Kleptopia: How Dirty Money is Conquering the World

How Dirty Money is Conquering the World

De: Tom Burgis

SUNDAY TIMES BESTSELLER ‘If you think the UK isn't corrupt, you haven't looked hard enough … This terrifying book follows a global current of dirty money, and the murders and kidnappings required to sustain it’ GEORGE MONBIOT, GUARDIAN AN ECONOMIST AND WASHINGTON POST BOOK OF THE YEAR 2020

‘When you pick this book up, you won’t be able to put it down’ MISHA GLENNY, author of MCMAFIA

‘Gripping, disturbing and deeply reported’ BEN RHODES, bestselling author of THE WORLD AS IT IS

In this real-life thriller packed with jaw-dropping revelations, award-winning investigative journalist Tom Burgis reveals a terrifying global web of kleptocracy and corruption.

Kleptopia follows the dirty money that is flooding the global economy, emboldening dictators, enriching oligarchs and poisoning democracies. From the Kremlin to Beijing, Harare to Riyadh, London to the Trump White House, it shows how the thieves are uniting – and the terrible human cost.

A body in a burned-out Audi. Workers riddled with bullets in the Kazakh desert. A rigged election in Zimbabwe. A British banker silenced and humiliated for trying to expose the truth about the City of London – the world’s piggy bank for blood money.

Riveting, horrifying and written like fiction, this book shows that while we are looking the other way, all that we hold most dear is being stolen.

Reseñas de la Crítica

‘A ghastly and very important story’
Guardian

‘A meticulously reported piece of investigative journalism written in the style of a fast-paced thriller … Gripping … Kleptopia is not a far away republic in central Asia; it is all around us’
The Times

‘I don’t do book reviews. But I am reading Kleptopia very slowly as I have to keep picking my jaw up off the floor … Fascinating. Terrifying’
Paul Lewis

‘I might not have read, or even heard of Tom Burgis if ENRC hadn’t sued. Now I’m in. #Kleptopia’ Hugh Laurie

‘A must-read… A magisterial account of the money and violence behind the world’s most powerful dictatorships … Meticulously reported’
Washington Post

‘The architects of our national security would do well to bring to their meetings a well-thumbed copy … It unpicks the filthy flipside of globalisation … Incendiary’
Edward Lucas, The Times

‘Does the job brilliantly … with a hero straight out of a John le Carré novel … Wonderfully if grimly entertaining’
Economist

‘His landmark book he lays bare what we need to know, and act upon … Burgis provides us with the terrifying evidence. Read it and act’
Jon Snow

‘Read Kleptopia now. There is no time to lose … Tom Burgis demonstrates that money does indeed stink — and shows how to follow its scent’
Roberto Saviano

‘A powerful, appalling, and stunningly reported exposé … It reads like fiction, but unfortunately is all too true: Burgis names names, and follows the money, right into the Trump White House … Shows how dark money has grown from a national problem into an international scourge’
Jane Mayer

‘Reveals exactly why in the last thirty years organised crime and financial capitalism have fused to create a force of such power that no government or leader is free from the pressure it is able to apply … When you pick this book up, you won't be able to put it down’
Misha Glenny

Why authors should NOT read their own work

This is a fascinating (and complex) story. Tom Burgis has written a really interesting book. Someone should have told him he is NOT a good narrator. I spent the entire time trying to cope with his idiosyncratic reading, sometimes missing vital information, and being CONSTANTLY irritated. Why? Well, imagine being the passenger in a car on a straight, flat road with the driver constantly and unnecessarily switching between accelerator and brake. That's how Tom narrates: fast - slow - fast - slow .... loud - whisper - loud - whisper. GOOD narrators do this to emphasise points and assist understanding. Tom does it for some other reason - and thereby makes it MORE difficult to understand. And have you heard of 'vocal fry'? That's when somone stops projecting their voice - giving it a 'rasping', less distinct quality - and thereby making it harder to identify the articulation. Tom seems to think this makes him sound more interesting and mysterious. Interesting? Yes. Mysterious? YES - you can't understand what he's saying! Have I finished giving free advice? No. Tom seems (to me, a non-Russian speaker) to speak Russian - he certainly sounds confident pronouncing Russian names. BUT he does it FAST, often combined with VOCAL FRY - with the result that most of my non-Russian-speaking colleagues have no idea what he just said. I suspect this would have been a GREAT listen if Tom had put his ego to one side and paid a good narrator. There! I've finished venting all the spleen that built up over 11 hours of listening to Tom's book - and reinforced my advice to the vast majority of authors - get a professional narrator to read your work - there are good reasons most authors do so.