Lady Susan

De: Jane Austen

Narrado por: Susan McCarthy, Laurellee Westaway, Melissa Leventon, David Thorn, Bobbie Frohman

Written in the then fashionable style form of letters between the characters in the book, Jane Austen tells the story of the beautiful widow Lady Susan. Lady Susan has an eye toward re-marrying well, and marrying off her teenage daughter. To achieve her objectives, she spins a tale of Victorian humor and manipulation. In the end, she outsmarts even herself.

Jane Austen's earliest known serious work, Lady Susan is a short, epistolary novel that portrays a woman bent on the exercise of her own powerful mind and personality to the point of social self-destruction. Lady Susan, a clever and ruthless widow, determines that her daughter is going to marry a man whom both detest. She sets her own sights on her sister-in-law's brother, all the while keeping an old affair simmering on the back burner. But people refuse to play the roles assigned them. In the end, her daughter gets the sister-in-law's brother, the old affair runs out of steam, and all that is left for Lady Susan is the man intended for her daughter, whom neither can abide. Told through a series of letters between the characters, the work concludes abruptly with the comment: "this correspondence…could not, to the great detriment of the Post Office revenue, be continued any longer."

Jane Austen (1775–1817) was born in Steventon, England, and later moved to Bath. She began to write early for her own and her family's amusement. Her novels, set in her own English countryside, depict the daily lives of provincial middle-class families with wry observation, a delicate irony, and a good-humored wit. She is now considered by many scholars to be the first great woman novelist.

Public Domain (P)2003 Alcazar AudioWorks

Fun and Engaging Early Austen Georgian Romp

Not my first engagement with Jane Austen's Lady Susan, but it was my first time experiencing it in audio format. And what a delightful surprise to discover that this audio was a cast of narrators to take the major voices of the story.

I found the humor stood out even more and enjoyed encountering those witty lines that draw my appreciation the most. Of particular worthiness are Lady Susan to her friend agasp when anyone catches her out in her machinations and her determination to make them pay because the individual put her out by forcing her to be more energetic in her selfish interests.

The performance sparkled in some ways, but in others I was distracted by the narrators acting the parts in voices that jangled against what I was hearing in my mind for the characters.

All in all, I was well-pleased with this edition and experience and would recommend the new found joy of experiencing Austen's fantastic works in audio.

Fun little story, performance lacking.

Love this early Austen work. I also liked having different actors for the characters. But the performances weren't up to par.

decent comedy

Decent comedy and story by Austen and great characters. Some of the narrators were okay but there were two that were old sounding and just awful. They sounded like 1000 years old and not British. And a bit over acted too.

A short but worthy Austen Story

For a novella that is written through letter form it is a magnificent style for Austen to get through the story as quick as she does. The cast of narrators all did a worthy job.

Interesting story, bad narration

I couldn't finish it. While the narration was fine in the beginning, about halfway through it falls apart. As the character of Lady Vernon begins quoting other characters in her letters to her mother, the chapters become more and more irritating. The narrator who does Lady Vernon's voice is usually pleasant enough to listen to, but as she begins speaking as Lady Vernon imitating Lady Susan, it's completely aggravating. She adopts a drawling, affected tone of voice that Lady Susan does not (thankfully) have in her own chapters and that is so unpleasant to listen to that I can't wait for her to shut up. This is a problem as these recitations get longer as the book goes on. While I can understand this may be a directorial decision to help listeners understand that Lady Vernon sees Susan in a negative light, it is completely unnecessary since she plainly tells us as much *in every chapter she has*, and it doesn't help that her affectations extend to Lady Vernon when quoting her own brother, Reginald, whom she claims to love and respect.
Likewise, the male narrator seems to have forgotten what voice he used for Reginald between Reginald's first chapter and the second time we hear from him. The same narrator voices Reginald's father, and while this is a minor quibble since it's only one chapter out of 24 so far, it is totally distracting that he uses a voice that sounds more like a farmer than a rich, titled gentleman of an "ancient and noble family name".
For that matter, the fact that the male author at least has a discernible English accent while the female narrator/narrators are clearly American doesn't help put the listener in the setting. Again, that is a minor quibble, but if you are going to listen to an Austen book, it is sort of expected.
IF I could get past the Lady Vernon narrator's representations of Lady Susan's dialog, this would probably be a book I would keep, but I can't stand to listen to it anymore and therefore can't finish it.