Regular price: $36.37
Cormac McCarthy, best-selling author of National Book Award winner All the Pretty Horses, delivers his first new novel in seven years. Written in muscular prose, No Country for Old Men is a powerful tale of the West that moves at a blistering pace.
Sixteen-year-old John Grady Cole's grandfather has just died, his parents have permanently separated, and the family ranch, upon which he had placed so many boyish hopes, has been sold. Rootless and increasingly restive, Cole leaves Texas, accompanied by his friend Lacey Rawlins, and begins a journey across the vaquero frontier into the badlands of northern Mexico.
No discussion of great modern authors is complete without mention of Cormac McCarthy, whose rare and blazing talent makes his every work a true literary event. A grand addition to the American literary canon, Suttree introduces readers to Cornelius Suttree, a man who abandons his affluent family to live among a dissolute array of vagabonds along the Tennessee river.
In this taut, chilling audiobook, Lester Ballard - a violent, dispossessed man falsely accused of rape - haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.
Outer Dark is a novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
Cormac McCarthy, best-selling author of National Book Award winner All the Pretty Horses, delivers his first new novel in seven years. Written in muscular prose, No Country for Old Men is a powerful tale of the West that moves at a blistering pace.
Sixteen-year-old John Grady Cole's grandfather has just died, his parents have permanently separated, and the family ranch, upon which he had placed so many boyish hopes, has been sold. Rootless and increasingly restive, Cole leaves Texas, accompanied by his friend Lacey Rawlins, and begins a journey across the vaquero frontier into the badlands of northern Mexico.
No discussion of great modern authors is complete without mention of Cormac McCarthy, whose rare and blazing talent makes his every work a true literary event. A grand addition to the American literary canon, Suttree introduces readers to Cornelius Suttree, a man who abandons his affluent family to live among a dissolute array of vagabonds along the Tennessee river.
In this taut, chilling audiobook, Lester Ballard - a violent, dispossessed man falsely accused of rape - haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.
Outer Dark is a novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
One of America’s most celebrated novelists, Cormac McCarthy announced his towering presence on the literary stage with his first novel, The Orchard Keeper. Within the pages of this classic work, John Wesley Rattner, his uncle Ather, and bootlegger Marion Sylder find their lives dangerously entwined in pre-World War II Tennessee. There, the men’s tragedies and struggles are mirrored by the looming specter of industrialization.
In a small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the menthough he is just as desperate to convince White of the power of faith as White is desperate to deny it.
Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
Quite unexpectedly, Mrs. Oedipa Maas finds herself the executor of the estate of Pierce Inverarity, a man she used to know in a more-or-less intimate fashion. When Oedipa heads off to Southern California to sort through Pierce's affairs, she becomes ensnared in a hilarious and puzzling worldwide conspiracy.
Haunted by Chuck Palahniuk is a novel made up of stories: 23 of them, to be precise. Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter, sometimes all at once. They are told by people who have answered an ad headlined "Writers' Retreat: Abandon Your Life for Three Months", and who are led to believe that here they will leave behind all the distractions of "real life" that are keeping them from creating the masterpiece that is in them.
A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.
Along the gritty terrain of the Texas- Mexico border, a respected and recently engaged lawyer throws his stakes into a cocaine trade worth millions. His hope is that it will be a one-time deal and that, afterward, he can settle into life with his beloved fiancée. But instead, the Counselor finds himself mired in a brutal and dangerous game - one that threatens to destroy everything and everyone he loves.
The Corrections is a grandly entertaining novel for the new century--a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.
Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.
Glen Runciter runs a lucrative business - deploying his teams of anti-psychics to corporate clients who want privacy and security from psychic spies. But when he and his top team are ambushed by a rival, he is gravely injured and placed in "half-life," a dreamlike state of suspended animation. Soon, though, the surviving members of the team begin experiencing some strange phenomena, such as Runciter's face appearing on coins and the world seeming to move backward in time.
In Dead Man's Walk, Gus and Call are not yet 20, young men coming of age in the days when Texas was still an independent republic. Enlisting as Texas Rangers under a land pirate who wants to seize Santa Fe from the Mexicans, Gus and Call experience their first great adventure in the barren great plains landscape, in which arbitrary violence is the rule -- whether from nature, or from the Indians whose territory they must cross in order to reach New Mexico.<
The orphaned Francis Marion Tarwater and his cousin, Rayber, defy the prophecy of their dead uncle - that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensue, as Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet, while Rayber tries to draw Tarwater into a more “reasonable” modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.
A friend of mine mentioned that Cormac McCarthy described his Pulitzer Prize winning 'The Road' book as his most optimistic. Having found it bleak and spare and a slice of the dystopia that seems to await us, I thought what are his non-optimistic books like. "Blood Meridian" answers this question with a punch to the consciousness that left me reeling. Brilliantly written and conceived Cormac uses starkly defined characters, almost archetypal in their construct, to drag the latent depravity and soulless nihilism embedded in the human condition. It's not easy reading. The casual descriptions of brutality are at times shocking and that, I think, is the point.
So, yes, by contrast, "The Road" is brim full of hope and optimism.
Highly recommended.
57 of 59 people found this review helpful
Brutally violent, Blood Meridian turns the 19th century American West into a kind of hellish but hauntingly beautiful dreamscape, through which a gang of mercenaries wanders, killing without aim or reason. There is no comfort to be found anywhere in this novel, which overturns all Old West Myths, leaving only a stark, maddening world in which man exists on the edge of nihilism, "civilization" an illusion. The characters are almost opaque, reduced to actions in minimal dialogue. Even the language seems intended to confound and discomfit the reader, mixing arcane, half-forgotten scientific and philosophical terms with passages that sound almost like something from the Bible.
Yet, McCarthy is the definition of a powerful writer. His prose is hypnotic, the book's scenes affecting the reader as much by their eerie beauty and lyricism as by the horror and violence contained within. Their images will stick around in your head for days. The Judge, a monstrous, demihuman prodigy at the center of novel, whose amused, philosophical queries about whether or not the scenes around him represent man in man's natural state, is one of the more memorable characters I've come across in fiction.
Make no mistake, Blood Meridian is filled with powerful questions, about morality, about evil, about humanity's need for violence and dominance, about the nature of God, and so forth. Sometimes these questions are expressed explicitly, usually by the Judge, but mostly, they swirl just beneath the surface of the nightmare, challenging the reader to peer into the abyss and examine them. Though we don't live in such lawless times anymore, the distance from our safe doorsteps to the modern equivalent of a gang of roving, murderous scalpers may be shorter than we think.
McCarthy will certainly never be an author to everyone's taste, and not with this work, but Blood Meridian has made a few critics' "Best of the 20th Century" lists for a good reason. This is a first-rate work of modern literature.
59 of 62 people found this review helpful
Through the mid to late 1850’s, a gang of men ride the western frontier indulging in an orgy of violence and depravity. The landscape is bleak and hellish, their wandering, aimless and seemingly endless, the vistas deeply symbolic and portentous. On the course of our journey through McCarthy’s dense and vivid prose we are confronted by many questions and themes which are beyond the ability of this particular reader to understand fully.
Rather than attempt any examination of this work instead I direct the potential reader to the internet where may be found a rich vein of critical analysis on this novel. This an astonishing vision, a rare work. It is not “The Road”, but rather its darker and more complex, older sibling. At almost 14 hours it is a remorseless and demanding undertaking. Approach at your own risk.
54 of 57 people found this review helpful
I should start by saying, I really love Cormac McCarthy's works.
In fact, I think that I would really 'enjoy' Blood Meridian, if I were to have the words in front of me. And I recommend to everyone, All the Pretty Horses, The Road, No Country for Old Men, etc.
The poetic lilt of his prose, his unique approach to storytelling, and the uncompromising spectrum of issues that he gets the reader to confront, make him author with few (if any) superiors in the English language.
The narrator is actually quite good, but the problem with Blood Meridian as an audiobook is actually due to the very qualities that make his books so great. This is a book that demands 100% of your attention at all times, and perhaps to read over a paragraph a few times or relate it to some small passage somewhere earlier in the book.
This is hard to do when listening to a book, and at times I feel frustrated and pulled along faster than I want to be, and losing the narrative line, and subsequently my connection to the story.
I think I will get this book in print and then listen to the book and reference it when needed.
94 of 100 people found this review helpful
No question Cormac is tops with words. But I kept wanting to go back and re-listen, thinking I must have missed something, because I had no idea what the book was trying to convey. Does a theme of raw human brutality on the wild frontier have some transcendent purpose I am too thick-headed to apprehend? Apparently so. One good thing about this kind of audio is that if I ever run out of fresh things to listen to, I can always put this on and enjoy McCarthy's word craft. But if there was some "take away" in this, I missed it. Really liked The Road and will probably listen to No Country at some point cause I loved the movie. But then again, there are a number of highly acclaimed works that I have failed to "get."
9 of 9 people found this review helpful
This book presents many of the same themes and works in similar tones found in "The Road". In fact, were dates not used during the tale, you would be hard pressed to differentiate the world of Blood Meridian from McCarthy's other apocalyptic wasteland.
This is not a simple cowboy story. It is a harsh tale of cruel characters in an unforgiving land. It is a challenging tale to listen to. But it is also masterfully told (and rather well narrated). If you liked "The Road", this is highly recommended.
35 of 38 people found this review helpful
Never before have I encountered a book that went so far over my head the first time I read through it, but Blood Meridian passed by so high, it's taken me quite some time to reach a point that I could appreciate the work for all its accomplishments. This book is a chore, plainly stated, but - like so many difficult yet great books that are out there - it will be worthwhile for those who decided to take up the task.
As for the reading, Poe did a fantastic job in his narration. Not over-the-top but not a monotonous drone, his choices in the voicing of these characters allowed for the text to really speak out.
16 of 17 people found this review helpful
I decided to read this book after finishing Cormac McCarthy's The Road, which was perhaps the most profound novel I have read for years. When I saw that Blood Meridian, not The Road, is widely considered to be McCarthy's masterpiece, I had to check it out.
I'm sad to say that I was very disappointed. In true McCarthy style, the book is written in vivid prose that relies heavily on similes. Some of the scenes--the Indian attack on the dry lake, for instance--are among the most skillfully illustrated scenes I've ever encountered, and their breathtaking imagery will remain with me for a long time.
Unfortunately, McCarthy's unique talent with words and cadence is not enough to overcome the book's failings. Perhaps because of the history upon which it is based, the book's plot is threadbare. There is no readily discernible arc or story or conflict. The book's main character disappears for hours at a time, removing all feelings of investment on the part of the reader. The book is, with only a few exceptions, comprised of repeated and verbose descriptions of wandering in a desert waste punctuated by scenes of perhaps the most grotesque violence in modern fiction. There were scenes in Blood Meridian that were so horrific and depraved that I nearly abandoned the book.
But unlike the violence in The Road, which serves to convey an important statement about the nature of men and to create a contrasting background against which McCarthy paints the goodness of the man and the boy, Blood Meridian's violence strikes me as gratuitous revelry. McCarthy seems to bask in the blood and cruelty, lingering for far too long on scenes of terrible evil without ever offering a balance. There are no good men in Blood Meridian, only oppressive, repeated, unspeakable evil. There are no real protagonists or characters with whom readers can identify or connect. There are just bad men who offer varying degrees of evil, and who ride around the desert committing atrocities. The book suffers immensely for this lack of moral grounding. It becomes a lacerating, demoralizing slog toward no particular goal or closure. Perhaps McCarthy wished to make a statement by writing the book this way, but I found that it greatly diminished my ability to become connected with the story or the characters in any meaningful way.
The sole saving grace on the character front is the Judge. Preternaturally intelligent and entirely amoral, he is perhaps the most enigmatic character I've ever encountered. Literature classes all over the country have puzzled over the Judge and his role. Is he God? Is he the devil? Is he simply the incarnation of the entirety of man? Is he even real? The character McCarthy created in Holden is simply brilliant, and I found myself simultaneously intrigued and repulsed by him. The book's closing chapters focus heavily on the Judge, and are arguably the best portion of the entire novel.
I will give the story two stars because of McCarthy's raw prowess with language, the fascinating case study in evil and knowledge offered by the Judge, and the strength of the final chapters. Overall, though, I struggled to enjoy the book. And given its length, that is a real problem.
One final point: The narrator did an outstanding job interpreting, coloring, and bringing to life McCarthy's often impenetrable prose. Five stars for narration.
7 of 7 people found this review helpful
Blood Meridian thrusts us into the deserts of 1849 Mexico, a pumice-floored, dust-coated, sun-blasted, blood-soaked, bone-punctuated wasteland of the soul. This ???hallucinatory void??? is home to snarling flies, demonic swine, vampire bats, ghostly wolves, spitting basilisks, harpy eagles, muttering ducks, and buzzards like black bishops. But the horrifying creatures are the wandering bands of Indians and Americans, performers of creative torture, casual murder, and orgiastic massacre, including eye-gouging, tongue-skewering, skull-crushing, intestine-spilling, scalp-hacking, ear-collecting, genital-lopping, skin-flaying, girl-raping, and baby-hanging. And the ???calamitous??? and ???boiling??? sun rises to meridian ???like the eye of God,??? bookended by bloody skies bookended by starry darkness.
Through it all wanders ???the kid,??? a 16-year-old blessed or cursed ???pilgrim.??? He may be the moral center of the novel, though his trajectory is warped by his amoral father figure, ???the judge,??? a giant, hairless, devil-idol-polyglot-polymath-philosopher who wants to become the ???suzerain??? of the world by cataloguing or killing everything in it. The judge, white as Moby-Dick and charismatic as the Confidence-Man, says that ???war is God,??? and who may gainsay him?
Unlike Virginia Woolf, McCarthy reveals the souls of his characters through speech, action, and landscape rather than through stream of consciousness thought. A grim beauty flares in his biblical style, vivid descriptions, and dramatic similes (though at times he may stretch too far for portent): ???in the night bats came from some nether part of the world to stand on leather wings like dark satanic hummingbirds and feed at the mouths of those flowers.???
Reader Richard Poe relates all with a compelling hint of morbid fascination or appalled excitement behind his gravelly, hard-boiled voice.
If you like unromantic, unpredictable, violent, apocalyptic, and beautiful westerns that expose the hellish pit in the human heart, listen to this book.
22 of 24 people found this review helpful
The definitive portrait of the American West. The definitive novel by the most important writer of his generation. The writing is stunningly beautiful, and Richard Poe's reading is spot-on. A flawless masterpiece on paper and, equally remarkably, in this recorded format. So be a major thinker and put down that Dan Brown: count yourself among the few of your generation who have experienced BLOOD MERIDIAN, the MOBY DICK of its century, before it's too late.
28 of 31 people found this review helpful
Blood Meridian, by Cormac McCarthy, is the most overwhelming novel I've read for years. I came late to it in two senses. It's almost 30 years since it was published in 1985, and it is late in my own reading life, because I'm 72. I read it on holiday. Not a comfortable choice, and certainly not the best thing to relax with on a sunlounger, while supping a drink with a hat on. But Blood Meridian is, at the risk of sounding pretentious, on a par with Faulkner's 'As I Lay Dying' or Beckett's 'Waiting For Godot' or even that most astounding work of all, 'King Lear'. High claims, but give it a try.
You might well have to try it more than once, because it is very strong - at times even rancid - meat. But a lot of people, after they've finished the book, might find they can't read another novel for a while.
I finished listening to the book, and started another. But all my head could think on was Blood Meridian. So I did something I very rarely do. I switched the other novel off and turned back to Blood Meridian, and listened to it again. It's a hell of a book. And I'm not speaking particularly metaphorically. It tells us more about the human condition than most other respectable works we laud so much. Blood Meridian is original, disturbing, heretical, challenging, difficult, and awe inspiring. Just like King Lear.
22 of 23 people found this review helpful
The mythology of the European settlement of America begins with the search for the religious sanctuary of the Mayflower, and is enshrined in the Constitution which recognizes the equality of all men. What also saturates and permeates the American psyche is barbaric violence. Blood Meridian is a story that can't be listened to without a break for emotional recovery: it's so vicious, violent and remorseless that it is unbearable. This, of course, is the book's greatness. It's an epic saga of pitiless aggression, automatic racism, all stemming for the false self-belief, and religious hypocrisy of one of the central characters. In our contemporary society where the aim is to present the campaigns of war as fights for rights and freedom, and all of this is presented in a video game format, Blood Meridian, keeps to the fore what is still essential: the depravity of men who cannot limit or challenge their own ignorance, madness and blood lust.
16 of 17 people found this review helpful
I rate this audiobook highly for a number of reasons, firstly I thought the audiobook narrator was perfect, secondly the narrative is satisfyingly long and realistic with a touch of mysticism to the story and so incredibly detailed and metaphorical in it's descriptions of such a hot and desolate world and it's desperate inhabitants, thirdly the author does what I think an author should and that is make me smile with respect and awe at his ability to use words to paint the picture in his mind, something I find hard to do! Finally I think people should be reminded of how humans can act and have acted through history to secure land for our "great civilizations" and "honerable" way of life....
22 of 25 people found this review helpful
Having adored both ‘The Road’ and ‘No Country for Old Men’ by Cormac McCarthy, I searched Audible for what else he had written and downloaded Blood Meridien. After struggling to listen to it all the way through, waiting for something to convince me it was a worthwhile use of my time, I exchanged the book for something which I would enjoy listening to again. Having seen so many other reviewers waxing lyrical about the book, I felt I just wanted to put an alternative view.
The book is really just a narrative – a descriptive account of what the characters do – there is no attempt to develop the motivations or inner personalities of the protagonists. Not even with The Kid, the main character throughout, are we ever taken inside his head to discover what’s driving him to commit his atrocities. Consequently there is no-one in the book you can actually empathise with and, for me, I simply did not care about any of the characters or what might happen to them.
Everyone in the book is horrible – no-one has the slightest redeeming feature. There is not one character with whom I could empathise in any way or care less what might happen to them.
The book is full of mindless violence and destruction, cruelty and unnecessary viciousness. Not that I have a particular problem with violence, both The Road and No Country for Old Men have a considerable share of gruesomeness. But in these you understand why people behave that way.
As for the style of writing in Blood Meridien, I suspect that there was a deliberate decision on McCarthy’s part to contrast the horrific, mindless violence of the narrative with an elaborate, beautiful prose, as an artistic device. But for me that simply did not work. I found the language of the text so overblown and blousy that it was simply irritating and, to be frank, a bit up itself.
I am sorry Mr McCarthy, I loved the other books but this one just left me cold.
19 of 22 people found this review helpful
This book is not for the faint-hearted. It is full of strong and often disturbing images which some readers, frankly, won't want to hear. Nevertheless, it is a beautiful book, packed with dark yet stunning pictures and scenes. McCarthy paints a series of magical realist images which, like all great art, touch the imagination deep and point to truth. A word too about the narration. Richard Poe has a mature, rich voice and reads the book with a strength and beauty which I couldn't imaging being bettered.
7 of 9 people found this review helpful
a cruel, searing, oppressive, brutal, savage, barbaric and overwhelming journey of the human soul that is a brilliant, dazzling, heart-stopping and mind-bending piece of literature. i am still numbed from this experience.
6 of 8 people found this review helpful
Wow, what a book, I was enthralled by the tale, the use of language, so concise, painting a picture in my mind in a few well chosen words. An epic not for the faint hearted. The narrator was perfect and I found myself wanting to hear it all, and at the same time make it last longer. I could not stop thinking about the book even when not listening, and even now, months later, the imagery in my mind is still crystal clear.
6 of 8 people found this review helpful
Classic Cormac McCarthy, gritty, no-holds barred and catalogueing a brutal frontier world completely devoid of emotion and sentimentality - not for the squeamish!
5 of 7 people found this review helpful
What an intense read (listen)! Written around '85 Blood Meridien has the same desolate intensity and horror which we have seen more recently with The Road. An amazing listen
4 of 6 people found this review helpful
Richard poe is probably the best narrator on audible, and Cormac McCarthy has moved into 2nd behind Tolkien as authors that have really, really made an impression on me.
2 of 3 people found this review helpful
I initially purchased Blood Meridian in audio form and enjoyed it so much that I have since purchased and read a printed copy. There are few writers capable of using descriptive language as eloquently and with such dexterity as McCarthy, who is without a doubt among the most preeminent writers of our time. His masterful depiction of the setting evokes extremely vivid imagery of the desolate, unforgiving terrain and lifelike characters. After reading Blood Meridian the first time to absorb the story, I read through the book a second time, stopping to pay particular attention to certain phrases and rereading entire scenes in order to fully appreciate the use of language.
The Judge is absolutely one of the most fascinating characters I have come across. His "suzerain" speech is among the most poignant moments in the development of a character I have ever experienced, and one of a number of glimpses into the fundamental nature of this enigmatic, preternaturally intelligent individual.
Blood Meridian, like many Cormac McCarthy novels, will stay with you long after you put it down.
2 of 2 people found this review helpful
Spooky good prose, brilliantly evocative of a far away time of blood & dust... narration of Poe is A-grade and the substance of the work is undeniable ... highly recommend
Only true genius can turn a series of truly horrific events into such a compelling, beautiful, mesmerising story. And the narrator did the story and characters justice. I can still hear the Judge's voice in my head. I will listen again.
I have loved this book since I first picked it up, and the audiobook version is incredible. The narration really adds depth to the overall story and I was really impressed with his commitment to his portrayal of the characters. Highly recommend.
Would you recommend this audiobook to a friend? If so, why?
Prosaic language, and wonderful word play to cover an almost 'heart of darkness' journey from civilization and into the dark hearts of The Kid and his companions. Beautifully read.
What did you like best about this story?
Cormac McCarthy's use of language is second to none.
What about Richard Poe’s performance did you like?
Gave life to the characters.
This story of shuddering brutality and barbarism was absorbing and revelatory. Americana death and war on the cragieburn computer train
This book is incredibly violent. Not my cup of tea. Very repetitive also and didn't really go anywhere
1 of 3 people found this review helpful