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Grunge, Nerds, and Gastropubs: A Mass Culture Odyssey
- Narrated by: Matt Patterson
- Length: 2 hrs and 42 mins
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Chuck Klosterman IV consists of three parts:
THINGS THAT ARE TRUE
Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides.
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9.6 out of 10
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Why is it that Leonard Cohen receives the sort of reverence we reserve for a precious few living artists? Why are his songs, three or four decades after their original release, suddenly gracing the charts, blockbuster movie sound tracks, and television singing competitions? And why is it that while most of his contemporaries are either long dead or engaged in uninspired nostalgia tours, Cohen is at the peak of his powers and popularity? These are the questions at the heart of A Broken Hallelujah.
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2 out of 5 stars
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As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.
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4 out of 5 stars
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50's Rock&Roll was more of a force than I thought
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Eating the Dinosaur
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Overall4 out of 5 stars 724
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Performance4 out of 5 stars 514
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In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.
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5 out of 5 stars
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Brilliant Way To Spend 6.5 Hours
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By: Chuck Klosterman
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Can't Buy Me Love
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Overall4.5 out of 5 stars 97
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Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.
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5 out of 5 stars
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Light on gossip, rich on context
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By: Jonathan Gould
Publisher's Summary
Ever wonder why glum rock à la Nirvana became popular in the immediate aftermath of the Cold War, or why gastropubs that serve organic kumquat have replaced all-American chain restaurants like Applebee’s as the trendiest dining establishments? Can the tennis rivalry between John McEnroe and Björn Borg shed light on the type of sadness inherent to success? And what’s the connection between the music of the bands Weezer and the Presidents of the United States of America? (Hint: It has to do with the difference between pretending to be nerdy and actually being nerdy.)
More from the same
What listeners say about Grunge, Nerds, and Gastropubs: A Mass Culture Odyssey
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Overall3 out of 5 stars
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Performance5 out of 5 stars
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Story1 out of 5 stars
- L'sandra Cinderella Honey S'Bee
- 02-05-21
Um you forgot Andrew Wood?
Where is the Andrew Wood part??? He was mostly the main reason for the glum Seattle music scene. Think he deserves a mention.
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Overall4 out of 5 stars
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Performance3 out of 5 stars
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Story5 out of 5 stars
- W. M
- 04-24-20
Cool
Better than expected, entertaining and well thought out. Where the hipster culture found theirs guide lines
