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A Constellation of Vital Phenomena
- A Novel
- Narrated by: Colette Whitaker
- Length: 12 hrs and 8 mins
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Publisher's summary
A resilient doctor risks everything to save the life of a hunted child, in this majestic debut about love, loss, and the unexpected ties that bind us together.
In his brilliant, haunting novel, Stegner Fellow and Whiting Award winner Anthony Marra transports us to a snow-covered village in Chechnya, where eight-year-old Havaa watches from the woods as Russian soldiers abduct her father in the middle of the night, accusing him of aiding Chechen rebels. Across the road their lifelong neighbor and family friend Akhmed has also been watching, fearing the worst when the soldiers set fire to Havaa’s house. But when he finds her hiding in the forest with a strange blue suitcase, he makes a decision that will forever change their lives. He will seek refuge at the abandoned hospital where the sole remaining doctor, Sonja Rabina, treats the wounded.
For the talented, tough-minded Sonja, the arrival of Akhmed and Havaa is an unwelcome surprise. Weary and overburdened, she has no desire to take on additional risk and responsibility. And she has a deeply personal reason for caution: Harboring these refugees could easily jeopardize the return of her missing sister. But over the course of five extraordinary days, Sonja’s world will shift on its axis and reveal the intricate pattern of connections that weave together the pasts of these three unlikely companions and unexpectedly decides their fate. A story of the transcendent power of love in wartime, A Constellation of Vital Phenomena is a work of sweeping breadth, profound compassion, and lasting significance.
Critic reviews
“ A Constellation of Vital Phenomena is simply spectacular. Not since Everything is Illuminated have I read a first novel so ambitious and fully realized. If this is where Anthony Marra begins his career, I can't imagine how far he will go.”
—Ann Patchett, New York Times bestselling author of State of Wonder and Bel Canto
“Remarkable and breathtaking, Anthony Marra’s A Constellation of Vital Phenomena is a spellbinding elegy for an overlooked land engulfed by an oft forgotten war. Set in the all-too-real Chechen conflict, Marra conjures fragile and heartfelt characters whose fates interrogate the very underpinnings of love and sacrifice.”
—Adam Johnson , Pulitzer Prize–winning author of The Orphan Master’s Son
“A complex debut…[Marra writes] with elegant details about the physical and emotional destruction of occupation and war.” —Publishers Weekly (starred review)
“[An] extraordinary first novel...Marra collapses time, sliding between 1996 and 2004 while also detailing events in a future yet to arrive, giving his searing novel an eerie, prophetic aura. All of the characters are closely tied together in ways that Marra takes his time revealing, even as he beautifully renders the way we long to connect and the lengths we will go to endure.” —Booklist (starred review)
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- By: Ellen Keith
- Narrated by: Abby Craden, Eric Martin, Charlie Thurston
- Length: 10 hrs and 45 mins
- Unabridged
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Amsterdam, May 1943. As the Nazis tighten their grip across the city, the last signs of Dutch resistance are being swept away. Marijke de Graaf and her husband are arrested and deported to different concentration camps in Germany. Marijke is given a terrible choice: to suffer a slow death in the labor camp or - for a chance at survival - join the camp brothel. On the other side of the barbed wire, SS Officer Karl Müller arrives at the camp hoping to meet his father’s expectations of wartime glory. When he encounters the newly arrived Marijke, their lives change forever.
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Holocaust Porn???
- By Peteylovesyou on 08-03-19
By: Ellen Keith
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American War
- A Novel
- By: Omar El Akkad
- Narrated by: Dion Graham
- Length: 12 hrs and 22 mins
- Unabridged
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Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war.
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Best listen in years
- By odin on 04-08-17
By: Omar El Akkad
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The Patriots
- A Novel
- By: Sana Krasikov
- Narrated by: Suzanne Toren, George Guidall
- Length: 22 hrs and 58 mins
- Unabridged
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Florence Fein grows up in Brooklyn in the 1930s, in a family that is gaining a foothold in the middle class. At City College she becomes engaged politically with the left-leaning student groups, and eventually, in the midst of the Depression, she takes a job with a trade organization that has a position for her in Moscow. There, she falls in love with another expatriate American and has a son. Soon after, Florence is sent to a work camp and her son to an orphanage.
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Point of View of characters, past and present collide
- By Angela Adams on 01-29-19
By: Sana Krasikov
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The Women in the Castle
- By: Jessica Shattuck
- Narrated by: Cassandra Campbell
- Length: 12 hrs and 38 mins
- Unabridged
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Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful and propulsive story of three widows whose lives and fates become intertwined - an affecting, shocking, and ultimately redemptive novel from the author of the New York Times notable book The Hazards of Good Breeding.
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Skating On The Thin Ice Of Life
- By Sara on 04-29-17
By: Jessica Shattuck
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The War Girls
- By: V. S. Alexander
- Narrated by: Kelli Tager
- Length: 16 hrs and 24 mins
- Unabridged
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It's not just a thousand miles that separates Hanna Majewski from her younger sister, Stefa. There is another gulf—between the traditional Jewish ways that Hanna chose to leave behind in Warsaw, and her new, independent life in London. But as autumn of 1940 draws near, Germany begins a savage aerial bombing campaign in England, killing and displacing tens of thousands. Hanna, who narrowly escapes death, is recruited as a spy in an undercover operation that sends her back to her war-torn homeland.
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Courageous Sisters
- By Sara on 08-10-22
By: V. S. Alexander
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A Long, Long Time Ago and Essentially True
- By: Brigid Pasulka
- Narrated by: Cassandra Campbell
- Length: 14 hrs and 19 mins
- Unabridged
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The novel opens on the eve of World War II. In the mountain village of Half-Village, a young man nicknamed the Pigeon, under the approving eyes of the entire village, courts the beautiful Anielica Hetmanska. But the war's arrival wreaks havoc in all their lives and delays their marriage for six long years.
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The Old & New Worlds Converge & Transcend Time
- By Sara on 11-22-16
By: Brigid Pasulka
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When the Moon Is Low
- A Novel
- By: Nadia Hashimi
- Narrated by: Sneha Mathan, Neil Shah
- Length: 12 hrs and 34 mins
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Overall
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Story
Mahmoud’s passion for his wife, Fereiba, a schoolteacher, is greater than any love she’s ever known. But their happy, middle-class world implodes when their country is engulfed in war and the Taliban rises to power. Mahmoud, a civil engineer, becomes a target of the new fundamentalist regime and is murdered. Forced to flee Kabul with her three children, Fereiba must find a way to cross Europe and reach her sister’s family in England. With forged papers and help from kind strangers they meet along the way, Fereiba make a dangerous crossing into Iran under cover of darkness.
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Good story. Poor ending
- By Janine on 01-14-22
By: Nadia Hashimi
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I, Who Did Not Die
- A Sweeping Story of Loss, Redemption, and Fate
- By: Zahed Haftlang, Najah Aboud
- Narrated by: Mikael Naramore
- Length: 10 hrs and 46 mins
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Overall
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Khorramshahr, Iran, May 1982 - It was the bloodiest battle of one of the most brutal wars of the twentieth century, and Najah, a 29-year-old wounded Iraqi conscript, was face to face with a 13-year-old Iranian child soldier who was ordered to kill him. Instead, the boy committed an astonishing act of mercy. It was an act that decades later would save his own life.
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A must read do not pass on this as a person of both historical, military, political,sociological as well as a true story that
- By Carol Stone on 10-03-22
By: Zahed Haftlang, and others
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The Lost Wife
- A Novel
- By: Alyson Richman
- Narrated by: George Guidall, Suzanne Toren
- Length: 10 hrs and 4 mins
- Unabridged
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Overall
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Performance
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Story
In pre-war Prague, the dreams of two young lovers are shattered when they are separated by the Nazi invasion. Then, decades later, thousands of miles away in New York, there's an inescapable glance of recognition between two strangers. Providence is giving Lenka and Josef one more chance. From the glamorous ease of life in Prague before the Occupation, to the horrors of Nazi Europe, The Lost Wife explores the power of first love, the resilience of the human spirit, and the strength of memory.
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Love, Strength & Survival
- By Sara on 01-27-14
By: Alyson Richman
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Orphan Number Eight
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- By: Kim van Alkemade
- Narrated by: Andi Arndt, Ginny Auer
- Length: 11 hrs and 1 min
- Unabridged
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Overall
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Performance
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Story
In 1919, Rachel Rabinowitz is a vivacious four-year-old living with her family in a crowded tenement on New York City's Lower East Side. When tragedy strikes, Rachel is separated from her brother, Sam, and sent to a Jewish orphanage where Dr. Mildred Solomon is conducting medical research. Subjected to X-ray treatments that leave her disfigured, Rachel suffers years of cruel harassment from the other orphans.
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Don't understand the negative reviews
- By P. L. Forrington on 11-25-17
By: Kim van Alkemade
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Fruit of the Drunken Tree
- A Novel
- By: Ingrid Rojas Contreras
- Narrated by: Marisol Ramirez, Almarie Guerra, Ingrid Rojas Contreras
- Length: 12 hrs and 26 mins
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Overall
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Performance
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Seven-year-old Chula and her older sister, Cassandra, enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways.
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Maybe better to read this book than listen???
- By Amazon Customer on 12-12-18
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The Romanov Conspiracy
- A Thriller
- By: Glenn Meade
- Narrated by: Kate Reading
- Length: 17 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Dr. Laura Pavlov, an American forensic archaeologist, is about to unravel a mystery that promises to solve one of the twentieth century’s greatest enigmas. Dr. Pavlov is a member of an international team digging on the outskirts of the present-day Russian city of Ekaterinburg, where the Romanov royal family was executed by their captors in July 1918. When Pavlov discovers two bodies perfectly preserved in permafrost in a disused mine shaft, they offer dramatic new clues to the disappearance of the Romanovs and, in particular, their famous daughter, Princess Anastasia, whose murder has always been shrouded in doubt.
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Ho- Hum
- By monet on 10-03-12
By: Glenn Meade
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The Vagrants
- By: Yiyun Li
- Narrated by: Jackie Chung
- Length: 11 hrs and 26 mins
- Unabridged
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Overall
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Yiyun Li is the winner of the prestigious Hemingway Foundation/PEN Award. The Vagrants, set in 1979 China, is the story of those affected by the execution of a 28-year-old counterrevolutionary. Though suffering, Li's characters nevertheless struggle to maintain hope amid cruel circumstance.
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Lovely prose, good story, deadly narration
- By Athene on 05-10-13
By: Yiyun Li
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What listeners say about A Constellation of Vital Phenomena
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- Cariola
- 09-24-13
A Conflicted Response
This is one of the most difficult reviews that I can remember writing. I am extremely conflicted about Anthony Marra's debut novel. My head pulls me in one direction, but my gut pulls me in another: which way should I go? and where should I start?
There are many gushing reviews here already, and most of them repeat the plot outline and character descriptions. I will avoid those routes as much as possible; read elsewhere if that is what you seek.
Let's start with the points of conflict.
1) Marra's prose is stunningly beautiful. Marra's prose is too stunningly beautiful.
How can that be? Well, at many points in the novel, I simply got lost in it, more caught up in the turn of phrase, the image, the way a sentence seemed to meander on forever, leaving me with a sense of anticipation, waiting . . . waiting . . . waiting . . . for that exquisite final . . . what, exactly? The end of the sentence? And where were we, and what was happening to . . which character was that again? In other words, while, overall, I greatly admire Marra's mastery of language and can point to a number of exquisite and even perfect passages, I sometimes felt that style conquered substance. I'm well aware that this opinion deviates from the popular one, but there it is. A few readers have complained that the book is unnecessarily long, mainly due to lengthy 'poetic' descriptions, and I'm leaning towards agreement with them.
2) The events in the book and the connections among the characters are believable. Most of the events in the book are believable, but there are way too many extraordinary coincidences.
The horrors of the Chechnyan wars, the killings, the torture, the missing, the betrayals of friends and family members are, as depicted, all too real. Marra gives us the worst of human nature and the lengths to which we will go to preserve our own lives. And he also gives us moments of hope, generosity, and selflessness--the other side of the coin. But the coincidences seemed stretched. For example: The missing sister of Sonja, the female Russian doctor, just happens to have been the nurse who eight years earlier delivered the infant Havaa, the girl now brought to Sonja by Ahkmed, the Chechan doctor who just started working for her, who happened to be at the birth with his friend Dokka, the new father, who also happened several years later to shelter this same nurse in his home when she was a refugee . . . I know the population was cut down significantly in a decade of wars, but I just didn't buy this, or several other similar circumstances.
3) The characterizations were brilliant.
No argument here. Even the most reprehensible characters, such as Ramzan the informer, were thoroughly and believably developed in such a way that I had to empathize with their motives, even when I did not agree with them. I loved Ahkmed, the character whose loyalties were the most divided but at the same time the most clear, and Khassan, the aged historian who loved, pitied, and hated his son and struggled every minute to determine the moral right. Even the minor characters were unique individuals, carefully drawn and memorable.
4) The book taught me a lot that I didn't know about the Chechan wars. The book really didn't teach me anything about the Chechan wars.
War is hell. The Chechan wars were hell. I still don't have a really clear idea of what caused them or the ideology of the opposing sides.
That's probably enough to draw this to a conclusion. Overall, I enjoyed the book (although "enjoyed" seems like the wrong word for a novel in which there is so much suffering; maybe I should say that I admired it or was completely engrossed with it). There were, however, several rather long stretches that seemed to drag on forever. It took me quite awhile to finish the book, but the last third or so went really fast. I'm giving it a 4-star rating--which is open to change upon reflection, but I feel pretty sure that it will stand. A Constellation of Vital Phenomena certainly gets my recommendation, and I look forward to Marra's next effort.
On the reader: I thought she did a good job. Some reviewers complained that her voice was too monotone, but I did not find this to be the case. She has the right tone for a story that is, after all, mostly serious, and she did well with the various accents.
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- Amanda
- 01-19-14
Recovery Rather Than Destruction
The title of this novel, "A Constellation of Vital Phenomena" was borrowed from a Russian Medical Dictionary; it was the definition listed under the entry for the word "Life". The definition strikes me as inexplicably lyrical and poetic; making it a fitting title to this impressive work.
Marra's book is all about life; not just the lives of the main characters we follow throughout the book, but also of a full constellation of lives that orbit them. The lives of an embittered nurse, once jilted by an oncologist. A six year old in Manchester, England, who desperately wanted to avoid another hand-me-down. A neighbor; an elderly woman who believes she gets daily visitations from "ghosts, angels, prophets and monsters". A swarthy, opportunist smuggler who does good deeds for the doctor who saved her brother's life - explaining that even though the brother in question was most definitely his least favorite of six brothers, had remembered to feed his pet turtle once as a child; so a favor was still owed for his life. From these characters and countless more, the constellation is formed.
The last word of the title, phenomena, is defined as "a fact or situation that is observed to exist or happen". And with that, the story takes form; as we learn how the full constellation of characters came to either be where they are, or end up where they will, based on the vital facts and situations of their lives.
Other reviewers have discussed that the story was depressing, the torture brutal, the characters sad. They definitely have very valid points; but I somehow didn't find the book too depressing. I was struck by the flashes of normalcy despite the terrible circumstances, the unexpected humor, and the strong underlying current of innate goodness and dignity that ran through the main characters we followed.
In an interview, the author Anthony Marra shared, "I knew early on that though the novel was set against a backdrop of war, it would be a book about recovery rather than destruction, about surgeons rather than soldiers." That is the feeling the story left me with.
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- Ryan
- 11-06-13
A bleak, beautiful debut
This novel's been mentioned on a few "best of 2013" lists and I think it well deserves the honor. In A Constellation of Vital Phenomena, Anthony Marra explores the emotional complexities of life in a war-plagued place, as the upheaval of conflict and death reshape the ties of family, friends, neighbors, and tradition. The setting is Chechnya between 1994 and 2004, a period that included two nasty wars between Russian government forces and Chechen separatists. Because of the ties of the rebels to Islamic extremism, I believe, the US media never took much interest in the strife, much less its impact on the lives of regular people.
It's those lives that Marra focuses on. The narrative begins in 2004, with a man named Akhmed watching Russian soldiers abduct his neighbor, who has already lost all his fingers to a previous interrogation by state security. Left behind is the neighbor's young daughter, who has escaped into the woods with a mysterious blue suitcase. Akhmed takes the girl to the only safe place he knows, the hospital in town. There, he meets Sonja, a cynical, exhausted ethnic Russian surgeon who spends her days amputating limbs shredded by landmines and is the last competent medical professional around. I say "competent" because Akhmed is himself a doctor, but one who, to his own shame, finished in the bottom tenth of his class and excels more at his true passion, painting. He's unable to help even his own wife, who's bedridden with a wasting disease.
Such are the contradictions at the hearts of the characters, who are gradually revealed through a non-linear narrative that travels back and forth through time to unpeel the layers of their backstories, connections, and secrets. We also come to know Khassan, a WWII veteran who has spent the past few decades of his life writing a history of the Chechen people (and rewriting it, each time official guidelines change); Khassan's son, Ramzan, who turned informer for the Russians and hasn't been spoken to since by the father he provides for; and Sonya's sister, Natasha, who remained behind to endure her own horrors after Sonya went to medical school in Britain.
There's both absurdity and fragile beauty in the story's small details. Akhmed is committed to painting portraits of the disappeared, which he leaves around town -- though he adds a long nostril hair to one vain woman's face, because she died still owing him money. There's some confusion between a former US president and the mascot of McDonalds, leading to the great line "I may be an idiot, but I would never eat a hamburger cooked by a clown". Two people in a truck argue over which dead radio station has the most pleasing static. An imam imprisoned in a landfill pit gives funerals for his fellow prisoners the moment after they ascend a long ladder heavenward, disappearing from view into the hands of their executioners.
At the core of this book are the human entanglements that extend before and after wartime, but are complicated by its chaos, with people's faults and virtues both magnified. Actions motivated by pride, guilt, trauma, resentment, and shame become difficult to distinguish from those motivated by love. Even Ramzan, the informer, becomes sympathetic, when later chapters uncover a costly act of courage in his past, and whose sins, as an old proverb goes, are tied up with the sins of the father. Marra occasionally interrupts the narrative to give us little vignettes about incidental characters, a technique that's slightly distracting, but adds to a pervading sense that nothing happens in isolation from everything else. Our connections often seem to be subjective constellations, but that doesn't stop them from being. I admired his unusual choice to project a few threads decades into the future, a reminder that life will go on, with its cargo of good and terrible memories.
A beautiful, bleak, affecting work of literary fiction, and one that got me a little teary-eyed at the end. My recommendation has some caveats: the scenes of brutality might be a little tough for some readers, and the sometimes confusing web of links between characters and events requires careful attention. I also can't comment on how true-to-life the novel's details are, having been written by an American whose knowledge of place can only be secondary, but whatever blemishes might be in the brush strokes, the overall picture reaches towards a universal statement. 4.5 stars.
I didn't find Colette Whitaker to be a remarkable audio reader, but nothing about her performance bothered me, either.
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- B.J.
- 03-25-15
Gorgeous, heartbreaking and confusing.
First the gorgeous: There are some phrases and sentences in this book that are so impeccably written that I had to stop and listen to them again. Marra's writing skills are absolutely first rate. The complexity of the relationships and the way he foreshadows events is artfully done. It's brilliant, really. There's nothing about this that feels like a first book. It's really beautifully crafted.
The heartbreaking: It's impossible to put a child in the midst of a brutal war and have anything but heartbreak. But it goes beyond that. There just isn't a part of this story that doesn't have an element of profound loss. I didn't find any of it uplifting as others have mentioned in reviews.
And now about the confusing part: I had a terrible time keeping up with the changes in time. The complexity of the relationships is difficult to track in and of itself. I listened twice simply because I missed too much the first time. I am a hardcore book listener and rarely do I think a book would be better in print - but this is that rare exception. I needed to be able to flip between pages sometimes and I couldn't.
Now the narration ... I won't call it awful, but it is so uninspired. This book deserved something better than that. It's competent, but adds nothing to the experience and may even make it more difficult to track.
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- disudds
- 01-25-14
Powerful
This is a powerful book, sometimes disturbing, sometimes hopeful. As the two doctors, Sonja and Akhmed, save Havaa, a young girl caught in the horrors of the Chechnyan wars after her father is abducted, we learn to love and hate the characters around her, while also recognizing that they are all caught in their own nightmares. The characters are complex and none of them is always what we expect, thus making the book continually interesting to read, not always to know what comes next (although that's important too) but also to learn what came before.
Marra uses foreshadowing to help reassure us that some characters will actually outlive the horror, thus making the unspeakable realities of the war somewhat easier to read. Nevertheless, the descriptions of what takes place at "the Landfill" are horrific and disturbing. How can people treat each other this way? Can this be real? How do people face such horror and live? What is life?
But live, they do, and interact. They eat and play and make love and survive. They build on their past and build towards a future. In the end, there is triumph and we are reminded that Life--a constellation of vital pheonomena--carries for all of us happiness and sadness, birth and death.
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- Rochelle
- 11-21-13
Stunning
In spite of the bleak setting for this book, every piece of this story is incredibly beautiful. Subtle, wonderful prose, and pure delight at every word.
I adore this story & it is a new favourite, one of the most beautiful books I've read. I'm so pleased I picked it up.
If you enjoyed Kite Runner & A Thousand Splendid Suns I am certain you will enjoy this book. I can't recommend it highly enough.
The narrator did a wonderful job in my opinion.
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- Syd Young
- 05-20-14
Read it to Know this Quote
I didn't love this book like everyone else did, but I do feel like I should have. I'm just not as big on the big interlocking short story book (meaning that this was a series of stories about the lives of the characters in this book, not pulling together the way they do in a big epic, but rather connected the way stars are, because we see the connection, we see the pattern even if it is random), and that is what this felt like to me. But I did love some of the thoughts that were universal, and not just applicable in war torn Chechnya, especially this one as it applies to the way we humans interweave and support each other or not: “Life: a constellation of vital phenomena—organization, irritability, movement, growth, reproduction, adaptation.” I am also glad I learned more about that conflict.
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- Chrissie
- 06-05-13
Depressing
I know how I felt while reading this book, but why? Why did I constantly want to do anything else but listen? Why near the conclusion did I just listen to get to the end?
This book is set in a small Chechen village in 2004, thus during the Second Chechen War. The story is told through numerous flashbacks. It is of course about the ravages of war. It is grim reading, and until the end there is little that inspires any hope. Although the author does infuse the story with humor, it is ironic humor, sad humor; humor that laughs at the stupidity of man. The humor in this book rarely made me laugh. There is a glimmer of hope at the end, but it is too late and too weak. You must know by now that I do not demand jolly books, but this one is d-e-p-r-e-s-s-i-n-g. You will nod and sigh and shake your heads with utter despair.
So do you learn much about the two Chechen Wars? Not really, other than that they were horrible.
The book is choppy in that you flip back and forth in time. It is confusing, not so much because of the different time settings but because the author never says anything directly. The language is convoluted. What is said, is implied. This is not to my taste. I prefer a more direct, simple language. I remember at one point they had to go around a dangerous spot, but what does Anthony Marra say? They circumnavigated the area. Over and over I muttered - just say it straight. I felt like I was supposed to be impressed with his clever words. I admit, the author did occasionally express himself beautifully. There were times when he blew me away in his ability to beautifully depict a situation, an event or an idea.
The narration by Colette Whitaker was not to my taste either. Much of the time she droned on in a dispassionate manner. This was not so bad when the horrors of the war were related, but it was almost numbing. Neither did I like the so very typical Eastern European accent attributed to the Chechens.
What did I get from this? After reading it, have I a more detailed, better understanding of the Chechen Wars? Scarcely! It is mostly about how the people suffered, and that I knew. Did it impart an important message that was new? No.
Most people seem to be head over heels in love with this new author. Not me.
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- Stevon
- 08-16-15
Which American author writes about Chechnya as a d
First time author, debut novel. The author got his MFA from the Writer's Workshop at the University of Iowa and is now a professor at Stanford in their Creative Writing program. I'm still scratching my head a bit as to why an American author would choose to write this story set in Chechnya other than not many others do. I am a curious reader/listener wanting to know about other ways of life, other times. other places. This book certainly fit that bill. Told from the perspective of two people, on an native, ethnic Russian and the other a native Muslim, it weaves a story giving the historical perspective of Chechnya and its trials and tribulations of which there are many. This book didn't make me want to go visit, if anything it tells about an area in Russia that wants to be an independent country but likely never will be. This book isn't a thriller by any means and I'm glad I'm not from there. Still, it did educate me on Chechnya and the story was interesting.
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- Susan C. S.
- 06-08-13
I'll need to read it again to do it justice
Any additional comments?
Every laudatory word in the reviews is deserved by this wonderful book. I'm not going to even try to describe or explain. Read it.
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