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La Rabouilleuse
- The Black Sheep; The Two Brothers
- Narrated by: Bill Homewood
- Length: 12 hrs and 8 mins
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Publisher's summary
Brothers Philippe and Joseph Bridau are completely unalike: Philippe, braggart and soldier, formerly aide-de-camp to Napoleon, is their mother Agathe's favorite; Joseph, a poor and aspiring artist, is raised in his brother's shadow. When Agathe is reduced to poverty and Philippe accrues gambling debts, the family join forces to focus their attentions on Agathe's brother, Jean-Jacques Rouget, heir to the family fortune. The struggle for his inheritance pits the family against Rouget's beautiful maid Flore ("La Rabouilleuse"), the apple of her master's eye, and her lover, the crafty and manipulative Maxence.
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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The House on the Water
- A Novella
- By: Margot Hunt
- Narrated by: Taylor Schilling
- Length: 2 hrs and 47 mins
- Original Recording
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Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.
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Wonderful Story
- By David M. Wilcox on 12-04-20
By: Margot Hunt
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Home Is Where the Bodies Are
- By: Jeneva Rose
- Narrated by: January LaVoy, Cassandra Campbell, Brittany Pressley, and others
- Length: 8 hrs and 27 mins
- Unabridged
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After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.
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Perfect Audio.
- By Black Women Read Too on 05-19-24
By: Jeneva Rose
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
- Unabridged
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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What listeners say about La Rabouilleuse
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Mark Mantel
- 11-27-22
Best Narrator at Audible.
Audible has many wonderful narrators from George Guidall to John Lee, but the absolute best is Bill Homewood. His accent is faultless and has even more depth and elegance than, say, Fredrick Davidson. What a treasure it would be if he did all the classics now in the voice of Cathy Dobson (who single-handedly ruins two dozen compilations that would be gems but for her voice). David Timson is great as are Jonathan Keeble, Neville Jason and Nicolas Boulton. But Bill Homewood’s voice, alone, is like beautiful music.
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- Tad Davis
- 06-23-20
Brutal poetic justice
In a way you could say I asked for it. Nobody stood over me with a ruler and said I had to read more Balzac novels or else. It was an assignment I gave myself. So when, in the first 20 minutes of La Rabouilleuse I found myself drowning in a sea of French names, I had only myself to blame. Of course, nobody stood over Balzac with a ruler either, and told him to start off this novel with exposition in the style of a telephone directory.
Fortunately the sea of names resolves quickly into a trio of characters who form the core of the novel's first part. Agathe has two sons, one a soldier and one an artist, and is living in straitened circumstances in Paris following the death of her husband. Her older son Philippe is a former officer in the army, a wastrel, thief, liar, and layabout, a gambler and a drunk: bad as he is to start off with, he gets worse as the story progresses. Agathe’s younger son Joseph is a painter, and with talent and hard work he's carved out a decent but not extravagant lifestyle for himself.
Agathe’s brother is Jean-Jacques, sole heir of their father, who could have come to her rescue many times over, but who instead has spent most of his life getting an even tighter grip on the family wealth. Jean-Jacques, a colossally stupid and shy bachelor, is being manipulated by his maid Flore and her boyfriend, the scoundrel Max. “Scoundrel” may be too weak a term for him: thief, murderer, gang leader, and sociopath might be closer to the mark.
As it turns out, Flore is the Rabouilleuse of the title. The term refers to a particular way she had of disturbing the water in her early days, when she was fishing for crabs with her uncle. “Rabouilleuse” doesn't mean “Black Sheep,” although the book’s title is sometimes given as that; a better title in English might be “Crab Girl,” which Balzac sometimes calls her.
Agathe, reduced to poverty, returns to Issoudoun to ask her brother for help. So the question of the novel turns out to be: who will get the Rouget money — Agathe and Philippe, or Flore and Max? It seems that another question will be, who will sink to the lowest depths of villainy — Max or Philippe? It's a satisfying tale as far as it goes, although Balzac applies a particularly brutal form of poetic justice.
Homewood gives his usual well-paced, precise reading, with French names so authentically pronounced as to be almost incomprehensible. (I recognize that this is my problem, not his: for some reason, my brain works in such a way that if I can't SEE the name, I can't quite “hear” it either. Fortunately many public domain English versions of Balzac are available.) His voice is rich and easy to listen to for long periods; Homewood’s narration is never boring. I will make one other observation, though. I have earphones that are strong on bass and earphones that are strong on treble. For a Bill Homewood recording, I always use my “treble” earphones.
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