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In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.
How did Shakespeare go from being a talented poet and playwright to becoming one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he sees, and who he works with as he invests in the new Globe Theatre and creates four of his most famous plays: Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet.
This magnificent biography of Henry VIII is set against the cultural, social and political background of his court - the most spectacular court ever seen in England - and the splendour of his many sumptuous palaces. An entertaining narrative packed with colourful description and a wealth of anecdotal evidence, but also a comprehensive analytical study of the development of both monarch and court during a crucial period in English history.
For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?
In a magnificent feat of re-creating sixteenth-century London and Stratford, best-selling biographer and novelist Peter Ackroyd brings William Shakespeare to life in the manner of a contemporary rather than a biographer. Following his magisterial and ingenious re-creations of the lives of Chaucer, Dickens, T. S. Eliot, William Blake, and Sir Thomas More, Ackroyd delivers his crowning achievement with this definitive and imaginative biographical masterpiece.
At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.
Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.
In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.
How did Shakespeare go from being a talented poet and playwright to becoming one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he sees, and who he works with as he invests in the new Globe Theatre and creates four of his most famous plays: Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet.
This magnificent biography of Henry VIII is set against the cultural, social and political background of his court - the most spectacular court ever seen in England - and the splendour of his many sumptuous palaces. An entertaining narrative packed with colourful description and a wealth of anecdotal evidence, but also a comprehensive analytical study of the development of both monarch and court during a crucial period in English history.
For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?
In a magnificent feat of re-creating sixteenth-century London and Stratford, best-selling biographer and novelist Peter Ackroyd brings William Shakespeare to life in the manner of a contemporary rather than a biographer. Following his magisterial and ingenious re-creations of the lives of Chaucer, Dickens, T. S. Eliot, William Blake, and Sir Thomas More, Ackroyd delivers his crowning achievement with this definitive and imaginative biographical masterpiece.
At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.
Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.
How did Shakespeare sound to the audiences of his day? For the first time, this audio offers listeners the chance to hear England's greatest playwright performed by a company of actors using the pronunciation of his time. Under the guidance of Ben Crystal, actor, author of Shakespeare on Toast, and an expert in original Shakespearian pronunciation, the company performs some of Shakespeare's best-known poems, solo speeches, and scenes from the plays.
Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.
In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life.
England's Tudor monarchs - Henry VII, Henry VIII, Edward VI, Mary I, and Elizabeth I - are perhaps the most celebrated and fascinating of all royal families in history. Their love affairs, their political triumphs, and their overturning of the religious order are the subject of countless works of popular scholarship. But for all we know about Henry's quest for male heirs or Elizabeth's purported virginity, the lives of the Tudor monarchs away from the public eye remain largely beyond our grasp, mostly not chronicled by previous historians.
The life of Princess May of Teck is one of the great Cinderella stories in history. From a family of impoverished nobility, she was chosen by Queen Victoria as the bride for her eldest grandson, the scandalous Duke of Clarence, heir to the throne, who died mysteriously before their marriage. Despite this setback, she became queen, mother of two kings, grandmother of the current queen, and a lasting symbol of the majesty of the British throne.
A captivating true story that chronicles the exploits of Sir Francis Walsingham - the first great English spymaster and the man who saved Elizabeth's regime and the country's independence. Elizabeth I came to the throne at a time of insecurity and unrest. Rivals threatened her reign; England was a Protestant island, isolated in a sea of Catholic countries. Spain plotted an invasion, but Elizabeth's Secretary, Sir Francis Walsingham, was prepared to do whatever it took to protect her. He ran a network of agents in England and Europe who provided him with information about invasions or assassination plots.
Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it onstage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites.
Plays discussed in detail include Hamlet, Richard II, The Merchant of Venice, The Tempest, King Lear, and Romeo and Juliet. Close textual readings accompany the wealth of contextual material, providing a fresh and exciting way into Shakespeare's work.
This book is critical to a full understanding of Shakespeare's writing and thinking. I loved it because it helped me to have a fuller grasp and perspective of the times, the political environment and the thinking of the period and of William Shakespeare.
I started this with great interest, but was turned off within an hour. If one takes out the endless signposting of what the book will describe, you can chop out about 10%, but the major issue is the desperately ponderous prose. As an example, the book takes about 10 minutes to come to the conclusion that Titus and Andronicus was so violent because London was much more violent at the time, and that this was why it fell out of favour later. Wow, I would never have guessed. All of this might be fine if it were written in a lighter, pacier style. But in reality, it is reminds me of my own A-level essays written a thousand years ago; slow, dull and not worth reading. I have a new respect for, and guilt towards, my old English teachers.
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