• King Leopold's Ghost

  • A Story of Greed, Terror, and Heroism in Colonial Africa
  • By: Adam Hochschild
  • Narrated by: Geoffrey Howard
  • Length: 12 hrs and 34 mins
  • 4.6 out of 5 stars (1,913 ratings)

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King Leopold's Ghost  By  cover art

King Leopold's Ghost

By: Adam Hochschild
Narrated by: Geoffrey Howard
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Publisher's summary

In the late 1890s, Edmund Dene Morel, a young British shipping company agent, noticed something strange about the cargoes of his company's ships as they arrived from and departed for the Congo, Leopold II's vast new African colony. Incoming ships were crammed with valuable ivory and rubber. Outbound ships carried little more than soldiers and firearms.

Correctly concluding that only slave labor on a vast scale could account for these cargoes, Morel resigned from his company and almost singlehandedly made Leopold's slave-labor regime the premier human rights story in the world. Thousands of people packed hundreds of meetings throughout the United States and Europe to learn about Congo atrocities. Two courageous black Americans - George Washington Williams and William Sheppard - risked much to bring evidence to the outside world. Roger Casement, later hanged by Britain as a traitor, conducted an eye-opening investigation of the Congo River stations.

Sailing into the middle of the story was a young steamboat officer named Joseph Conrad. And looming over all was Leopold II, King of the Belgians, sole owner of the only private colony in the world.

©1998 Adam Hochschild (P)2010 Random House
  • Unabridged Audiobook
  • Categories: History

Critic reviews

"Hochschild's fine book of historical inquiry, which draws heavily on eyewitness accounts of the colonialists' savagery, brings this little-studied episode in European and African history into new light." (Amazon.com review)
"Hochschild's superb, engrossing chronicle focuses on one of the great, horrifying and nearly forgotten crimes of the century: greedy Belgian King Leopold II's rape of the Congo, the vast colony he seized as his private fiefdom in 1885....[M]ost of all it is a story of the bestiality of one challenged by the heroism of many in an increasingly democratic world." ( Publishers Weekly)