this sodomy and rape go on, including a 12 yr old girl! and never does anything! Hell he even goes out with one of the guys later after the rape! shocks just to shock with no real value.
4 of 4 people found this review helpful
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- Debra B
- 04-24-12
Full of atmosphere of a certain time and place
Any additional comments?
First of all, the narrator was fabulous. He was just right for this. The book does not have a false word in it, and the author succeeds in making the characters, rich wastrels though they are, into people I cared about. But, you'll be glad they don't live next door. Less Than Zero held my interest all the way through.
3 of 3 people found this review helpful
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- Darwin8u
- Mesa, AZ, United States
- 09-21-13
How one wishes this writer was without talent!
I'm afraid I almost OD'd on L.A. novels this week. Started with 'Less than Zero', added 'The Black Dahlia', and finished with 'The Day of the Locusts'. Let me just say, I'm definitely not planning on moving to that City of Angels where people and their dreams both go to die. A visit of 3 days was just enough to reestablished my conviction.
I had a hard time deciding whether to read 'Less than Zero'. I hold B.E.E. with a certain level of contempt. My feelings about him are similar to Norman Mailer's:
"How one wishes this writer was without talent!"
I would only add, how I personally wish this writer was without a Twitter account. I debate in my mind if I could, with a switch, delete all of Twitter (every tweet) I think I would just to eliminate B.E.E.'s toxic presence there. Which is I guess throws me firmly into the Franzen camp (and not obviously into the Jennifer Weiner camp).
19 of 25 people found this review helpful
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- Justin
- MILWAUKEE, WI, United States
- 08-31-18
Makes you feel Hopeless
I think this book is really well written - every "negative" about the book seems to be intentional as if that's the point. None of the characters are particularly unique or memorable, but that's kind of the point. Not much action happens, but that's kind of the point. Some of the things that DO happen are shocking and disturbing, but that's kind of the point.
1 of 1 people found this review helpful
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- Diane
- 03-02-15
Not My Type of Story
Would you try another book from Bret Easton Ellis and/or Christian Rummel?
Probably not.
Has Less Than Zero turned you off from other books in this genre?
It has made me more hesitant to try another book in this genre.
What didn’t you like about Christian Rummel’s performance?
I'm not sure if it was his narration or the material he was reading. The performances were actually quite good.
What reaction did this book spark in you? Anger, sadness, disappointment?
Disappointment and annoyance at the characters.
Any additional comments?
I think I was hoping for something a bit more similar to "Catcher in the Rye". I gave up about half way in to the recording when I had completely lost any sense of plot.
3 of 4 people found this review helpful
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- Glenda Hunt
- 09-08-14
I must be missing something...
Would you try another book from Bret Easton Ellis and/or Christian Rummel?
I've read Easton Ellis and enjoyed his satire. This book...I just didn't understand. Or maybe the underlying theme is that rich people are really morally poor. That's all I got. How he got there, to that point, was not interesting for me.
How would you have changed the story to make it more enjoyable?
Now idea.
What do you think the narrator could have done better?
A tad boring. The Valley girl accents became annoying.
Do you think Less Than Zero needs a follow-up book? Why or why not?
No.
Any additional comments?
I think I hated this book, but I don't know why. So...the book had an effect on me which is probably good news for B. Easton Ellis. There were parts of the book that took you to the summit and then you couldn't figure out how to get back down because he just left you there and moved on with not a hint of follow-up anywhere. I really hated that.
5 of 7 people found this review helpful
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- Matt
- 12-11-18
Who cares
Audio performance was great. This was so boring no one cared about anything in the story and I had trouble caring about it as well. It felt forcefully trying to be shocking for the sake of shock value. The main character felt empty and the whole thing sounded like I was listening to a court deposition with very little insight on what was going on in the series of events that took place just a recap of events. The main character and all others in the story had zero redeeming qualities what so ever everyone was the same useless person carelessly letting life happen completely detached and empty. I only pushed through to gain insight on first person perspective but this was more like an AI robot character that thinks he's human but is not. Not sure the sequel woukd be worth it though. Curious to me how this book became so popular .
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- Anonymous User
- 06-25-18
Euphoric Dystopia
The narrator does an amazing job switching voices between characters. The interview with Bret Easton Ellis alone was worth the purchase.