Every Man Dies Alone Audiolibro Por Hans Fallada, Michael Hofman - translator arte de portada

Every Man Dies Alone

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Every Man Dies Alone

De: Hans Fallada, Michael Hofman - translator
Narrado por: George Guidall
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Hans Fallada wrote this stunning novel in only 24 days - just after being released from a Nazi insane asylum. Based on a true story, Every Man Dies Alone tells of a German couple who try to start an uprising by distributing anti-fascist postcards during World War II. But their dream ultimately proves perilous under the tyranny that dominates every corner of Hitler’s Germany.

©2009 Melville House Publishing; Translation, Michael Hofman (P)2010 Recorded Books, LLC Ficción Histórica Ficción Literaria Género Ficción Siglo XX Thriller y Suspenso

Reseñas editoriales

On its first publication into English in 2009, Hans Fallada’s 1947 book instantly took its place amongst 20th-century classics, aided (with the exception of a few jarring choices) by Michael Hoffman’s clean and lively translation. This recording, dripping with character, should help spread the word of this modest masterpiece even further.

Essentially, the book shows how corruption, intimidation, and fear radiate outwards from a morally bankrupt political center to the furthest reaches of society - a world of fear where neighbors and strangers alike are on the make, not to be trusted. The effects of countless assaults on personal decency and integrity are pitilessly displayed as, like an unblinking camera, Fallada follows each plot line to its conclusion. The remorseless force of destiny that propels each event is no less harrowing for being inevitable.

George Guidall possesses an idiosyncratic voice - if you already love this book, no doubt each character is a vivid presence in the back of your mind, and it will take a while to acclimate to Guidall’s aged and vinegary voice. But it is also a surprisingly malleable instrument - Fallada’s rich cast of characters is wholly present as Guidall shifts between long-suffering, resolute, broken, wheedling, pleading, and avuncular.

Guidall’s performance brings life to Fallada’s achievement in combining the cat-and-mouse criminal investigation of Crime and Punishment with Balzac’s exploration of society’s lower orders: In his portrayal of the cynical and relentless Gestapo inspector Escherich, the voice drips with insinuation and corruption, while the simple proletarian couple at the heart of the book speak with long-suffering endurance and increasingly angry resistance.

Every Man Dies Alone is also striking in the depth and complexity of its female characters, and here, too, Guidall delivers a set of subtly shaded performances. And in the last chapters, where suffering and oppression are raised to a state of grace, the spoken and written word become indivisible as the dramatic power of Fallada’s redemptive vision is movingly delivered by Guidall. --Dafydd Phillips

Reseñas de la Crítica

"The book has the suspense of a John le Carré novel, and offers a visceral, chilling portrait of the distrust that permeated everyday German life during the war." (The New Yorker)
Riveting Storytelling • Historical Authenticity • Excellent Narration • Masterful Translation • Authentic Atmosphere

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After finishing this book i felt I had to research the true story it was based on. Like the members of The White Rose and other groups that resisted th Nazis, the Quangels (in real life the Hempels) acted with a selflessness and bravery that the reader can't help but admire and aspire to. Could I martyr myself to a cause, even the ultimately most just cause in history, resisting Hitler? Who among us would or could? The Quangels/Hempels were ordinary, hardworking people, not well educated, armed only with a deeply ingrained sense of morality, pen, ink and postcards. This book was one of the first anti-Nazi novels to be published post-WW2. Brilliant, heartbreaking, unforgettable.

Hauntingly brilliant

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How this happened to a nice and intelligent bunch of people like the Germans is bewildering even today.
Fallada masterfully illuminates this intriguing point in fiction so detailed that it seems more like a documentary work.

Truly, a thrilling work of genius.

Germany in the throws of self destruction

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Interesting, but I was glad to have finished it and go on to something more my style.

Glad it is over!

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From the first words you will be transported into a world of frustration, paranoia, and fear, where even the wolves are running from the wolves.

A portal into war time Berlin under nazi rule

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Great story well told, and the narrator is perfect - a joy to listen to. Wonderful characters, the kind you don’t forget.

Fantastic!

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I felt that I was all WWII'd out by time I got to this book. I didn't realize it was 20 hours long until I started it, and it went a little slow. But after the 2 or 3 hour mark it really opened up for me. As a 30-something American, I felt this author did what few other WWII books can do... and that was to place me in Berlin, in the experience of many different facets of average German men and women as they either obeyed their commanders, or defied Nazi rule. Ironically, I happened to be listening to Stephen King's "IT" at the same time and saw many similarities of average, seemingly powerless people trying to fight a giant evil that no one believes but them. I am very glad I read this book and if you do attempt it, please give it time to blossom. I seriously was ready to give up on it after two hours, but it grew on me. The characters suddenly came very alive.

Enjoyable

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I've listened twice to this book; getting more our of it each time. Will do so again next year.

Honesty of the characters to the human condition.

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I first heard about this book from the Ben Shapiro Show and, at the time, I simply added it to my list of books that I should read. Although I'm young (18) and I haven't read as many books as I would have wanted too by now. The Only other book that I could compare it too that I've read is "1984", which given the popularity "1984" has received, I feel that "Every Man Dies Alone" is a better book in every aspect. My main complaint with 1984 is that it all feels impersonal, from Smith's betrayal of the party to his romantic relationship. It all feels as if it's done out of boredom or simple curiosity. The world of 1984 also feels unbelievable, from the lack of prole resistance to how the party is able to keep track of every citizen through cameras, it all feels like a fuzzy and hazy surreal dream. Compared to "EMDA" which, I wouldn't be surprised if it were based on a true story, is all shockingly believable, from how the Gestapo is ran so small details of how Jews with non-Jewish sounding names had to adopt either Israel or Sara. I think that when talking about dystopian societies, truth is often the most juiciest part of these book; and what is truly amazing is when there's no line between truth, adaptation, or fiction. I should mentioned that the narration is top notch, however, since it's one guy, I feel that some of the female characters sound vocally the same, but it was never an issue figuring out who was talking. Everything felt easy too follow and the narration in some points significantly added to my enjoyment of the book.

Truly great

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And I think he did.
Remember the time you found yourself so close to death, and you never felt more alive. A feeling that stayed with you for some time. You may have that experience after finishing this book.

Hans thought he had finally written a great novel.

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It is such a great book. Well written, keeping it real and giving you a feel for what was going on inside Germany during WW2. All characters development, the good and the bad ones felt real. Sad story, but wonderful written…

A real great novel!

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