Jason Molina: Riding with the Ghost

By: Erin Osmon

Narrated by: Doug Greene

Length: 8 hrs and 23 mins

Publisher's summary

Erin Osmon presents a detailed, human account of the Rust Belt-born musician Jason Molina - a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. The songwriting giant behind the bands Songs: Ohia and Magnolia Electric Co. had a knack for spinning tales, from the many personal myths he cultivated throughout his life to the poems and ballads he penned and performed. As with too many great musicians, Molina’s complicated relationship with the truth, combined with a secretive relationship with the bottle, ultimately claimed his life.

Jason Molina: Riding with the Ghost details Molina’s personal trials and triumphs and reveals for the first time the true story of Molina’s last months and works, including an unpublished album unknown to many of his fans. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the audiobook also explores the Midwest music underground and the development of Indiana-based label Secretly Canadian.

As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Jason Molina provides listeners with unparalleled insight into Molina’s tormented life and the fascinating Midwest musical underground that birthed him. It’s a story for the ages that speaks volumes to the triumphs and trials of the artistic spirit while exploring the meaningful music that Molina’s creative genius left behind.

©2017 Rowman & Littlefield Publishers (P)2017 Beacon Audiobooks

thorough as is possible

some reviewers have trashed the narrator. his voice reminded me of Phil Hartman. He is a pro, not a fan.

Wonderful

The book is so great but the reader is a little weird. You’ll really notice it when he recite’s Jason’s lyrics but the text is good enough that it doesn’t get very much in the way.

The only bio, well-reported and listenable

I actually listened to this entire audiobook from beginning to end in one marathon stretch during a 700-mile solo drive I had to do today. It was compelling enough from beginning to end that I was never tempted to put on something else during the entire 8.5 hours and found myself suddenly at the end of his life story as I approached my destination in the evening. That's a good review right there.

You're probably here because you already know who Molina was, and you want to know more. I wouldn't be surprised if this is the only book-length treatment his life gets, so I'm glad it appears to be well-reported. The writing is not great in itself but it wasn't distractingly bad or gossipy, so I'd give it 5 stars for the genre. The last couple hours shed much more light on the end of his life than any other source I have read. Those hours were deeply sad and disappointing, but I'm glad the info is well-attested here, because at the time he died it was basically impossible to figure out what had even happened to him, or why.

The single criticism I have is about the narrator: this guy is really badly-suited to the material. He sounds like his natural element is business books and news. His readings of Molina's song lyrics were especially trying, since he clearly has no feel for the pregnant pauses you'd need to include in order to convey anything like their impact in the songs. However, his reading is functional and understated, and to be honest, he really does seem to be making an effort to connect with the material throughout. He also doesn't overdo it. For example, imagine how totally insufferable Edoardo Ballerini would have been on this same material. So I have to give him 4 stars. Not the best conceivable performance, but it does the job just fine, and with the exception of the lyrics the reading didn't get in the way for me, which is the most important thing.

Overall a really excellent listen for this long-time fan of Molina's music.

Alcoholism is the Missing Piece

I liked the story a lot. However, I feel that Molina’s seemingly rapid downfall and the utter inability for anyone who loved him to stop it would have been clearer had the author explain the horror of late stage alcoholism’s effects on the body. Unfortunately, I’ve seen it so understood. It’s rare for the disease to take someone so quickly. That needed further explanation because the author makes it sound like a matter of Molina simply lacking the will to commit to quit. The narrator reads with the tone of a self-help book, not the memoir of an indie musician. Still worth a listen. I finished it in two days and especially enjoyed the descriptions of Molina’s recording process and the anecdotes from those who knew him best. RIP

Great book, bad narration.

Great book that I recommend to any Molina fan. However not this audio version. The guy reading this mispronounces many nouns in a super robotic voice. Broke immersion. Doug Greene should stick to narrating dictionaries. At least they have pronunciation guides.

Robot voice

I love Jason Molina and all his work, & I also have loved ones who struggle with alcoholism. All-in-all, this account of his life gave me everything I was hoping to glean from his creative life force, struggles, & tragic end. That being said, the narrators voice felt quite disembodied, and completely cold to me. I don’t think it was a good fit for this particular book. It truly at times, felt like I was being read poetry by an automated, pay-by-phone robot. Some warmth, or depth, or change in tone was much needed. I stayed with it, purely for my love of Jason.

What Comes After the Blues?

So. you are thinking this will help you better understand the work and times of Jason Molina. It wont, he was a poet and artist as well as musician. Its early, so I think its easy to criticize the writer. But they gloss over major themes, influences, sonic notes and aspirations of musicians, including in the midwest indie scene of the 1990s and early aughts. Read it for album notes. Some anecdotal bits about his character and family life. Leave it be for a deeper sense of Jason and his contributions to midwest song, poetry, antics and poetic tradition. Also, the reader of the audiobook was flat. Like her never heard a song or how Jason used space, pause, uncertainty.

LISTEN!

it's a good thing Jason Molina is so interesting. the narrator is one of the worst I have ever heard. you can tell the reader has never listened to any of Jason's music....he has no passion about the subject