True History of the Kelly Gang

By: Peter Carey

Narrated by: Gianfranco Negroponte

Length: 14 hrs and 17 mins

Publisher's summary

Man Booker Prize, Fiction, 2001

Ned Kelly's name resonates in Australia the same way the name Jesse James does in America. Was he a crusading folk hero or murderous horse thief and bank robber? Who was the real Ned Kelly? As the impoverished son of an Irish convict, Kelly was cheated, lied to, and abused by the English. Committed to fighting back against oppression, Kelly and his gang of outlaws eluded police for nearly two years. Brilliantly novelized by Peter Carey, the story of the Kelly Gang unfolds from a series of 13 compassionate letters written, while on the run, by Kelly to his infant daughter. Building from this historical legend and testing our sympathies, Carey crafts a deeply humanistic piece of historical fiction, a tale of injustice and violence.

©2000 Peter Carey (P)2001 Recorded Books

Critic reviews

"No reader will be left unmoved by this dramatic tale....A novel that teems with energy, suspense and the true story of a memorable protagonist." ( Publishers Weekly)
"Historical fiction doesn't get much better than this." ( School Library Journal)
"Packed with incident, alive with comedy and pathos...contains pretty much everything you could ask of a novel." ( The New York Times Book Review)

beautiful writing, great story

Peter Carey read a letter that was written by the real 19th century outlaw, Ned Kelly (known as the Jesse James of Australia) and then fashioned an imagined biography from that voice and that time. It is a wonderful story, a wonderful piece of writing.

Interesting narrative

Interesting,and well told, but not as sensationally good as I was expecting from Peter Carey

Adjectively excellent

This is not like any outlaw story I've ever read. It is told from Ned's own lips and a short way in you've forgotten there's a narrator or an author. These are Ned Kelly's own writings, damn it, and told in his own voice.

The story is engaging, taut and utterly authentic. It is peopled with a humanity that oozes with veracity. The good and the bad are hardly imagined in this tale. There is the living and the loves, the family, the life under someone's thumb. And through it all, I felt like I was there and found myself sneering once or twice, 'adjectively.'

Brilliant and Poetic

The True History of the Kelly Gang is, hands down, the best recorded book I have ever heard. Peter Carey is truly a gifted writer whose ear for 19th Century Australian Irish "selector" dialogue is amazing. The reader, Giancarlo Negroponte, is a masterful and talented voice actor. I knew nothing about Ned Kelly before listening to this book and have been inspired to learn more about Australia's national hero. I did not want this book to end and can still hear Ned Kelly's voice in my head. Carey's literary, fictionalized version of the Kelly Gang's story achieves something truly remarkable. It conveys, in the way that only exceptional poetry and prose can, the essence of how the heritage of transportation formed the unique Australian identity and of how Ned Kelly in particular embodied the belief that something good could come of convicts.

Great book, Great narrator

The book is lively, amusing and interesting. The narrator is the best I've heard. His reading captures the book's diverse characters in a clear and distinctive manner without seeming actorish.

A Sad Story Told Well

I got this because I wanted to learn more about the Autstrailian anti-hero, Ned Kelly. The story is sadder than I thought it would be. Ned Kelly and his family certainly have more than their share of bad luck; but I got tired of the Kellys believing that they were always the victims of circumstance and corruption. This story makes it clear that the Kellys and their families were mostly criminals, which is why they were harassed by the police.

The story also makes it clear that there is NOTHING glamorous about being an outlaw.

I really liked the Austrailian narration, but didn't understand a lot of the slang (maybe there is a glossary in the dead tree edition). And it would have been a bit less distracting if the narrator had either used the cuss words, or dropped them, but the "adjectival" frequently interferred with the flow of the narration.

Thoroughly Enjoyed the Book

I surprised myself by really getting into this book. Interesting and well done. Kudos.

An Almost-Lost Voice Recovered

I expected I would love this one – I mean, it’s a Booker Prize winner and it deals with a gang of Australian outlaws – so it’s mildly disappointing to say I merely liked it very much.

On the one hand, I admire what Carey is doing with this novel. He’s taking what we know of the historical Ned Kelly and wrapping a story around it. We get an individual whose frustrations and passions lead him to quasi-insurrection, and we get a sense of the larger social and ethnic tensions roiling late 19th Century Australia. After all, this is an Aussie-Irish under-class dealing with the same global oppression as the victims of the Famine and the Thomas Nast-caricaturing of the United States.

And, above all, Carey finds a remarkable voice in which to tell the story. I looked up a bit of the original writings of Kelly, and it’s amazing to hear him on the page. In an interview appended to the novel, Carey talks of discovering Kelly’s voice and imagining the outlaw as a kind of proto-Joyce or proto-Beckett, someone tearing familiar language into strips and then weaving them back into a fresh whole.

So, yes, I did love all that, and I can mostly see how this won the Booker.

At the same time, though, I suspect much of the power of this novel turns on an awareness of how Carey is manipulating the known fragments of Kelly’s history into a whole. I’ve done a little digging, but I can’t “know” Kelly in the way of an Australian who sees him as perhaps the country’s most famous individual. That is, Kelly represents something in Australian culture, something crucial as a point of contrast with what Carey is doing with him, but that doesn’t come through within the novel. It takes a familiarity with the Australian experience.

I am certain this happens in reverse all the time. There must be elements of Gatsby that don’t translate because the touchstones are so tied into distinctly U.S. culture – don’t get me started, but I remain convinced that only a handful of Gatsby readers recognize the cultural significance of the Jewish gangster Meyer Wolfsheim against the backdrop of the East and West Egg socialites we meet.

As a bottom line, then, part of the very success of Carey’s novel diminishes my pleasure in it. His story is so compelling, it seems so whole, that it’s easy to lose sight of the full way in which he has woven the different known chapters into his larger imagined history. In his interview, he even says as much; he was disappointed with some of the early, positive reviews that didn’t seem to realize the depth of his authorial project. It took later reviewers to point out the extent to which he’d added depth to the source material, to note how dramatically he was consciously reshaping a foundational myth of Aussie culture.

Even as I recognize the scope of that ambition, I find I’m like the first-wave of those reviewers. I enjoy the story and characterizations here – though I’m mildly frustrated that Carey condenses the best-known incidents (because his Aussie readership would already know them) into newspaper-style re-retellings – but I am aware that perhaps the highest ambition of the work falls outside what I can see of it.

I’m loosely working my way through significant contemporary Australian literature, with my current favorite being Richard Flanagan. I’d heard Carey was the current heavyweight champ in that field. Good as this is, I have to score this round for my man Flanagan.

Maybe you have to be Australian?

I found this reading very hard to follow. The narrator uses an authentic Australian accent, so unless I was concentrating very hard, I often had trouble understanding what just happened in the story. The primary plot line is easy to follow, but the subtleties and nuance of a book should be what distinguish it, and those were hard to discern in this audio book.

In reading other listeners reviews, clearly many people loved it. Maybe the accent didn't bother them. I know that in Simon Vance's reading of Oliver Twist, the accent worked towards enhancing the book. Here, I found the dialect distracting.

More Amazing Than Fiction

Although the author did a fantastic job of fictionalizing the story surrounding the true story of Ned Kelly, it's true aspects of the story that are most amazing. The fact that every step of Ned's life were guided by despiration makes for real page turner. The Aussie accents take a bit getting used to, but I learned a lot of colorful phrases and a lot about Aussie history and culture.