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The Amazing Adventures of Kavalier & Clay
- Narrated by: David Colacci
- Length: 26 hrs and 20 mins
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Publisher's summary
Pulitzer Prize, Fiction, 2001
It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book.
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The Amazing Adventures of Kavalier & Clay is a stunning novel of endless comic invention and unforgettable characters, written in the exhilarating prose that has led critics to compare Michael Chabon to Cheever and Nabokov. In Joe Kavalier, Chabon has created a hero for the century.
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The Jewish diaspora is vast, diverse, and full of stories. In recent years, Jewish authors have published books about everything from love, identity, and history to crime, romance, and what it means to come of age in the modern world. While this list is by no means complete, these 15 Jewish authors have written some of the most fascinating Jewish literature, and they represent a deep catalog of fiction, nonfiction, and poetry in a range of genres.
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In 1944 Al Capone, the most notorious Mob boss in history, has already been released from prison. Though Capone is no longer the enormously powerful force who dominated Chicago’s underworld for years, he is still a thorn in the side of J. Edgar Hoover. The FBI chief knows that if he can somehow manage to get Capone to reveal details of crimes he and his Outfit committed, the Bureau has a good chance of nailing key members who now are active in the wartime black market.
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Interesting story
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Koko
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- Length: 22 hrs and 56 mins
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KOKO. Only four men knew what it meant. Now they must stop it. They are Vietnam vets — a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a single shattering secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York.
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7 hours in and I am done
- By bionichands on 01-26-12
By: Peter Straub
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Strong Motion
- By: Jonathan Franzen
- Narrated by: Scott Aiello
- Length: 20 hrs and 51 mins
- Unabridged
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Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.
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Compelling Story, Ridiculous Narrator
- By DianeReads on 02-28-16
By: Jonathan Franzen
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Children Playing Before a Statue of Hercules (Unabridged Selections)
- By: Edited by David Sedaris
- Narrated by: David Sedaris, Mary-Louise Parker, Cherry Jones
- Length: 2 hrs and 54 mins
- Unabridged
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Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.
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Great stories but only 5 of 17 are included
- By Terri Kirk on 07-13-12
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Bright Lights, Big City
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- Narrated by: Daniel Passer
- Length: 5 hrs and 11 mins
- Unabridged
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The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.
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Curiously, mundanely real
- By Amber on 01-07-12
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Shadow Show
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Ray Bradbury - peerless storyteller, poet of the impossible, and one of America's most beloved authors - is a literary giant whose remarkable career spanned seven decades. Now 26 of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.
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THE MAN WHO FORGOT RAY BRADBURY
- By Jim "The Impatient" on 05-27-17
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Mr. Fox
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Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....
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A Great Novel, just Poor for Audio
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Book of Secrets
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It will take more than angels and demons to stop him. Reporter Spencer Finch is embroiled in the hunt for a missing book, encountering along the way cat burglars and mobsters, hackers and mysterious monks. At the same time, he's trying to make sense of the legacy left to him by his late grandfather, a chest of what appear to be pulp magazines from the golden age of fantasy fiction.
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Rating < 0
- By Sandra on 04-04-16
By: Chris Roberson
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The Blind Assassin
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For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.
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Good book, TERRIBLE audio!
- By Whitney on 04-27-09
By: Margaret Atwood
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Blackmail, My Love
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Performance
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Josie O'Conner travels to San Francisco in 1951 to locate her gay brother, a private dick investigating a blackmail ring targeting lesbians and gay men. Jimmy's friends claim that just before he disappeared he became a rat, informing the cops on the bar community. Josie adopts Jimmy's trousers and wingtips, battling to clear his name, halt the blackmailers, and exact justice for the many queer corpses.
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Fine Writing, Beautifully Read
- By CJ on 06-14-15
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Shadow and Light
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Berlin, between the two world wars. When an executive at the renowned Ufa film studios is found dead floating in his office bathtub, it falls to Nikolai Hoffner, a chief inspector in the Kriminalpolizei, to investigate. With the help of Fritz Lang (the German director) and Alby Pimm (leader of the most powerful crime syndicate in Berlin), Hoffner finds his case taking him beyond the world of film and into the far more treacherous landscape of Berlin's sex and drug trade.
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Masterful
- By Buzz on 03-25-11
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Grand Central
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On any particular day, thousands upon thousands of people pass through New York City's Grand Central Terminal, through the whispering gallery, beneath the ceiling of stars, and past the information booth and its beckoning four-faced clock, to whatever destination is calling them. It is a place where people come to say hello and good-bye. And each person has a story to tell.
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Grand Central: Memories
- By ZacharyKindle Customer on 05-03-17
By: Melanie Benjamin, and others
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What listeners say about The Amazing Adventures of Kavalier & Clay
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Darwin8u
- 06-12-12
A World I DON'T Ever Want to Escape From.
Let's just get this out in the open -- Michael Chabon is an amazing prose stylist. Occassionally, I imagine I can grow up one day and become a writer, then I read Chabon and I recognize just how HIGH that hill can be. His dexterity with the English language borders on magical. The Amazing Adventures of Kavalier & Clay is at once playful and soulful.
Listening to AAoK&C, I was reminded of Saul Bellow's ability to dance with language while also keeping the novel briskly centered on its well-paced story. Chabon's characters are boyantly alive, cinemagraphiclly painted, and infused a with dialogue that seems to require a high level of stereophonics (all enhanced by Colacci's amazing reading).
Even in comic books, good doesn't always win over evil, but it seems like with Chabon love still conquers all. A fantastic novel to view the 20th century through. Chabon expertly captured the colors, smells, and magic of New York. Anyway, Kavalier & Clay is a world I don't ever want to escape from.
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135 people found this helpful
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- Dave
- 07-11-12
Escape From Reality is a Worthy Challenge
At Last! Because You Demanded It! An Unabridged Recording!
Ahem.
It's been several weeks since I finished listening to Michael Chabon's Pulitzer Prize-winning "The Amazing Adventures of Kavalier and Clay," and I'm starting to think it's one of the best books I've ever read/heard. I read it when it first came out, and enjoyed it. But when the unabridged recording came out I knew I had to grab it, and give it a listen. I am so glad I did. And it was one of those listening experiences when you realize that a book is even better than you already thought it was.
The Amazing Adventures of Kavalier and Clay's an incredible story about two Jewish kids prior to the U.S.'s involvement in WW II - one an immigrant, the other an American - who create a comic book hero that's a perfect and pure meditation on escapism: The Escapist! The novel itself is an epic story full of love, loss, friendship, creativity, and most of all: the human need for escapism.
Chabon's prose is spectacular, painting the setting and the characters better than a splash page. David Colacci's reading is no less spectacular, he was able to expertly give voice to all the characters - Sammy, Joe, Rosa, George Deasey, Tracy Bacon, and Thomas - they all sound exactly the way they should.
According to Chabon's story, Escapism is just as necessary for humans as love. It can be thrilling, sexy, healing, comforting, and transformative. It can make us better people.
Toward the end of the story, Sammy stares at another character's art work and says, “It makes me want to make something again. Something I can be just a little bit proud of.”
That about sums it all up for me. Listening to this book made me laugh, got me all choked up, and left me wanting to create art for as long as possible.
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85 people found this helpful
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- Honey Badger
- 08-04-12
Even Narrator's Need an Editor
What made the experience of listening to The Amazing Adventures of Kavalier & Clay the most enjoyable?
This is a fantastic story, with amazing characters about whom you really care.
What did you like best about this story?
The characters.
What three words best describe David Colacci’s performance?
Can't do accents.
If you could take any character from The Amazing Adventures of Kavalier & Clay out to dinner, who would it be and why?
Joe Kavalier.
Any additional comments?
I've been listening to audiobooks for a few months now and truly love them. They make my commute more than bearable and my "reading" has increased enormously. THAT SAID... do the people who make these books just put the narrators in front of a microphone and leave the room? Does nobody check how the "hard words" or foreign expressions are actually pronounced? Could audible not find a narrator who knew maybe even, would it be so hard to find, a little bit of Yiddish? And could this narrator fellow, this David Colacci, not have done maybe a little bit of research to distinguish the differences among German, Czech and Russian accents? Would that have killed somebody? Would that be so terrible?
Bubbe, when referring to a Jewish grandmother is pronounced Buh-bee. "My [buh-bee] makes great brisket." Bubbie -- sometimes also spelled bubbe -- is a shortened form of bubeleh. It is what your Jewish grandmother might call you when she pinches your cheek. It is hard to parse out phonetically in English, but the "u" is pronounced like the sound following the "c" in the word, could. So, using "oul" to represent that sound, that word is pronounced boul-bee. Funny one word means grandmother, and the other is usually used in reference to a child.
The mixing up of these two terms by the narrator drove me nuts. That nobody in the chain of listeners before this audiobook went public didn't know or didn't care makes me meshuge. The grandmother should have been buh-bee, not boul-bee. If it happened once, ok. But multiple times? Oye! Not good. In short he was referring to the grandmother using a term meant for a child.
The Czech accent is a beautiful one... think of the Hungarian accent of the Gabor sisters; it sounds like that. The narrator of this book decided that all Czechs sound like Russians, something akin to having someone with a French accent sound like they're from the United States.
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44 people found this helpful
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- Richard Delman
- 07-18-12
Michael Chabon's magnum opus.
If you only read one book by Michael Chabon, this should be it. And, fortunately, David Colacci reads it, with his typical skill and verve. The book might be called over-written. Many of Chabon's books are like that. The story, however, is a remarkable one. Josef Kavalier escapes from Prague to eventually land in New York City during the early 1940s. He is welcomed by his cousin, Sam Klay, and the two young men rise to the very top of the world of comic books. Their hero, the Escapist, is a superman-like hero who is always escaping from Nazi-like traps and then returning to beat the Nazi-like guys to bloody pulps. The story of the personal lives of Kavalier and Klay is told in great detail. The book is extremely carefully researched. The ambience of New York City during this period is lovingly recreated by Chabon. There are a number of remarkable scenes. Kavalier has studied the great Houdini (whose real name was Erich Weiss) and has become an escape artist himself. He is also a magician and a clever entertainer. The book goes on perhaps too long, but if you are truly entertained, then Chabon and Colacci have done yeoman's work. The scenes of Kavalier's stretch in the Navy at a base in Antarctica are particularly memorable and heroic. Chabon's writing style is an acquired taste for many, but this is exactly the sort of thing for those who like this sort of thing.
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- M. Spencer
- 12-05-12
Well Written, But Not My Favorite
I really had no idea what The Amazing Adventures of Kavalier and Clay was about when I started listening. It had been on my "wish list" list for quite awhile and I just randomly decided to grab it. I can't help but think that a three star review seems awfully negative, but, really, I liked the novel; I just didn't love it.
Michael Chabon's work is undeniably well written. The characters are incredibly realistic, as is the setting. If I didn't know any better, I would believe that Chabon grew up in New York City in the 1940s. He must have done an incredible amount of research to pull off the setting so convincingly.
Perhaps because the audiobook was split up into three files, the novel felt to me like it had three acts. The first act was really an introduction to the characters and their business endeavors, the second act was largely a love story, and the third was the war and beyond. I could elaborate, but I'll refrain to avoid spoilers.
I really liked the first act. It was really interesting to see how Sammy and Joe take part in the birth of superhero comics, and The Escapist was frankly awesome. I also largely enjoyed the second act. I found Rosa to be interesting, quirky, and a wonderful compliment to the existing cast of characters.
My biggest issue was the third act. I just didn't enjoy it very much. I understand why Chabon chose for the story to go the way it did, but it started to wear on me and finishing the story became a bit of a slog, especially because the conclusion was both expected and inevitable, but not particularly satisfying.
Overall, I enjoyed the novel, especially the parts about The Escapist, but it wasn't my favorite and I wouldn't recommend it to just anyone. I think this one takes more of a patient reader than some of the novels that I tend to like.
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- Chris Reich
- 11-24-12
Superb, Original and BAM!
This is a wonderful story perfectly read. I would say no more but would fail to meet the Audible review requirements!
There is some real history here---read also The Ten Cent Plague---wrapped around the stories of two cousins. The stories are tragic but not overly depressing. The author somewhat gets us to a happy place by the end---not a perfect story book ending but that would demean some of the serious points this book makes. I love books that build compassion for people.
I have around 1500 audio books in my library. When I finish something really, really good, it can be insanely difficult to start, or rather get into, a new book. If you find yourself in that position, here you go! I had to listen to the first half hour a couple of times and then I was completely hooked.
Highly recommend.
Chris Reich
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- Bethann McLaren
- 12-06-13
I feel like I should have loved it, but...
Would you recommend this book to a friend? Why or why not?
I might. I know for good reason a lot of people that are not me really love this book. I am a BA, MA English graduate and I feel slightly guilty for not enjoying it more than I did. It's certainly well-written and the characters well crafted. I personally, though, just never really fell in love with the book. I found myself anxious for the book to be over so I could start reading something else. There were bits and pieces that moved me and I will always remember, but I can't say that for the book as a whole.
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- Ryan
- 10-22-12
Favorite Chabon novel so far, despite “meh” ending
I’ve read a couple of Michael Chabon’s other books and have found him to be a writer I like a lot, but have never been totally enamored with. His prose reminds me of a certain type I sometimes meet at parties in the city: stylish, insightful, full of savoir faire, but trying just a little too hard to impress, and maybe not as original as he wants to be.
Still, if there was ever a novel that plays to an author’s descriptive flair and love for homage, it would be the Amazing Adventures of Kavalier and Clay. Through mannered but flip character study, Chabon hones in on the energies passing through pre-war New York City, as experienced by two young artists intent on making their mark in the dawning Golden Era of Comic Books, and later, the doldrums of 1950s suburbia and a stagnating industry. One of his protagonists, Joe Kavalier, is a young Jew from Czechoslovakia, trained in the arts of escape (think Harry Houdini), the other, Sammy Klayman, is a young Jew from Brooklyn, with aspirations of being a novelist. One worries about his family back in Europe, the other struggles with his sexuality, alternating between cautious acceptance and the socially-prescribed denial of the era. As with other Chabon novels, there are broad “Jewish” themes of exile, suffering, and redemption, which make an interesting subtext.
To me, the joy of this novel is the inventiveness with which Chabon has his heroes playing out their psyches and backstories on the nine-paneled page, as they struggle with guilt, a sense of identity, love, friendship, and failure. His ability to evoke the imagery of classic comics in prose is impressive, and reminds us of the ineffable power that visuals hold over both creator and devotee, even hampered by the stilted “sock! bam! pow!” conventions of the early days. A less graceful writer might have stamped out an empty nostalgia trip, but Chabon, in celebrating the earnest constructive spirit of young men in a new field of expression, crafts an ecstatic secret history of one rapidly evolving. It’s not often that words are worth a thousand pictures.
Well, for the first third of the book, anyway. Once the young duo achieves its meteoric rise and begins settling into comfortable lives of regular paychecks and predictable comforts, the novel begins to sag and its character studies to feel a little superficial and plodding (but impeccably written). Luckily, an engaging interlude involving a little known-theater of World War Two shakes things up for a while at the two-thirds mark (though it’s largely superfluous to the main story, and felt like Chabon just needed the writerly equivalent of an excuse to get out of the building and run around for a bit). After that, the story returns to 1950s suburbia, a dull marriage, a McCarthy-esque harassment of comic book writers, and a resolution that I found surprisingly banal. Does Chabon just not know how to end books well? I had a similar problem with the Yiddish Policemen’s Union.
Yet, as with that book, I liked the imagination and joyous construction of a place in time on display in the first half of The Amazing Adventures so much, I still think it’s worth your consideration. The audiobook might even be an improvement over the print version, with Joe and Sammy’s distinct accents brought to life, along with those of several other characters. Probably my favorite of Michael Chabon’s novels thus far.
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- Dubi
- 04-28-14
Kavalier & Clay, Meet Strunk & White
Kavalier & Clay needs an editor. No, not an editor -- a chainsaw. See, I've already suggested a nice little edit that would cut the word count by more than half -- of the title, at least. For I will not use the title words that precede the names Kavalier & Clay, as they are neither amazing nor adventurous.Trivial is my adjective for the adventures of K&C. To wit:
Joe escapes Nazi Europe on the eve of the Holocaust and becomes a successful (and wealthy) comic book artist almost immediately upon his arrival in Brooklyn. He almost as quickly finds true love. He suffers a single tragedy during the ensuing war years (not trivial, but compared to millions of other Holocaust and war experiences?). He escapes the worst of the war despite a difficult experience in Antarctica. Yet he goes off the deep end as a result before coming back to his senses.
Maybe if Michael Chabon had applied the principles of Strunk & White to Kavalier & Clay, we would have ended up with a readable classic rather than interminable bore. "Omit needless words," S&W advise. "Make every word tell." Instead, Chabon wants to show off, leaving his story and characters behind as collateral damage. After 26-plus hours, I could write a treatise nearly as long full of examples of how he overblows what may have otherwise been a lively novel of average length. But I will limit myself to just one (in a world where K&C has received nearly universal praise and a Pulitzer Prize, I'm part of a tiny minority of puzzled, worn-out readers).
Amid the ruins of the 1939 World's Fair, Chabon's omniscient narrator explains Sammy Clay's emotions: "It made him sad, not because he saw some instructive allegory or harsh sermon ... but because ... he had known all along that like childhood, the Fair was over..." I could have reduced that excerpt to even less than those 28 words, but Chabon uses 96 -- 96 words for a sentence that starts with "It" (after an 84-word sentence that starts with "It" and a 104-word sentence with 16 commas).
Chabon spews forth this vomitus to tell us not to look for any metaphors in the ruins of the fair beyond the simple (even trite) childhood's end. He tells this to us, the readers -- Sammy himself, the narrator says within that run-on sentence, is "too young to have such inklings." And he doesn't even get it right -- "like childhood, the Fair was over." No! Sammy isn't epiphianic because the fair is over, he is saddened by the realization that his childhood is past.
Yes, I counted the words. Insert punch line here. Or just punch me. But Chabon clearly did not count. Draft and revise. Draft and revise. My 8th grader is forced to draft and revise. Chabon never re-read this passage after he wrote it (and hundreds like it). If he had, he'd have asked himself, why am I instructing the reader how to interpret my metaphor? Either I tell them directly what I want them to take away from it ("Sammy was sad because he realized his childhood, like the fair, was over") or I let them draw their own conclusions ("Sammy was too young to have such inklings").
Or maybe he did re-read it and found it wanting for nothing. This is his first draft, and it was just perfect. How did the Pulitzer committee miss this? Were the characterizations and story lines and symbols so compelling? I find the characters two-dimensional at best, mostly one dimensional cardboard cutouts, the story lines banal, the metaphors pedestrian. Is the comic book simplicity its very charm? Perhaps, but I stopped reading comic books 45 years ago and turned to literature to get more out of my characters and plots and themes and metaphors.
I realize I'm a minority of one, but Kavalier & Clay is packed wall to wall with this type of writing, gratuitous and dull at best, infuriating and downright bad at worst.
I've had this book on my shelf for ten years, always intending to read it but never quite pulling the trigger (and I read dozens of book a year, so I've pulled a few hundred other titles off the shelf, and now into my Audible app, in the intervening years). When I had the chance to get it in audio, I was excited -- whatever was stopping me from reading it (probably the number 636, the page count) was absent when I thought of listening while walking the dog and driving my car (even at 26 hours).
But then, at 2 hours, I started to think of stopping. Then again at 4, 6, 10 hours. All that praise, that prize -- there must be more to this, I gotta stick it through! Even at 15 hours, well past the halfway point, I considered stopping, convinced there would never be a payoff. I slugged it out, thanks in part to one excellent section (Antarctica, though it really is a standalone short story and naggingly problematic within its larger context of World War II and the Holocaust).
So that other Michael Chabon book that is sitting on my shelf -- nah, I'm not going to be reading or listening to that any time soon, or ever. Even if it is only two-thirds the length.
The sections relating the contents of K&C's comics were, head-scratchingly, relayed with little visual flair, especially curious since Kavalier, the more creative member of the duo (and the more interesting character) was the artist. I cannot fathom the whole Luna Moth thing -- Chabon keeps dropping moth references ("the moth light" ???) through this section, then totally abandons the conceit without ever completing the metaphor.
Then there is the chapter where K&C argue at long length with their bosses for a better deal. No matter the outcome, that could have been a paragraph, maybe a page, but not a chapter. Yet it is rendered completely pointless when it is resolved by deus ex machina -- having been hemmed into a choice between money or artistic control, the sudden unforeseen emergence of a lawsuit allows them have their cake and eat it too. Even more curiously, the moral dilemma of having to commit a minor crime to realize that result is left completely unexplored. Indeed, Chabon often drones on through long passages in long chapters with unnecessary material only to end with an abrupt one-liner that is sometimes never explored in any depth, even though that becomes the very heart of the matter.
Sammy, meanwhile, despite co-billing with Joe in the title and in life, is really the sidekick he always wanted to be. His biggest trial in life is handled artlessly, despite the back-to-back-to-back run-on sentences in the hundred-word range that are used to circle the issue without ever really getting serious about it. I'd like to back this up with examples, but that is impossible without major spoilers -- suffice it to say that when Sammy harks back to scientist Nikola Tesla in one section or to Batman in a later section, he comes off as improbably clueless.
No, not Sammy -- Michael Chabon. Clueless. As am I -- clueless as to how this book has been so revered and rewarded.
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- Eric Murphy
- 12-05-12
Fantastic Story, Passible Narration
What did you love best about The Amazing Adventures of Kavalier & Clay?
The characters jump off the page and stick in your heart. You connect with them despite the gaps in history and crappy jewish mother accents.
Who was your favorite character and why?
Joe Kavalier. Great character. He is broken and compelling.
What three words best describe David Colacci’s performance?
Please, Stop, {the} Accents
Was there a moment in the book that particularly moved you?
Plenty, but I don't want spoilers out there for future readers.
Any additional comments?
If you have the time and have heard about this book for years, it's worth a listen. The narration could be better, but the story makes up for that.
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