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Friday Black
- Narrated by: Corey Allen, Carra Patterson
- Length: 7 hrs and 8 mins
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Publisher's summary
A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal and, at times, heartbreakingly satirical look at what it's like to be young and black in America.
From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah's writing will grab you, haunt you, and enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.
In "The Finkelstein Five", Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land", we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all.
Entirely fresh in its style and perspective and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts listeners with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
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HUH?? I'm so confused LOL
- By ❤️Cyndi Marie❤️🎧Audiobook Addicts🎧 on 09-15-16
By: Tarryn Fisher
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Made You Up
- By: Francesca Zappia
- Narrated by: Amanda Ronconi
- Length: 9 hrs and 7 mins
- Unabridged
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Reality, it turns out, is often not what you perceive it to be - sometimes, there really is someone out to get you. For fans of Silver Linings Playbook and Liar, this thought-provoking debut tells the story of Alex, a high school senior - and the ultimate unreliable narrator - unable to tell the difference between real life and delusion. Alex fights a daily battle to figure out what is real and what is not.
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A DISGRACE TO AUTHORS AND MENTAL HEALTH EVERYWHERE
- By Amazon Customer on 06-27-18
By: Francesca Zappia
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How It Went Down
- By: Kekla Magoon
- Narrated by: Cherise Boothe, Shari Peele, Kevin R. Free, and others
- Length: 7 hrs and 10 mins
- Unabridged
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When 16-year-old Tariq Johnson dies from two gunshot wounds, his community is thrown into an uproar. Tariq was black. The shooter, Jack Franklin, is white. In the aftermath of Tariq's death, everyone has something to say, but no two accounts of the events line up. Day by day, new twists further obscure the truth. Tariq's friends, family, and community struggle to make sense of the tragedy, and to cope with the hole left behind when a life is cut short.
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gives perspective on race.
- By J. Carey on 08-17-17
By: Kekla Magoon
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Purple Hearts
- A Novel
- By: Tess Wakefield
- Narrated by: Kyle Mason, Shayna Thibodeaux
- Length: 10 hrs and 28 mins
- Unabridged
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Cassie Salazar and Luke Morrow couldn't be more different. Sharp-witted Cassie works nights at a bar in Austin, Texas, to make ends meet while pursuing her dream of becoming a singer/songwriter. Luke is an army trainee, about to ship out for duty, who finds comfort in the unswerving discipline of service. But a chance encounter at Cassie's bar changes the course of both their lives.
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RATING PURPLE HEARTS BOOK VS PURPLE HEARTS MOVIE
- By Rozzy on 02-05-23
By: Tess Wakefield
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Loving Day
- By: Mat Johnson
- Narrated by: J. D. Jackson
- Length: 12 hrs and 2 mins
- Unabridged
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On his first night in his new home, Warren spies two figures in the grass outside; when he screws up the nerve to confront them, they disappear. The next day he encounters ghosts of a different kind: In the face of the teenage girl he meets at a comics convention, he sees the mingled features of his white father and his black mother, both now dead. The girl is his daughter, and she thinks she's white.
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Teen lit with heavy erotic imagery
- By Itinerant T on 08-26-15
By: Mat Johnson
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Hold Me Closer Necromancer
- By: Lish McBride
- Narrated by: Jonathan Todd Ross, Chris Sorensen
- Length: 10 hrs and 14 mins
- Unabridged
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The riveting debut work from celebrated newcomer Lish McBride, Hold Me Closer, Necromancer drops a seemingly average boy into the adventure of a lifetime. Sam can’t complain about much, even if his job isn’t the most glamorous one around. But his world gets a whole lot more complicated when he crosses paths with Douglas, a necromancer who gets paid to raise the dead. Douglas thinks Sam might have the right touch for necromancing, and when this turns out to be all too true, Sam faces unimaginable dangers.
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I will love you all night long...
- By Amazon Customer on 10-08-12
By: Lish McBride
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The Girl I Used to Be
- By: April Henry
- Narrated by: Amy McFadden
- Length: 5 hrs and 57 mins
- Unabridged
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When Olivia's mother was killed, everyone suspected her father of murder. But his whereabouts remained a mystery. Fast forward 14 years. New evidence now proves Olivia's father was actually murdered on the same fateful day her mother died. That means there's a killer still at large. It's up to Olivia to uncover who that may be. But can she do that before the killer tracks her down first?
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Awesome Book
- By Lori O on 07-15-18
By: April Henry
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What Happened to My Sister
- A Novel
- By: Elizabeth Flock
- Narrated by: Cassandra Campbell
- Length: 9 hrs and 46 mins
- Unabridged
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Nine-year-old Carrie Parker and her mother, Libby, are making a fresh start in the small town of Hartsville, North Carolina, ready to put their turbulent past behind them. Violence has shattered their family and left Libby nearly unable to cope. And while Carrie once took comfort in her beloved sister, Emma, her mother has now forbidden even the mention of her name. When Carrie meets Ruth, Honor, and Cricket Chaplin, these three generations of warmhearted women seem to have the loving home Carrie has always dreamed of. But as Carrie and Cricket become fast friends, neither can escape the pull of their families' secrets.
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Breathtaking
- By Pink Amy on 03-11-24
By: Elizabeth Flock
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Bleeding Violet
- By: Dia Reeves
- Narrated by: Suzy Jackson
- Length: 9 hrs and 25 mins
- Unabridged
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With a head plagued by hallucinations, a medicine cabinet full of pills, and a closet stuffed with frilly, violet dresses, Hanna's tired of being the outcast, the weird girl, the freak. So she runs away to Portero, Texas, in search of a new home. But Portero is a stranger town than Hanna expects. She discovers secrets that would terrify any normal soul. Good thing for Hanna, she's far from normal. As this crazy girl meets an even crazier town, only two things are certain: Anything can happen, and no one is safe.
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Didn't like it. Sorry, not sorry
- By Cii'Em on 02-15-16
By: Dia Reeves
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The Complete Lockpick Pornography
- By: Joey Comeau
- Narrated by: Teddy Hamilton
- Length: 3 hrs and 54 mins
- Unabridged
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Combining two novellas into one volume, this collection explores the effects of prejudice and the ramifications of violence with a slightly unhinged sense of humor and unexpected tenderness. Lockpick Pornography, originally published in 2005, is a gender-queer adventure story that was not widely available until now. We All Got It Coming presents the experiences of a young couple dealing with the aftermath of an act of violence. From kidnapping the son of a "family values" politician to violent confrontation, these are characters who fight back.
By: Joey Comeau
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We Told Six Lies
- By: Victoria Scott
- Narrated by: Nick Mondelli
- Length: 8 hrs and 22 mins
- Unabridged
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Remember how many lies we told, Molly? It’s enough to make my head spin. You were wild when I met you, and I was mad for you. But then something happened. And now you’re gone. But don’t worry. I’ll find you. I just need to sift through the story of us to get to where you might be. I’ve got places to look and a list of names. The police have a list of names, too. See now? There’s another lie. There is only one person they’re really looking at, Molly. And that’s yours truly.
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great book from audible
- By Paula on 10-16-20
By: Victoria Scott
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I finished with a headache! 🤯😱😭🤕
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An Honest, Modern-Day Telling
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Fabulous
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The Good House
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Deeply Satisfying
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Land of Milk and Honey
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A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion.
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Started strong
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What listeners say about Friday Black
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Jane L Ades
- 12-30-18
More than violent
I had read that this book if short stories contained a lot of violence, and I tolerate violence well. But these stories for the most part took on a futuristic and absurd lens so that people were eviscerated and their lives seemed meaningless. The first 2/3 were manageable, not so the last.
I hope I don't sound ignorant as a white reader-i have read reviews where these haunted stories evoke a black experience that is surreal in its gruesomeness-and I can recognize this quality in many of the stories, however, for me, it rendered life as too horrific to even imagine. Perhaps that's the point.
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63 people found this helpful
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- Scott C. Alexander
- 12-07-18
An Authentic Magical Realist Masterpiece
Adjei-Brenyah is a brilliant story teller whose prose is as intrepidly creative as it is utterly unpretentious. The stories in this collection present us with characters who inhabit profoundly real dystopian worlds. These are worlds where the oppressed lose all fear in their quest for a justice indistinguishable from vengeance; where aborted fetuses speak to their grieving parents; where murderous anti-black vigilantism becomes a booming theme park industry paying enterprising people of color better than other jobs; where retail becomes the new plantation; and where human beings become radioactive projections of their former selves as they simply and rawly exist in the bittersweet hell of an endless apocalyptic loop.
By taking us into these varied yet closely related and even overlapping worlds of his fertile imagination, Adjei-Brenyah invites us not only to be seriously entertained, as we experience any number of wide-ranging and conflicting emotions. He also invites us to think deeply about the kind of world we inhabit and whether, when viewed in the mirrors of these worlds and their heroes and heroines, we like what we see.
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24 people found this helpful
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Story
- Jefferson
- 06-10-19
Racism, Consumerism, Alienation, and Fantasy
Nana Kwame Adjei-Brenyah’s Friday Black (2018) is a collection of 12 short stories about racism, consumerism, and alienation. Most of the stories are told by first-person narrators, most of whom are male. The cleanly written stories range in genre from magical realism (or urban fantasy) to sf dystopia and in mood from horror to humor and from outrage to acceptance.
Here follows a brief, annotated list of the stories.
“The Finkelstein 5” is an excoriating satire of the racism directed at African Americans, especially in the arena of “justice.” Here a white man has been acquitted after chainsaw massacring five African American kids because his lawyer successfully argued that he was acting in all-American self-defense. In that context, the protagonist Emmanuel defiantly raises his “blackness index” (monitoring how black you are on a scale of 1 to 10) by donning baggy pants and a backwards cap. Will he join a violent resistance?
“Things My Mother Said” is a vignette about the protagonist and his supportive and hard-working and wise mother.
“The Era” takes place in a future in which devastating wars have led to a backlash against “dishonest” emotions and empathy and in which people pay to have their kids genetically “optimized,” although sometimes mistakes cause “shoelookers.” The narrator, Ben, who is ostracized because he wasn’t optimized, speaks a great line without any irony of his own (though we sure sense the author’s behind him): “I do bad at school because sometimes I think when I should be learning.”
“Lark Street” is a moving and funny nightmare in which the narrator is visited in the middle of the night by his girlfriend’s aborted twin fetuses. Adjei-Brenyah writes vivid descriptions of the twins’ webbed fingers and toes, transparent skin, tiny bodies coated with blood, and lively personalities. At one point the male twin tells the narrator, “I think I have more balls than you, and I’m still a trimester away from genitalia.”
“The Hospital Where” is an allegory of the struggle to become a successful writer, including the morality involved in mining people for story material. The narrator takes his father to the hospital, where he recounts his bargain made with the Twelve Tongued God to enable him to become a successful “winner” of a writer and decides to inform all the patients that they’re healthy and should go home.
“Zimmer Land” satirizes contemporary American culture via a theme park for adults (for now) where they can pay to (supposedly) explore problem solving and justice. Patrons pay to enter modules like Terrorist on the Train or, the most popular one, Cassidy Lane, which involves cul-de-sac home defense with extreme prejudice against a loitering black man.
“Friday Black” satirizes American consumerism by turning Black Friday hysteria into a zombie-mall scenario worthy of George Romero. The ace salesman narrator works in a store besieged by biting, clawing, moaning, hissing, and growling people ravenous for their desired purchases. After having been bitten by a customer, the narrator became able to speak Black Friday and so to understand that, for instance, a howl means, “I won’t be alone with this. They’ll like me now.”
“The Lion & the Spider” concerns the high school senior narrator and his relationship with his apparently ne’er-do-well father who told the guy and his sisters great stories about Anansi the African spider trickster god when they were little, but who has seemingly abandoned his family, forcing the narrator to start working in a Home Improvement center unloading delivery trucks.
“Light Spitter” is a fantasy exploring the psychology of outcasts. After the narrator is murdered in her university library by an alienated student, the rest of the story depicts the interactions of the odd couple, the victim on her way to becoming an angel and her killer on his way to becoming something else.
“How to Sell a Jacket as Told by IceKing” features the salesman from “Friday Black,” here explaining (in a less exaggerated satire) his successful salesman techniques as he recounts trying to sell some coats to a white family. The story reveals why he’s only the 10th ranked salesman for the chain in the country, while his female co-worker is the 7th. It’s a funny story but goes on a bit too long.
“In Retail” is another satire set in the same mall as “Friday Black” and “How to Sell a Coat,” but this time it’s the narration of IceKing’s rival salesperson telling us how, “Even in nothing jobs like this, you need to think of ways you might really be helping somebody. Or you could end up a Lucy,” a worker who recently jumped to her death.
“Through the Flash” depicts a neighborhood caught in an apparently eternal time loop after the Flash, a big bomb, annihilated everyone, making them eternally recycle through time, constantly being killed and “reset” by the bomb. As they repeatedly go through the Flash, they gain abilities, like the 14-year-old girl narrator’s super strength and speed and her brother’s super brain capacity. When the story begins, she has decided to become a New Me who wants to make everyone to feel “supreme and infinite” after she has been “the Knife Queen” into torturing everyone in her community in ever more creative ways. The story is matter-of-fact in its depiction of the cruelty of children, but ends with an odd transcendence.
The two audiobook readers, Corey Allen (reading the male narrators) and Carra Patterson (reading the female ones) have appealing voices and read the stories with intelligence, empathy, and clarity.
Adjei-Brenyah’s stories are full of satire, humor, horror, and love. I’d like fewer first-person narrators and less present tense narration and more narrative variety. But it is an impressive first collection (though I don’t think I’ll be re-reading it soon).
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10 people found this helpful
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- Tanya Jackson
- 04-10-19
This is America
This was a dark almost satirical view of America and its broken pieces. My favorite is the Finklestein Five and Black Friday.
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5 people found this helpful
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- NatalieD
- 01-12-19
Fantastic read
I loved listening to this collection of stories. The writing is superb and the narration is on point. Completely Blacktastic!
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- Joe Kraus
- 05-19-19
One Sparkling Story in Over-the-top Collection
In general, I like over-the-top. And, on principle, I like ethical fiction, literature that tries to amplify the wrongs of a culture so we can see our way to end them.
Friday Black is both over-the-top and ethical. It’s just, well, perhaps a little too over-the-top.
Nana Kwame Adjei Brenyah has a method here, and it works well in small doses. Basically, he takes a metaphor and reifies it.
These are not small does, however. They are every story, and the volume in each is turned up close to 11.
If you’re a retail worker at a mall on Black Friday, and the customers seem out of control, imagine them as a zombie horde intent on buying whatever items the marketers have set out for them. If you’re a man lamenting his role in urging his partner to get an abortion, imagine him walking around with the residue of his two fetuses (who talk to him).
The great exception here, or more appropriately the story that does this best, is the widely acknowledged “Finkelstein Five.” That one is both the most ambitious – it imagines an America proud of itself for the Trayvon Martin shooting – and the most impressively accomplished. We get a young man protagonist who, angered by an analogous shooting of five unarmed African-American youths, gradually allows himself to be radicalized.
The anger seethes in this story, and it seems to give license to the stylistic hyperbole. (I suppose it’s the lack of such immediate anger that causes me to lose patience with some of the other stories.) This feels like a legitimate echo of Richard Wright, Black anger unleashed on the page. (I’m not saying this is at the level of Wright, but I do think it’s a worthy heir to that literary tradition.)
The story may have some flaws – it is, still, blunt, and it ends abruptly – but it has real power as well. Enough power, I’d say, that I’d consider teaching it in a college class some day.
The rest of the collection, though, while it has intriguing stylistic moments and at times channels a compelling anger in other directions, seems largely adolescent to me. Over-the-top has its place, but so does subtlety, and I could use a bit more of that here.
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- Allison Hagey
- 09-17-21
Memorable
Authentic story lines
thought provoking
requires are critical mind to understand the depth of his work
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- valerie
- 06-01-19
Not for Me
I just couldn't get into this book. It's like it is several books pushed into one. Not for Me.
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- nakedtongue
- 05-18-19
Necessary and Enthralling
Should be required reading. So full of depth and relevancy I wish I'd saved it for a bookclub - I’m dying to discuss even one (your choice!) of the stories from this collection. I am shaken and brain tingly in the most horrifyingly fascinating/satisfying ways possible. Carmen Maria Machado + George Saunders + Black Mirror vibes. Adjei -Brenyah is a finely honed mind that seems to effortlessly shape intricate speculative dimensions of our society while prompting one “too true” dark humor chuckle after another. This author is a master. I am inspired to live life more courageously because of this book.
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- Craig Logan
- 05-16-23
Great Science fiction
I enjoyed the imagination of the author. It is wonderful to listen to authors whose perspectives aren’t from the top end of the American caste system.
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