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George Frideric Handel
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Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His kindness to working people with a biting, malicious wit reserved for those he encountered in artistic and aristocratic circles. Yet you can know this enigmatic genius though this 8-lecture series, which uses biographical information and musical commentary to link the complexities of Brahms the man with the electrifying music of Brahms the composer.
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- Narrated by: Robert Greenberg
- Length: 18 hrs and 10 mins
- Original Recording
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Overall
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Performance
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Story
From its humble beginnings in the 17th-century Along the way, it has embraced nearly every trend to be found in Western concert music.In this series of twenty-four 45-minute lectures, Professor Greenberg guides you on a survey of the symphony.
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Super Survey of Symphonies
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The Life and Works of Beethoven
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- Original Recording
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Overall
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Performance
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Story
For many people, Beethoven is the greatest composer who ever lived. In this portrait-in-sound, actors’ readings combine with his music to reveal a titanic personality, both vulnerable and belligerent, comic and tragic, and above all heroic, as he comes to grips with perhaps the greatest disability a musician can suffer. No man’s music is more universal; few men’s lives are more inspiring. In every sense but one - his modest height - he was a giant. The great bonus of this audio-biography is that the development of Beethoven’s music can be heard in the context of his life.
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Editorial Reviews
If all you’ve heard of George Frederic Handel is his glorious Messiah, sung out in churches everywhere at Christmas, give this audiobiography a try. Written by David Allen and narrated with British clarity and verve by character actor John Ringham, George Frederic Handel tells a very condensed story of the life of Bach’s contemporary and one of the founders of classical music as we know it.
German born, Handel’s long life took him on a European tour where he soaked up courtly Italian musical ideas. In time he moved to England and gave up court music for what some have called "moral music", usually chorale works written in England that are intended to move the audience toward heavenly considerations.
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