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"With music you can tell the truth about human experience." In this romantic fantasy set in the same world as Crown Duel, Flian is an ordinary princess who would rather be left with her music but gets abducted not once, not twice - three times. What is a civilized princess to do? Especially when she can't tell which prince is the hero and which the villain!
This light-hearted Regency folly stars Miss Clarissa Harlowe who wants a quiet life - but falls in love with a smuggler, the marquess of St. Tarval. Tarval's sister, Lady Kitty, is determined to write a dramatic Gothic to save her brother’s mortgaged estate - if she can reach London. Clarissa's much-pursued cousin, Mr. Philip Devereaux, is inexplicably intrigued by Lady Kitty, who is doing her best to encourage the match between him and Clarissa, except that Clarissa is now betrothed to...Lord Wilburfolde. And so the mad change partners in the dance of love.
When Arabella first arrives in London, she has only one mission: to snare a rich husband. With a mind to beat the competition, she pretends to be a rich heiress and soon finds herself the talk of the town, pursued by the most eligible bachelors in the city. But she has her sights on one man only: the much-hunted Mr Beaumaris. Our feisty heroine puts up a fight and deals the worldly-wise Beaumaris a deft hand in the game of love; at first grudgingly charmed, he soon becomes smitten.
The three great-nephews of cantankerous Mr Penicuik know better than to ignore his summons, especially when it concerns the bestowal of his fortune. His freakish plan is that his fortune will be his step-daughter's dowry.
Sasha's mother, Sun, was once swept away from a ren faire to another world by a prince - literally - but there was no happy ending. Sun's prince disappeared, and a wicked king took the Khanerenth throne. In the years since, Sasha and Sun have been back on Earth and on the run. Mom and daughter don't quite see eye to eye on the situation - Sasha wants to stand and fight. Sun insists her prince will return for them one day; it's safer to stay hidden.
Traveling abroad with her mother at the turn of the 20th century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage.
"With music you can tell the truth about human experience." In this romantic fantasy set in the same world as Crown Duel, Flian is an ordinary princess who would rather be left with her music but gets abducted not once, not twice - three times. What is a civilized princess to do? Especially when she can't tell which prince is the hero and which the villain!
This light-hearted Regency folly stars Miss Clarissa Harlowe who wants a quiet life - but falls in love with a smuggler, the marquess of St. Tarval. Tarval's sister, Lady Kitty, is determined to write a dramatic Gothic to save her brother’s mortgaged estate - if she can reach London. Clarissa's much-pursued cousin, Mr. Philip Devereaux, is inexplicably intrigued by Lady Kitty, who is doing her best to encourage the match between him and Clarissa, except that Clarissa is now betrothed to...Lord Wilburfolde. And so the mad change partners in the dance of love.
When Arabella first arrives in London, she has only one mission: to snare a rich husband. With a mind to beat the competition, she pretends to be a rich heiress and soon finds herself the talk of the town, pursued by the most eligible bachelors in the city. But she has her sights on one man only: the much-hunted Mr Beaumaris. Our feisty heroine puts up a fight and deals the worldly-wise Beaumaris a deft hand in the game of love; at first grudgingly charmed, he soon becomes smitten.
The three great-nephews of cantankerous Mr Penicuik know better than to ignore his summons, especially when it concerns the bestowal of his fortune. His freakish plan is that his fortune will be his step-daughter's dowry.
Sasha's mother, Sun, was once swept away from a ren faire to another world by a prince - literally - but there was no happy ending. Sun's prince disappeared, and a wicked king took the Khanerenth throne. In the years since, Sasha and Sun have been back on Earth and on the run. Mom and daughter don't quite see eye to eye on the situation - Sasha wants to stand and fight. Sun insists her prince will return for them one day; it's safer to stay hidden.
Traveling abroad with her mother at the turn of the 20th century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage.
The shy young Duke of Sale has never known his parents. Instead, his Grace Adolphus Gillespie Vernon Ware or Gilly for short has endured 24 years of rigorous mollycoddling from his uncle and his valet. But his natural diffidence conceals a rebellious spirit. So when Gilly hears of Belinda, the beautiful foundling who appears to be blackmailing his cousin, he absconds with glee. Only he has no sooner entered his new and dangerous world than he is plunged into a frenzy of intrigue, kidnap and adventure.
Simon Basset, the irresistible Duke of Hastings, has hatched a plan to keep himself free from the town's marriage-minded society mothers. He pretends to be engaged to the lovely Daphne Bridgerton. After all, it isn't as if the brooding rogue has any real plans to marry - though there is something about the alluring Miss Bridgerton that sets Simon's heart beating a bit faster. And as for Daphne, surely the clever debutante will attract some very worthy suitors now that it seems a duke has declared her desirable.
India Steele is desperate. Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who'll accept her - an enigmatic and mysterious man from America, a man who possesses a strange watch that rejuvenates him when he's ill.
He had nothing to recommend him but his smile, and she was surely too old, and had too much commonsense, to be beguiled by a smile... Miss Abigail Wendover's efforts to detach her spirited niece Fanny from a plausible fortune-hunter are complicated by the arrival in Bath of Miles Caverleigh. The black sheep of his family, a cynical, outrageous care-for-naught with a scandalous past - that would be a connection more shocking even than Fanny's unwise liaison with his nephew!
Rich and handsome, the hope of ambitious mothers and despair of his sisters, the Marquis of Alverstoke sees no reason to put himself out for anyone. But when a distant connection applies to him for help, he finds himself far from bored.
Miles from anywhere, Darracott Place is presided over by irascible Lord Darracott. The recent drowning of his eldest son has done nothing to improve his temper. For now he must send for the unknown offspring of the uncle whom the family are never permitted to mention. Yet none of that beleaguered family are prepared for the arrival of the weaver’s brat and heir apparent.
Fiery, strong-willed Deb Grantham, who presides over a gaming house with her aunt, is hardly the perfect wife for the young and naive Lord Mablethorpe. His lordship's family are scandalized that he proposes to marry one of 'faro's daughters', and his cousin the proud, wealthy Max Ravenscar - decides to take the matter in hand. Ravenscar always gets his way, but as he and Miss Grantham lock horns, they become increasingly drawn to each other. Amidst all the misunderstandings and entanglements, has Ravenscar finally met his match?
When Sylvester, the Duke of Salford, first meets Phoebe Marlow, he finds her dull and insipid. She thinks he is insufferably arrogant. But when a series of unforeseen events leads them to be stranded together in a lonely country inn, they are both forced to reassess their hastily formed opinions, and they begin to discover a new-found liking and respect for each other. But what Sylvester doesn’t know is that Phoebe is about to publish a novel - a novel in which all London will recognize him as the villainous ‘Count Ugolino’
Welcome to a world of reckless sensuality and glittering sophistication, of dangerously handsome gentlemen and young ladies longing to gain a title, of games played for high stakes, including - on occasion - a lady's virtue. A marquess's sheltered only daughter, Lady Roberta St. Giles, falls in love with a man she glimpses across a crowded ballroom: a duke, a game player of consummate skill, a notorious rakehell who shows no interest in marriage, until he lays eyes on Roberta.
Julian Fellowes's Belgravia is the story of a secret. A secret that unravels behind the porticoed doors of London's grandest postcode. Set in the 1840s, when the upper echelons of society began to rub shoulders with the emerging industrial nouveau riche, Belgravia is peopled by a rich cast of characters. But the story begins on the eve of the Battle of Waterloo in 1815. At the Duchess of Richmond's new legendary ball, one family's life will change forever.
Sir Waldo Hawkridge, wealthy, handsome, eligible, illustrious, and known as The Nonesuch for his athletic prowess, believes he is past the age of falling in love. But when he comes north to inspect his unusual inheritance at Broom Hall in the West Riding, his arrival leads to the most entertaining of ramifications.
As a young girl in 14th-century Norway, Kristin is deeply devoted to her father, Lavrans, a kind and courageous man. But when as a student in a convent school she meets the charming and impetuous Erlend Nikulaussøn, she defies her parents in pursuit of her own desires. Her saga continues through her marriage to Erlend, their tumultuous life together raising seven sons as Erlend seeks to strengthen his political influence, and finally their estrangement as the world around them tumbles into uncertainty.
In 1799 all of Europe is at war. In Palermo, 16-year-old singer-in-training Anna Maria Ludovisi is married by her dying father to Captain Henry Duncannon, the perennial bachelor. Minutes after the wedding, he sets sail. The threat of French invasion causes Anna to flee to Paris. At the end of the revolution, Napoleon Bonaparte is transforming France; Anna must transform herself into a professional singer in order to survive.
In 1805 Anna's opera company is traveling through Spain when events bring the long-missing Captain Duncannon and his forgotten wife back together again, as the English, Spanish, and French fleets converge for battle off the Cape of Trafalgar. For Henry Duncannon as well as Anna, everything changes: the demands of war, the obligation of family, the meaning of love, and the concept of home. Can they find a new life together? A romantic Napoleonic-period historical from Sherwood Smith, author of Danse de la Folie.
Where does Rondo Allegro rank among all the audiobooks you’ve listened to so far?
I liked the story. It's above average, good story line. It was interesting enough for me to keep going to find out the HEA.
Any additional comments?
The narration esp the part of Anna's maid was overly done, too 'foreign' to understand what the narrator was saying. I had to go over same lines again and again. So frustrating. Just keep it in simple in easy-to-understand English with slight accent would do!
1 of 1 people found this review helpful
What disappointed you about Rondo Allegro?
Fenella Fudge uses an overwrought Italian accent for the heroine that makes listening to this unbearable for me. I tried speeding the narration up to see if it would be listenable and it helped but not enough. I really dislike narrators/producers who think they are putting on a play or making a film instead of providing an enjoyable but unobtrusive reading of a book. It is too bad because this is book worth being well read. Get the print version!
0 of 1 people found this review helpful