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Il passato è una terra straniera
- Narrated by: Gianrico Carofiglio
- Length: 7 hrs and 12 mins
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Il passato è una terra straniera
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Overall5 out of 5 stars 5
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Performance5 out of 5 stars 5
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5 out of 5 stars
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Fantastico
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Publisher's Summary
Giorgio, studente modello figlio di intellettuali borghesi, ha ventidue anni e una vita normale e un po' noiosa. Francesco è torbido, misterioso e affascinante. E baro. Le loro vite viaggiano separate fino all'incontro che segnerà il destino di entrambi, trascinandoli in un vortice ubriacante che a poco a poco diventa un'inarrestabile discesa agli inferi.
Una storia struggente sull'amicizia e il tradimento, un viaggio doloroso e inquietante in quel tempo fragile e misterioso che separa la giovinezza dall'età adulta.
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Il mondo reale ha poco a che fare con le trame dei romanzi polizieschi o delle serie tv. Esiste davvero, ed è un posto pericoloso. Pietro Fenoglio, un vecchio carabiniere che ha visto di tutto, e Giulio, un ventenne intelligentissimo, sensibile, disorientato, diventano amici nella piú inattesa delle situazioni. I loro incontri si dipanano fra confidenze personali e il racconto di una formidabile esperienza investigativa, che a poco a poco si trasforma in riflessione sul metodo della conoscenza, sui concetti sfuggenti di verità e menzogna, sull'idea stessa del potere.
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4 out of 5 stars
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Slow start but it becomes very good in the end.
- By Alessandro Orlandi on 06-05-19
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![Dracula [Audible Edition] Audiobook By Bram Stoker cover art](https://m.media-amazon.com/images/I/51ef+s6y42L._SL320_FMwebp_.jpg)
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
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