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Great Music of the 20th Century
- Narrated by: Professor Robert Greenberg PhD
- Length: 17 hrs and 50 mins
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Publisher's summary
The 20th century was a hotbed of musical exploration, innovation, and transformation unlike any other epoch in history. Ranging across the century in its entirety, these 24 lectures present a musical cornucopia of astounding dimensions - a major presentation and exploration of the incredible brilliance and diversity of musical art across a turbulent century.
Using a chronological approach, you'll explore the fascinating gamut of 20th-century musical "isms", from impressionism and fauvism to serialism, stochasticism, ultraserialism, neoclassicism, neotonalism, and minimalism as well as the inclusivity and synthesis within concert music that embraced Western historical styles, folk and popular music, jazz, rock, Asian, Latin American, and other influences in the service of heightened musical expression. Through the panoramic view of the course, you'll discover the genius of composers such as Debussy, Stravinsky, Schoenberg, Webern, Bartok, Ligeti, Riley, and many others.
Far more than simply a series of lectures, the program comprises a huge and many-sided resource for discovering the endless riches of 20th-century concert music across the globe. The phenomenal range of genres and composers covered and the wealth of suggestions for specific works make this a reference that could easily inspire years of musical exploration and glorious listening.
This remarkable inquiry opens the doors to an extraordinary spectrum of contemporary masterpieces that await discovery and deep listening. Within these unique and riveting lectures, Professor Greenberg offers you the keys to understanding and deep enjoyment of a revolutionary, visionary, and magnificent era in music. In Great Music of the 20th Century, you'll experience the living, evolving, and superlative musical art that so vividly and unforgettably speaks to the life of our times.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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Not sure what the point was
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By: Erica Schmidt
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The Way I See It
- A Look Back at My Life on Little House
- By: Melissa Anderson
- Narrated by: Jane Pfitsch
- Length: 6 hrs and 52 mins
- Unabridged
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From age 11, in 1974, until she left the show, in 1981, Melissa Anderson literally grew up before the viewers of Little House on the Prairie. Melissa, as Mary, is remembered by many as the blind sister - and she was the only actor in the series to be nominated for an Emmy. In The Way I See It, she takes listeners onto the set and inside the world of the iconic series created by Michael Landon, who, Melissa discovered, was not perfect, as much as he tried to be. In this memoir she also shares her memories of working with guest stars like Todd Bridges, Mariette Hartley, Sean Penn, Patricia Neal, and Johnny Cash.
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self serving
- By Tina L. on 02-24-20
By: Melissa Anderson
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Weird Scenes Inside the Canyon
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The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.
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My first review. This book changed me.
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Ayoade on Top
- By: Richard Ayoade
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- Length: 4 hrs and 39 mins
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At last, the definitive audiobook about perhaps the best cabin crew dramedy ever filmed: View from the Top starring Gwyneth Paltrow. In Ayoade on Top, Richard Ayoade, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece.
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Listened for an hour and a half, didn't laugh once
- By Wesley on 12-13-19
By: Richard Ayoade
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What listeners say about Great Music of the 20th Century
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- MAdison
- 03-11-18
Disappointment
What could have made this a 4 or 5-star listening experience for you?
I have listened to many of Prof Greenberg's audiobooks, some more than once. Outstanding courses, educational and entertaining. In my view, three elements are primary reason for such great materials that he put together:
- Prof Greenberg is very knowledgeable with hands on experience in a range of music and eras
- Excellent story teller, intertwining social & historical elements with music development
- Inclusion of key and relevant performances/pieces that made his points very clear to follow and fully appreciate details
Inclusion of these performances, created wonderful courses that I was enjoying during my long commutes (driving, train and flight).
During the first lecture of this course, the author indiciated that due to cost of licensing, he has decided not include actual pieces (while he is describing verbally every performance in such a detail). Instead, there is a constant mention of "a URL is included in the materials"
In order to fully benefit from this course, one needs to listen to audiobook, while sitting in front of computer, with constant back and forth, something like:
Play-Pause-go to PDF for URL-UTube-Pause-Play-PDF-...
Without the actual examples included in the audiobook, this is purely a reading of materials by the author and fails to deliver
Imagine listening to his outstanding course titled "How To Listen To And Understand Opera", without great samples included.
What could The Great Courses have done to make this a more enjoyable book for you?
Include actual pieces/performances (not necessarily the entire piece, just enough that makes the content useful, very similar to previous courses)
You didn’t love this book... but did it have any redeeming qualities?
Yes, great professor and excellent topic
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102 people found this helpful
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- Robert Mark
- 04-04-18
No music included!
Would you try another book from The Great Courses and/or Professor Robert Greenberg PhD?
Yes, I really like Robert Greenberg,
Would you recommend Great Music of the 20th Century to your friends? Why or why not?
I listen to the books while driving. I was very disappointed to discover there were only URLs, no music!
Did the narration match the pace of the story?
Not without the music.
Was Great Music of the 20th Century worth the listening time?
Not without the music.
Any additional comments?
There should have been a warning that the music was not included.
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49 people found this helpful
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- bobdc
- 07-20-19
Wonderful and informative
People complain about the lack of musical examples as if it were Greenberg's fault, but he clearly explains that licensing the examples would have pushed the budget for this course to a point where the course wouldn't exist. I'm very glad it does exist, because in addition to providing good context for many composers I had heard of, I learned about some great composers that I had been unaware of.
A lot of the URLs he provides for performances don't work anymore, but I created a Spotify playlist that covers just about all of the musical examples at https://open.spotify.com/user/bobdc/playlist/550CvxhGzH2QC3vwfzrrvE?si=xuQa8JMySfaTzNfeR30azg .
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35 people found this helpful
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- Sue
- 03-09-18
To listen is a juggling act
What would have made Great Music of the 20th Century better?
I have always enjoyed Robert Greenbergs lectures - they are witty and full of information. However this class has no music recordings in it (even ones such as DeBussy which is out of copywrite). In order to properly “enjoy” this I would need to listen to the lecture on my iPod find the non live YouTube url in the downloaded pdf and then type it in on another device. So unless you want to listen to the narrative on an iPod, find the URL on your kindle and the type the URL in your iPad to hear the music you will not fully enjoy these lectures
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31 people found this helpful
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- Quinn
- 06-05-18
Happy to overlook lack of musical examples
Greenberg clearly states at the outset of this course that a Greenberg course on 20th century music with musical examples wouldn’t have been possible. There’s no use whining about it. Other than the lack of musical examples, it’s the Greenberg you know and feel slightly ambivalent toward because he read Berlioz’s writing in a condescending voice, but you’re grateful for him anyway.
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10 people found this helpful
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- Kindle Customer
- 03-23-18
I miss the music
I listen to audio books in the car as I travel. I also listen as I walk/hike. I am disappointed that the music is not included. I can't check the URLs while I listen to the audio book.
I like Professor Greenberg's courses..up until now. I own several and have listened more than once to them.
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8 people found this helpful
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- SCS
- 07-09-21
Boo to the Copyright Police!!!
This is my fifth Great Course by Dr. Greenberg, and as with the previous ones, I am greatly enjoying the content and learning quite a bit. As always, Dr. Greenberg's analysis is witty, insightful and as thorough as can be expected given the time constraints of a lecture course.
That said, I have one major complaint about this course as compared to the others I've heard. In all the other Greenberg lectures I've heard, the musical excerpts are included directly within the audio track of the lectures, but in this one they are provided as web links that have to be accessed separately from the lecture. I listen to almost all of my audiobooks while doing other things (driving, dog walking, household chores, etc.), so this makes it very difficult to juggle a multi-media course. In fact, I am very skeptical that I will actually finish all 18 hours of the course.
It sounds like the issue here is that the licensing fees associated with publicly sharing copyrighted music are so prohibitive that this set-up was the only way to get this course published. To the composers, composers' estates, and lawyers who are insisting on these licensing fees, let me say this: like many other people, I often struggle with modern classical music. I downloaded this course with the hopes that some guided exploration would allow me to better appreciate this repertoire. I have purchased recordings of many pieces of music as a direct result of my other Greenberg courses, and I was expecting the same outcome here, and I suspect I am not the only person in this boat. However, not having the excerpts directly available make is much more difficult to find that new piece that I want to add to my collection. It would seem that waiving licensing fees to allow Dr. Greenberg to include this music in his course directly would be a good investment as it should lead to much greater exposure (and ultimately sales of recordings) to a type of music that is difficult and intimidating to many listeners. Please consider a different approach to this licensing question to potentially allow a new edition of this course in the future.
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7 people found this helpful
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- Robert A. Fritchey
- 01-13-19
We need no longer be afraid!
Professor Greenberg once again hits it out of the park. I first purchased his independent course on music of the 20th century, then got The Great Courses version when it eventually became available. NOTE: This format is slightly different than his other courses. Because of the extreme expense of licensing any music of the last 75 years or so, the musical samples are referred to in URLs to go and seek on your own, mostly on YouTube, but to some other sites. If a link doesn't work, check Prof. Greenberg's site (In the course guide) for an alternate, or just look up the piece on your own. It's worth it! There is a LOT covered here. Some of this music you might not like at all. Some you may be intrigued by, or understand WHY it's important, but not really care to listen to it. Some of it you may not like at first but, as you delve into it, it will open up and reward you in ways that may even surprise you. And, of course, you'll surely find something new to love here. I've discovered several of my new favorites in this course that I know I'd never have encountered otherwise. And, as always, Prof. Greenberg ties everything back to the times, the history, the events and people who shaped this weird and perpetually evolving thing we call 'culture.' Give yourself some time after each lecture to explore the pieces and composers he mentions, then to branch out to explore other works, to think about, to feel, to listen to with an open mind and open ears. Then go on to the next lecture, and think how each style and school of composition grows out of, or in opposition to, what came before. Then, keep exploring, with a broader perspective and, hopefully, greater interest and understanding. Rock, Jazz, 'concert' music, pop, etc, it all came from something before it, and it's all going somewhere still. Get on board for the ride!
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- DavidV
- 06-26-20
No music included
The lectures are excellent. But because of not including the pieces, it’s a nightmare to listen to.
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- Stanley Lippman
- 07-01-19
There is no music ... none
I have a great many of robert’s courses, and they all have a certain formula: he talks, and he plays on a piano, and he plays music after he’s spoken of it. In this one, they don’t do that. He just talks, and talks, and talks, in detail about music i can’t hear because either I’m walking or running or driving and how am i suppose to click on all these urls? It is just unforgivable to me. An expense of a credit is a waste of shame, to misquote Shakespeare.
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