Hawksmoor

By: Peter Ackroyd

Narrated by: Sir Derek Jacobi

Length: 11 hrs and 6 mins

Publisher's Summary

Peter Ackroyd's Hawksmoor was first published in 1985. Alternating between the eighteenth century, when Nicholas Dyer, assistant to Christopher Wren, builds seven London churches that house a terrible secret, and the 1980s, when London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sight of certain old churches, Hawksmoor is a brilliant tale of darkness and shadow.

©2014 Audible, Inc.; 2002 Peter Ackroyd

unusual structure and style

Hawksmoor combines a number of styles and time shifts to paint an unusual tale of the edge of sanity and the darkness that can be found or generated when one leans too far over to stare into the abyss. The detail of the narrative is intense and can transport anyone at all familiar with London to its very soul. That being said, the story feels almost like an avant garde experiment in prose that some may find difficult to follow in spots and the historical alterations may be hard to understand. Everything knits together in the end but the reader must be prepared to elaborate the reality, or lack thereof, for themselves

An intricate story of suspense, masterly read...

Got this as part of the David Bowie book club. The material is quite dense, but as the mystery unfolds, there's a good deal of suspense in the middle. The writing is full of many post-modern concepts (some of which become grating in audio form)... and the ending may disappoint some listeners looking for a more conventional denouement. On the performance, it was superb! He was able to move back and forth in a distinct way between the different styles and characters, but wasn't so over-the-top as to take you out of the story.

Intellectual yet gimmicky literary novel

Hawksmoor appeared on my Audible search results for a mystery. I was intrigued by a NY Times review which said that "this was a novel primarily of ideas", specifically a contrast between the superstitious and mystical beliefs of an earlier time and those coming of age in the 18th century dealing with the "new science of rationalism and experimental method" which "will eventually eradicate superstition". I did not really find much evidence of this debate in the novel. Instead, it seems preoccupied with the debased nature of mankind. Much of the text takes place inside the minds of the two main characters, Nicholas Dyer, a fictional version of the eponymous real life architect, Nicholas Hawksmore and the modern detective, recursively named Nicholas Hawksmore, who is investigating a series of child murders in London. The action takes place in the area of seven churches built by the real architect Hawksmore whose devotion to Christianity is called into question by the numerous pagan symbols he used to decorate his churches. This much is actually true and does add a note of interest to the text.

The internal musings of these two characters borders on the paranoid and the delusional. I am not especially drawn to this type of study of the human psyche, with characters speaking internally in an overheated emotional and irrational way, all the while afraid that their irrationality and indeed criminal nature is about to be discovered.

I found much of the work repetitious, especially so because the author chose the rather gimmicky device of repeating many of the thoughts and actions of the characters whose lives are separated by some 300 years to create a supernatural aura over his tale. And yet without the atmosphere created by this echo down the centuries, the book would lose much of its interest entirely. One saving grace was to be able to play the reading at 1.5x or even 2.0x time; if I were reading the book, I would have had to skim large sections too.

This is not to say that there are not entertaining moments, but they are few and far between. Even the brilliant acting of Derek Jacobi could not redeem this work for me.

Great subject matter - just doesn't deliver.

Would you try another book from Peter Ackroyd and/or Derek Jacobi?

Peter Ackroyd - perhaps and perhaps not.
Derek Jacobi - Definitely

What could Peter Ackroyd have done to make this a more enjoyable book for you?

I really didn't like this book.

The plot was fascinating and the premise was even better.

Peter Ackroyd wrote the novel well.

The characters were simply unlikable. I loved the architectural details and the ascent of the 18th century protagonist but he was so unabashedly evil! I found it rather hard to identify with him. His modern counterpart was also rather unlikeable as he was just so depressed at his own mediocrity.

I wished the novel could have gone in a different direction. Perhaps this is a book that would do well in a book group or read by a few people at the same time. I would have liked to discuss much of this book as I was reading it.

What about Derek Jacobi’s performance did you like?

Derek's voice is perfect. He is one of my all time favorite actors. I have much respect for him.

You didn’t love this book... but did it have any redeeming qualities?

The book was well written. The plot path was woven quite intricately and in an interesting way. I found it quite easy to discern the two paths of the story, present and past. Derek Jacobi's performance aided this distinction quite a bit.

Any additional comments?

I loved everything about this book except the characters. Perhaps I need to read / listen to this novel again.

Interesting Book

Performed very well. I enjoyed hearing it with the accent of the setting. Wonderful to be able to listen to a book that is hard to get in print. Bowie Book Club

Masterful storytelling

Ackroyd demonstrates great skill in crafting and weaving together the several narratives present in this story. One of the most creative interpretations of historical accounts in a recent novel.
Good effort in the performance by Sir Derek Jacobi, turning the characters into lively and dimensional figures that move the story along.

mystic, poetic and inspiring.

how does time run? what is relative in time? how can the threads of other times run alongside the here and now, or rather, how can they not? loved this book, need to read it again!

A bit convoluted

I LOVE Peter Akroyd's work. The book description made the story just my cup of tea. However, once I got into it, the shifting of timeframes, which I usually enjoy, just became unusually muddy. That said, I bet some film maker could make this a very intriguing move.

Fantastic!

Loved it, everything about this was fantastic, including and especially the narrator, will listen again and would have loved to have it in print.

Distracted Audiobooking

Started this on a book club suggestion. Narrator had a soft, proper English voice that was pleasant but seemed unemotional. I travel a lot for work so I use audio books as a means to “read” while logging miles. It was very hard to focus on the direction of this story even though I had solid hours in the vehicle.

London as a place of darkness and enlightenment

I first read this book well over twenty years ago and immediately identified with Peter Ackroyd’s vison of London as being a place with a unique arcane character. Living in London's East end (having moved down from up North) I was immediately struck by the curiously elegant Hawksmoor churches that stood out brilliantly against the decay and grime of the City's edge and I often wondered if there was something behind their strange otherness. This is beautifully addressed in this novel where the author tells us about the building of the churches and mixes historical facts with a fictional story of mystery, arch villainy and magic. Here the architect is Nicholas Dyer; a man on one hand is firmly rooted in reality and with a very human and petty sense a rivalry with Sir Christopher Wren. In contrast he harbours dark and murderous secrets and beliefs that belong in the world of paganism and devil worship. The historical story is interlaced with the tale of the modern day Nicholas Hawksmoor who is a detective investigating a series of murders centred on the Hawksmoor churches and seems to have a link with the erstwhile Mr Dyer. This is a book that is difficult to describe but for those who enjoy chilling, imaginative and innovative fiction it is a wonderfully atmospheric experience which will entice you to find out more about London’s incredible history.
I think on balance I enjoyed reading the book more than listening, but I really liked Derek Jacobi's performance and in particular his interpretation of Nicholas Dyer which very neatly avoided the obvious temptation to make him sound too much like a pantomime villain. As an aside, if you want an easier introduction into Peter Ackroyd’s fiction, I recommend Dan Leno and the Limehouse Golem and I think from that you could very easily develop an addiction to this very special author.

Strangely compelling

One of the strangest and yet most compelling books I've listened to. About 45 minutes into this, I thought I would have to abandon it because the story seemed to be going nowhere. It was only the love of Sir Derek Jacobi's voice which kept me listening. And then I "got it". Well, sort of got it!. If you are expecting a conventional murder mystery, this is not it. The beauty of the book lays in the manipulation of words and images far more than it does the plot. I do not think I could read the print version of this, for me it only works because of Jacobi, I truly think he is the only actor who could narrate this. The speed, clarity and dexterity of his delivery is awesome. I shall listen to this one again, not for the story but for the comforting feeling of listening to well-written English prose read by one of the best actors ever.

UTTERLY GRIPPING!!

Mindblowing!! So intelligently written!! The twists and turns, walking through centuries, on a parallel with one another!! I honestly think, that this is one of the best books, I have come across!! Straight to listening to it again!!

Convoluted and confusing

Whilst considered to be an excellent book, it doesn't make the translation across to audio very well. The story covers an set of events played out around the London churches of an architect, with recurring themes of murder, time and death. The complexity comes from the story following several characters in two different time periods who echo each other's actions. This makes for a highly involved story and the audio media does not encourage ease of understanding. Derek Jacobi's narration, whist energetic and rounded sometimes does not help to increase the clarity. Probably one to read in print if possible.

Interesting and beautifully written

Not a traditional murder mystery. The murders are just links that hold the two main characters together. I liked Derek Jacobi narration ( who wouldn't ) and found it very easy to distinguish the two main characters ( or should I say one character two time zones ) it's a book that makes you think and in that sense is a difficult book to fully understand. It has inspired me to visit the churches and walk the areas so vividly described. A beautifully written book which is always lovely listen to coupled with a fantastic orator.

Thank Heavens for Derek Jacobi

Long ,long, long. If it wasn't for the narrator I would have given up after the first chapter. Not entirely sure what it was about, or why it was written or, even, why I was persuaded to buy it. Thought it may have some meaning eventually, sadly I was wrong.

A great book dulled ..

The narrator ably strips tension from the prose, and fails to give any sense of individual voice to the two lead characters. This dulls the edge of an otherwise intriguing and at times genuinely disturbing narrative. Read the physical book, rather than have it read to you by a distinguished actor on auto-pilot.

A very different kind of historical 'thriller.'

As murder mystery books go, this one is probably the most unusual one I have come across. It took a while to get into it and to understand the plot device - two sets of characters living in different time periods and involved/implicated in a series of murders which take place in the same set of London churches.

The churches were all designed by an architect, Nicholas Dyer, who is a contemporary of Sir Christopher Wren and Vanbrugh. Dyer appears to be a perfectly normal craftsman who designs unusual churches in London; but the reality is that both the design and construction of the churches form part of Dyer's heretical, Satanic beliefs and practices that hark back to London's dark and pagan past.

A modern-day investigator, Nicholas Hawksmoor, is involved in the cases of several murders which are connected to the very same churches and parallels between both time periods begin to emerge. Hawksmoor investigates in London's dark, inhospitable underbelly, trying to find the link between the murders and dealing with his own strange private life.

Derek Jacobi's narration was good but the story would have been easier to understand if he had managed to make the two time periods sound different from each other.

A challenging book, but stick with it. It's worth it.

A sensory masterpiece.!

All the sights , sounds and smells of 18th Century London, in this dream like , semi fictional, supernatural tale, read mesmerizingly by Derek Jacobi.

Excellent Peter Ackroyd fictional thriller

Brilliantly written by Peter Ackroyd and brilliantly performed by Derek Jacobi. Fictional but with some grounding in facts and rumours around the 'devils architect', Nicholas Hawksmoor. The streets of London are bought to life by Ackroyd. Highly recommended