• Illuminations

  • A Novel of Hildegard von Bingen
  • By: Mary Sharratt
  • Narrated by: Tavia Gilbert
  • Length: 9 hrs and 43 mins
  • 4.3 out of 5 stars (183 ratings)

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Illuminations  By  cover art

Illuminations

By: Mary Sharratt
Narrated by: Tavia Gilbert
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Publisher's summary

Audie Award Finalist, Inspirational/Faith-Based Fiction, 2014

Skillfully interweaving historical fact with psychological insight and vivid imagination, Sharratt's redemptive novel, Illuminations, brings to life one of the most extraordinary women of the Middle Ages: Hildegard von Bingen, Benedictine abbess, visionary, and polymath. Offered to the Church at the age of eight, Hildegard was entombed in a small room where she was expected to live out her days in silent submission as the handmaiden of a renowned but disturbed young nun, Jutta von Sponheim.

Instead, Hildegard rejected Jutta's masochistic piety and found comfort and grace in studying books, growing herbs, and rejoicing in her own secret visions of the divine. When Jutta died some thirty years later, Hildegard broke out of her prison with the heavenly calling to speak and write about her visions and to liberate her sisters and herself from the soul-destroying anchorage.

Riveting and utterly unforgettable, Illuminations is a deeply moving portrayal of a woman willing to risk everything for what she believed.

©2012 Mary Sharratt (P)2012 Tantor

Critic reviews

"[A] gripping story." ( Publishers Weekly)

What listeners say about Illuminations

Average customer ratings
Overall
  • 4.5 out of 5 stars
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  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    3 out of 5 stars

Strong woman; weak novel

I give this an extra star for its subject. The author manages to present some aspects of 12th century worldview but frequently slips into contemporary YA banter. What seems most anachronistic is Hildegard’s self-awareness.

Except for pivotal events, the details of Hildegard’s life necessarily need to come from imagination; however, the author seems to choose the more traumatic aspects that resonate today on which to hang the tale. She also seems to have chosen to make some of the supporting characters more villainous than history suggests. Just as the wimples of medieval nuns could not be as neat and snowy white as the one pictured on the "cover", so this novel is a modern projection, and a selective one.

The author does capture some of Hildegard’s spirit, and religion serving patriarchy is still worth writing about, especially so soon after Hildegard’s elevation to Doctor of the RC Church while its modern day excommunication of supporters of women continues.

I suppose if you regularly read historical fiction with a medieval setting, this could be a gem – Writing this period must be challenging. This novel is not Umberto Eco or even Ellis Peters, however. I can consume mediocre stuff set in other centuries, but maybe because I’m not a fan of this period in fiction, the story just made me wince frequently and select fast narration.

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17 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Couldn't stop listening

If you could sum up Illuminations in three words, what would they be?

The author brings to light the life of a fascinating and amazing historical character. Worth listening to.

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6 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    4 out of 5 stars

A must-read for anyone who loves her music

What made the experience of listening to Illuminations the most enjoyable?

After the strength of the story, itself, it was Tavia Gilbert's surprising ability to sing Hildegard's music that made this memorable as an audiobook.

What about Tavia Gilbert’s performance did you like?

See above.

Any additional comments?

The lovely nature of good historical fiction, of which this is an example, is the ability to humanize the people who made history.

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5 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Absolutely illuminating!

Transported back in time to a place where women were subordinate to men and without a voice. St. Hildegard became that voice, a powerful yet humble vessel and many miracles ensued! The tragedies that befell her, and others moved me to tears, but with the great triumphs, great joy!
Yes, be prepared for being transported back in time, feeling as a sister with her, in spirit. What a life, so much courage, what a great woman, truly a Saint!

In the audio book, Tavia Gilbert does and excellent job with her voice of many colours and range. Capturing the beauty of song, wide array of emotions, whether melancholy, passionate, fervourous, to painting landscapes so eloquently. I would have never guessed that she was the singular voice for all of the characters!

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2 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Very interesting and different

Would you recommend this audiobook to a friend? If so, why?

Yes. Already loaned my Kindle to a friend going on a cruise, so she could listen to it.

What was one of the most memorable moments of Illuminations?

The inhumanity of the Catholic Church and the attitudes of all people in that era.

Which scene was your favorite?

When Hildegard finally was set free.

Was this a book you wanted to listen to all in one sitting?

Yes

Any additional comments?

Highly recommend to anyone who likes historical stories.

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2 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Amazing❤️❤️❤️

I loved her voice as she read! I felt like it was many different characters with their own sounds and personality.
I am amazed and inspired by this sweet saint!

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1 person found this helpful

  • Overall
    5 out of 5 stars

Interesting

Amazing subject matter. Such unbelievable horrors for young girls. Good ending but at what cost to the women.

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1 person found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Beautiful!

Where does Illuminations rank among all the audiobooks you’ve listened to so far?

Illuminations is one of the books I would highly recommend to those who love historical novels and stories that bring important historical figures like Hildegard von Bingen to life.

Who was your favorite character and why?

Hildegard von Bingen is shown in a very human light rather than a super saint. Furthermore, We observer her development as a child with a spiritual gift to a strong moral woman whose faith is unshakable. Her character was believable and inspiring.

Which character – as performed by Tavia Gilbert – was your favorite?

Tavia Gilbert does an excellent performance in portraying Hildegard as a young girl and then changing her voice to match the aged Hildegard. In addition, Gilbert flawlessly changed and modified voices to match other characters in the audio book.

Was this a book you wanted to listen to all in one sitting?

I looked forward to listening to this book every time I had to drive anywhere or when I could take time to listen to it. I was entranced by the storytelling.

Any additional comments?

I would love to listen/read more stories by this author!

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1 person found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    2 out of 5 stars

Purposefully dismal

The author seemed to have a hard on for overly visceral descriptions. From the many other books that I've read on Midevle women and Hildegard von Bingen in particular, the author seems to be placating the modern interpretation of what it was like to be a woman then.

Though, at time riveting, the first part describing her time as an anchorite went on way too long and became redundant. In general, Hildegard von Bingen is described as a bitter spitfull person throughout the entire book. Decent book, but I still don't recommend it.

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  • Overall
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    3 out of 5 stars
  • KW
  • 07-29-22

Beautifully performed, but revisionism takes over at the 3/4 Mark

TLDR: The novel focuses so much on the “female gaze” and the plight of women that it sometimes misses the historical women themselves.

I struggled with this more as it went on. First of all, however, this is one of the best voice performances I’ve heard in an audiobook. But troubling and overtaking that is the author’s treatment of the real people at the heart of this story. Though I believe Sharratt was fair to both the vision and the foibles of Hildegard, the condemnation of Jutta (who was too morbid and not feminist enough to be given the pass, I suppose) felt increasingly judgmental. Even though this woman struggled with asceticism, she was still canonized and the church doesn’t consider her less than Hildegard. The story went out of the way to make her a rival to Hildegard when it wasn’t needed. Brother Volmar was sexualized, not in a tasteless way, but, given how seriously he took his vows, if there was no historical record of him being led astray, it felt wrong that he was given that storyline. I’ve tried to find evidence of Jutta’s brother’s abuse as well. If that abuse did not transpire, than he was demonized simply to make Jutta seem helpless rather than an agent with her own mind. Women do not need other women or men to hurt/rival/seduce them in order to be considered interesting or relevant! Then there was the fan fiction treatment of the friendship between Richardis and Hildegard. Hildegard, like Emily Dickinson, was capable of deeply romantic friendships that were not tinged with homoeroticism. You would not know that from this telling. Apparently Richardus, who was first described as like a daughter to Hildegard, is later little better than the object-of-transfer for Hildegard’s “stunted” sexuality (comparing the young girl to a young Volmarat some point), which I felt was the lesser choice. The author’s goal is to “write women into history,” but Hildegard’s piece in the tapestry is unmistakable. She does not need to be written in, though I’d love some more novels of her. They did not need to put down one woman (Jutta) and eroticize another (Richardis and her “breath on the nose of my neck” was where I got off the wagon) to do that. But I don’t regret the novel simply because the source material is rich, they did not water down the visions, and the performance is top notch.

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