
In Morocco
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Narrado por:
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Anna Fields
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De:
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Edith Wharton
A classic of travel writing, In Morocco is Edith Wharton's remarkable account of her journey to that country during World War I. With her characteristic sense of adventure, Wharton set out to explore Morocco and its people, traveling by military jeep to Rabat, Moulay Idriss, Fez, and Marrakech, from the Atlantic coast to the high Atlas. Along the way, she witnessed religious ceremonies and ritual dances, visited the opulent palaces of the Sultan, and was admitted to the mysterious world of his harem.
Public Domain (P)1998 Blackstone Audio, Inc.Listeners also enjoyed...




















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What did you love best about In Morocco?
Edith Wharton's use of language is beautiful, her descriptions colorful and her experience delightfully presented. Although the visit takes place in a bygone era, the descriptions of people and ceremonies gives a feel for the recent history of this country and for the background of the people still living there.What was one of the most memorable moments of In Morocco?
Edith Wharton's empathy for those forced into slavery or raised to labor is moving, especially given the time period in which she writes. The descriptive scenes of homage and ceremony are a delightful repast, vivid and yet concise.What does Anna Fields bring to the story that you wouldn’t experience if you just read the book?
This is a first person narrative, and as such, it is important that the voice have a real authenticity to it. I found that to be true. I also appreciate that care was taken not to be overly dramatic, thus keeping the narrative moving and contemplative.Prose in the hands of a master!
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Many challenging words that are no longer in use
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A colorful but dated travelogue
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Morocco 1st guidebook
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A bit too pedantic .....
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A Wonderful Account of Morocco in 1917.
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What could have made this a 4 or 5-star listening experience for you?
NothingWhat was most disappointing about Edith Wharton’s story?
Her superficial treatment of the place and her constant reminding me of how badly the pathetic people there needed the French "help" they were now getting.Would you be willing to try another one of Anna Fields’s performances?
Maybe, but I would listen carefully first. This recording is faulty. Her pronunciations are incorrect very often.If you could play editor, what scene or scenes would you have cut from In Morocco?
I would suggest that she abandon the project.Any additional comments?
Terrible recording of a dated and depressing book.Recording and Content
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