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Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore’s Calvert Street, abandoning Pearl to raise their three children alone....
In The Gap of Time, Jeanette Winterson's cover version of The Winter's Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology, and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand and redemption and the enduring love of a lost child on the other.
Mrs. Pamela Evans lives a lonely new widowhood outside of Baltimore, with only a house full of ticking clocks for company. Then she hires eccentric Elizabeth Abbott as a handyman - and both discover that parts don't have to be a perfect match to work.
"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.
"Baltimore woman disappears during family vacation" declares the headline. Forty-year-old Delia Grinstead is last seen strolling down the Delaware shore, wearing nothing more than a bathing suit and carrying a beach tote with five hundred dollars tucked inside. To her husband and three almost-grown children, she has vanished without trace or reason. But for Delia, "walking away from it all" is not a premeditated act, but an impulse that will lead her into a new, exciting, and unimagined life.
Two families, who would otherwise never have come together, meet by chance at the Baltimore airport: the Donaldsons, a very American couple, and the Yazdans, Maryam's fully assimilated son and his attractive Iranian wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the instant babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate.
Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore’s Calvert Street, abandoning Pearl to raise their three children alone....
In The Gap of Time, Jeanette Winterson's cover version of The Winter's Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology, and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand and redemption and the enduring love of a lost child on the other.
Mrs. Pamela Evans lives a lonely new widowhood outside of Baltimore, with only a house full of ticking clocks for company. Then she hires eccentric Elizabeth Abbott as a handyman - and both discover that parts don't have to be a perfect match to work.
"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.
"Baltimore woman disappears during family vacation" declares the headline. Forty-year-old Delia Grinstead is last seen strolling down the Delaware shore, wearing nothing more than a bathing suit and carrying a beach tote with five hundred dollars tucked inside. To her husband and three almost-grown children, she has vanished without trace or reason. But for Delia, "walking away from it all" is not a premeditated act, but an impulse that will lead her into a new, exciting, and unimagined life.
Two families, who would otherwise never have come together, meet by chance at the Baltimore airport: the Donaldsons, a very American couple, and the Yazdans, Maryam's fully assimilated son and his attractive Iranian wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the instant babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate.
In 1965, the happy Bedloe family is living an ideal, apple-pie existence in Baltimore. Then, in the blink of an eye, a single tragic event occurs that will transform their lives forever--particularly that of 17-year-old Ian Bedloe, the youngest son, who blames himself for the sudden "accidental" death of his older brother. Depressed and depleted, Ian is almost crushed under the weight of an unbearable, secret guilt.Then one crisp January evening, he catches sight of a window with glowing yellow neon, the Church of the Second Chance.
Maggie and Ira Moran have been married for 28 years...and it shows: in their quarrels, in their routines, in their ability to tolerate with affection each other's eccentricities. Maggie, a kooky, lovable meddler and an irrepressible optimist, wants nothing more than to fix her son's broken marriage. Ira is infuriatingly practical, a man "who should have married Ann Landers".
Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, torn apart by the death of his wife, is gradually restored by her frequent appearances: in their house, on the roadway, in the market. Gradually he discovers, as he works in the family's vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.
Meet Macon Leary--a travel writer who hates both travel and strangeness. Grounded by loneliness, comfort, and a somewhat odd domestic life, Macon is about to embark on a surprising new adventure, arriving in the form of a fuzzy-haired dog obedience trainer who promises to turn his life around.
Duncan Peck has a fascination for randomness and is always taking his family on the move. His wife, Justine, is a fortune teller who can't remember the past. Her grandfather, Daniel, longs to find the brother who walked out of his life in 1912, with nothing more than a fiddle in his hand. All three are taking journeys that lead back to the family's deepest roots... to a place where rebellion and acceptance have the haunting power to merge into one.
Morgan Gower works at Cullen's hardware store in north Baltimore. He has seven daughters and a warmhearted wife, but as he journeys into the gray area of middle age, he finds his household growing tedious. Then Morgan meets two lovely young newlyweds under some rather extreme circumstances - and all three discover that no one's heart is safe.
Three people find their way back from loss and loneliness to a different kind of belonging in this deeply moving novel. Arthur, an old widower struggling to overcome his grief, meets Maddy, a troubled teenage girl who avoids school by hiding out where Arthur goes every day for lunch. The two strike up a friendship that draws them out of isolation.
Some days Nora Nolan thinks that she and her husband, Charlie, lead a charmed life - except when there’s a crisis at work, a leak in the roof at home, or a problem with their twins at college. And why not? New York City was once Nora’s dream destination, and her clannish dead-end block has become a safe harbor, a tranquil village amid the urban craziness. Then one morning she returns from her run to discover that a terrible incident has shaken the neighborhood, and the fault lines begin to open: on the block, at her job, especially in her marriage.
Liam Pennywell, who set out to be a philosopher and ended up teaching fifth grade, never much liked the job at that run-down private school, so early retirement doesnt bother him. But he is troubled by his inability to remember anything about the first night that he moved into his new, spare, and efficient condominium on the outskirts of Baltimore. All he knows when he wakes up the next day in the hospital is that his head is sore and bandaged.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned - from the layout of the winding roads to the colors of the houses to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren - an enigmatic artist and single mother - who arrives in this idyllic bubble with her teenage daughter, Pearl, and rents a house from the Richardsons.
In 1944, British bomber pilot Hugo Langley parachuted from his stricken plane into the verdant fields of German-occupied Tuscany. Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal. Nearly 30 years later, Hugo's estranged daughter, Joanna, has returned home to the English countryside to arrange her father's funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.
Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches and sleeping with her "head-for-the-hills bag". In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard. Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism.
"Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel.
The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?
On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation - something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms.
Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it - how she tries to recover her girlhood self, that dignified grownup she had once been - is the story told in this beguiling, funny, and deeply moving novel.
As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.
I don't think Anne Tyler could write a lousy book, but this wasn't one of my favorites. What she does so well is character development, and the characters are so interesting they can carry the story--as long is the story is at least mildly interesting. But in this book, both the story and characters were not as developed or as interesting as usual.
Worth a listen if you are a Tyler fan and have read/listened to everything else she's written but start with the excellent ones first: Spool of Blue Thread; Dinner at the Homesick Restaurant; The Accidental Tourist; The Armature Marriage, etc.
I have listened to some of Tyler's book that I previously read in print--Blair Brown is a very good narrator, but a couple of my favorite books have such an awful narrator (judging by the audio sample) that I won't torture my ears.
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