
Inhibitor Phase
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Narrado por:
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John Lee
Acerca de esta escucha
Miguel de Ruyter is a man with a past.
Fleeing the 'wolves'—the xenocidal alien machines known as Inhibitors—he has protected his family and community from attack for 40 years, sheltering in the caves of an airless, battered world called Michaelmas. The slightest hint of human activity could draw the wolves to their home, to destroy everything...utterly. Which is how Miguel finds himself on a one-way mission with his own destructive mandate: to eliminate a passing ship, before it can bring unwanted attention down on them.
Only something goes wrong.
There's a lone survivor.
And she knows far more about Miguel than she's letting on....
Ranging from the depths of space to the deeps of Pattern Juggler waters, from nervous, isolated communities to the ruins of empire, this is a stealthy space opera from an author at the top of his game.
©2021 Alastair Reynolds (P)2021 Orion Publishing GroupLos oyentes también disfrutaron...
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- De Eoin en 07-15-12
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Spearpoint, the last human city, is an atmosphere-piercing spire of vast size. Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different---and rigidly enforced---level of technology. Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue.
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- De DAVID en 09-10-10
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The Prefect
- De: Alastair Reynolds
- Narrado por: John Lee
- Duración: 19 h y 41 m
- Versión completa
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General
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Narración:
-
Historia
Tom Dreyfus is a Prefect, a law enforcement officer with the Panoply. His beat is the multifaceted utopian society of the Glitter Band, that vast swirl of space habitats orbiting the planet Yellowstone, the teeming hub of a human interstellar empire spanning many worlds. His current case: investigating a murderous attack against one of the habitats that left 900 people dead, a crime that appalls even a hardened cop like Dreyfus.
-
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- De Michael G Kurilla en 04-03-11
-
Pushing Ice
- De: Alastair Reynolds
- Narrado por: John Lee
- Duración: 19 h y 43 m
- Versión completa
-
General
-
Narración:
-
Historia
2057. Humanity has raised exploiting the solar system to an art form. Bella Lind and the crew of her nuclear-powered ship, the Rockhopper, push ice. They mine comets. And they're good at it. The Rockhopper is nearing the end of its current mission cycle, and everyone is desperate for some much-needed R & R, when startling news arrives from Saturn: Janus, one of Saturn's ice moons, has inexplicably left its natural orbit and is now heading out of the solar system at high speed.
-
-
Proof that a good story doesn't require a trilogy
- De Jesse en 01-14-12
-
Century Rain
- De: Alastair Reynolds
- Narrado por: John Lee
- Duración: 19 h y 41 m
- Versión completa
-
General
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Narración:
-
Historia
Three hundred years from now, Earth has been rendered uninhabitable due to the technological catastrophe known as the Nanocaust. Archaeologist Verity Auger specializes in the exploration of its surviving landscape. Now, her expertise is required for a far greater purpose. Something astonishing has been discovered at the far end of a wormhole: mid-twentieth-century Earth, preserved like a fly in amber.
-
-
One of John Lee's best performances
- De DAVID en 07-24-10
fixed
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In regards to narration, I think the performance is OK, but the lack of pauses during scene changes is a big problem, although the listener will soon get over this.
If you're generally thinking about reading the Revelation Space novels, just go ahead and do that: The trilogy is great, and no sci-fi fan should leave it unread.
Revelation space revisited - no spoilers
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Fantastic return to Revelation Space
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not the complete book!
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Now this still is a Revelation space novel, and I love the setting, and it has good parts.
Too much magic
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Speaking of familiarity: “Conch” is pronounced “conk” throughout the entire story. That should have been picked up at some point.
Reynolds and Lee in fine form
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- Too much dying and too much acceptance of death
- Unnecessarily lengthy dialogues, sometimes badly written
- Some Ill-intentioned social commentary (e.g on “muskies”)
- Some unintentionally annoying characters (e.g Pinky)
- A rather predictable plot
Not the best of Reynolds
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A treasure hunt.
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A significant section featuring the Swine Queen seemed very similar to the vastly superior Consider Phelbas by Iain M Banks.
The techincal production is also faulty with a section missing in chapter 6.
Weak stuff
More soap opera than space opera
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