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In June 1867, Mark Twain set out for Europe and the Holy Land on the paddle steamer Quaker City. His enduring, no-nonsense guide for the first-time traveler also served as an antidote to the insufferably romantic travel books of the period.
The Mississippi River, known as “America’s River” and Mark Twain are practically synonymous in American culture. The popularity of Twain’s steamboat and steamboat pilot on the ever-changing Mississippi has endured for over a century. A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author.
In April 1878, Mark Twain and his family traveled to Europe. Overloaded with creative ideas, Twain had hoped that the sojourn would spark his creativity enough to bring at least one of the books in his head to fruition. Instead, he wrote of his walking tour of Europe, describing his impressions of the Black Forest, the Matterhorn, and other attractions. Neglected for years, A Tramp Abroad sparkles with Twain’s shrewd observations and highly opinionated comments on Old World culture.
These stories display Twain's place in American letters as a master writer in the authentic native idiom. He was exuberant and irreverent, but underlying the humor was a vigorous desire for social justice and a pervasive equalitarian attitude.
Another of Mark Twain's best-selling yarns of skullduggery and mischief. Set in the deep South, Pudd'nhead Wilson is the central character as an attorney who solves a murder mystery and lays bare the wicked deeds of a larger-than-life ensemble of personalities in his own wry and peculiar way.
Twain was broke and had lost his first wife and daughter when he wrote this most personal and notorious book exploring the Bible and its scientific implications. Twain's challenging and contraversial letters were not published until 52 years after his death. Read with wonderful animation by actor Chris Hendrie.
In June 1867, Mark Twain set out for Europe and the Holy Land on the paddle steamer Quaker City. His enduring, no-nonsense guide for the first-time traveler also served as an antidote to the insufferably romantic travel books of the period.
The Mississippi River, known as “America’s River” and Mark Twain are practically synonymous in American culture. The popularity of Twain’s steamboat and steamboat pilot on the ever-changing Mississippi has endured for over a century. A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author.
In April 1878, Mark Twain and his family traveled to Europe. Overloaded with creative ideas, Twain had hoped that the sojourn would spark his creativity enough to bring at least one of the books in his head to fruition. Instead, he wrote of his walking tour of Europe, describing his impressions of the Black Forest, the Matterhorn, and other attractions. Neglected for years, A Tramp Abroad sparkles with Twain’s shrewd observations and highly opinionated comments on Old World culture.
These stories display Twain's place in American letters as a master writer in the authentic native idiom. He was exuberant and irreverent, but underlying the humor was a vigorous desire for social justice and a pervasive equalitarian attitude.
Another of Mark Twain's best-selling yarns of skullduggery and mischief. Set in the deep South, Pudd'nhead Wilson is the central character as an attorney who solves a murder mystery and lays bare the wicked deeds of a larger-than-life ensemble of personalities in his own wry and peculiar way.
Twain was broke and had lost his first wife and daughter when he wrote this most personal and notorious book exploring the Bible and its scientific implications. Twain's challenging and contraversial letters were not published until 52 years after his death. Read with wonderful animation by actor Chris Hendrie.
The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.
The year 2010 marks the 100th anniversary of Twain’s death. In celebration of this important milestone, here, for the first time, is Mark Twain’s uncensored autobiography, in its entirety, exactly as he left it. This major literary event offers the first of three volumes and presents Mark Twain’s authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave, as he intended.
Irreverent, charming, and eminently quotable, this handbook - an eccentric etiquette guide for the human race - contains 69 aphorisms, anecdotes, whimsical suggestions, maxims, and cautionary tales from Mark Twain’s private and published writings. It dispenses advice and reflections on family life and public manners; opinions on topics such as dress, health, food, and childrearing and safety; and more specialized tips, such as those for dealing with annoying salesmen and burglars.
Bound on a lecture trip around the world, Mark Twain turns his keen satiric eye to foreign lands in Following the Equator. This vivid chronicle of a sea voyage on the Pacific Ocean displays Twain's eye for the unusual, his wide-ranging curiosity, and his delight in embellishing the facts. Following the Equator is an evocative and highly unique American portrait of 19-century travel and customs.
With his trademark mirth and boundless charisma, actor Nick Offerman brought the loveable shenanigans of Twain's adolescent hero to life in The Adventures of Tom Sawyer. Now, in yet another virtuosic performance, the actor proves that despite being separated by a span of over a century, his connection to the author and his work is undeniable and that theirs is a timeless collaboration that should not be missed.
Mark Twain's complete, uncensored Autobiography was an instant best seller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly awaited second volume delves deeper into Twain's life, uncovering the many roles he played in his private and public worlds.
A natural storyteller and raconteur in his own right - just listen to Paddle Your Own Canoe and Gumption - actor, comedian, carpenter, and all-around manly man Nick Offerman (Parks and Recreation) brings his distinctive baritone and a fine-tuned comic versatility to Twain's writing. In a knockout performance, he doesn't so much as read Twain's words as he does rejoice in them, delighting in the hijinks of Tom - whom he lovingly refers to as a "great scam artist" and "true American hero".
The master storyteller amuses and entertains with a collection of stories which includes: "The Man Who Corrupted Hadleyburg", "The Double Barrelled Detective Story", "The Jumping Frog of Calaveras County", "The Million Dollar Bank Note", "Benton and Mills", "A Tale", "Cannibalism in the Cars", "The Stolen White Elephant", "The Man Who Put Up at Gadsby's", "The Good Little Boy", "The Bad Little Boy", and "Baker's Blue Jay Yarn".
When the first volume of Mark Twain's uncensored autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads.
"To Calvin H. Higbie, of California, an honest man, a genial comrade and a steadfast friend," this book is inscribed by the author, "in memory of the curious time when we two were millionaires for ten days." So the witty Mark Twain dedicates his second travelogue and charming SEMI-sequel to The Innocents Abroad.
Mark Twain's marvelous short work relating how to tell a story - an American story that is humorous, not comic as the British or witty as the French. The work also includes four marvelous but little-known essays: "The Wounded Soldier", "The Golden Arm", "Mental Telegraphy", and "The Invalid's Story". Canadian listeners will particularly enjoy "Mental Telegraphy", set in Quebec.
The mighty Mississippi River is the backdrop for this charming and adventurous tale. Samuel Clemens, who is better known as Mark Twain, began his Mississippi adventure as a riverboat captain and decided to pen a journal, recording the Mark Twain classic, Life on the Mississippi. Twain writes of the history of the river and relates his own adventures and misadventures as he seeks his fortune.
There are adventures galore on the way to that climactic episode in the mining camps of northern California, as young Sam Clemens sets off on the Overland Stage line, recording the fauna, flora, and humanity of The Wild West. He tastes condemned army bacon, "slumgullion," and Mormon "Valley Tan." He buys a genuine Mexican plug. He hazards death from freezing in a blizzard, drowning in a desert, dissolving in an alkali lake, and roasting in a forest fire.
A vivid and entertaining account of this brilliant writer's journey through this fascinating era of American history, characterized by marked extremes of lawlessness, heroism, cowardice, greed, hope, and desperation, and with rough characters, stunning landscapes, and close encounters with Indians. Narrator Richard Henzel has been performing and interpreting Mark Twain since 1967, and has narrated more than a score of Mark Twain titles.