Regular price: $19.95
In Balthazar, the second volume in Durrell's Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes which attempt to explain what really happened between the tempestuous Justine, her husband Nessim, Clea the artist, and Pursewarden the writer.
Beginning with the affair of a young David Mountolive with the mother of Nessim and Narouz, this novel recounts his development and career as a diplomat, and finally places the materials previously seen in Justine and Balthazar in a different context.
In the final volume of the Alexandria Quartet, Darley returns to an Alexandria now caught by war fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal.
The Durrell family returns to the island of Corfu, continuing the story begun in My Family and Other Animals. Already an ardent naturalist at the age of 10, the young Gerald lives in an unconventional and disordered household with his mother, sister, and two brothers. Convivial and open, the family plays host to a constant stream of quirky guests. But for Gerald, the main attraction is the wildlife of Corfu.
This memoir is soaked in the sunshine of Corfu, where Gerald Durrell lived as a boy, surrounded by his eccentric family - as well as puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies.
The enchanted island of Corfu was home to Gerald Durrell and his family for five years before the Second World War. For the passionate young zoologist, Corfu was a natural paradise, teeming with strange birds and beasts that he could collect watch and care for. But life was not without its problems - Gerald’s family often objected to his animal-collecting activities, especially when the beasts wound up in the family’s villa or even worse - the fridge.
In Balthazar, the second volume in Durrell's Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes which attempt to explain what really happened between the tempestuous Justine, her husband Nessim, Clea the artist, and Pursewarden the writer.
Beginning with the affair of a young David Mountolive with the mother of Nessim and Narouz, this novel recounts his development and career as a diplomat, and finally places the materials previously seen in Justine and Balthazar in a different context.
In the final volume of the Alexandria Quartet, Darley returns to an Alexandria now caught by war fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal.
The Durrell family returns to the island of Corfu, continuing the story begun in My Family and Other Animals. Already an ardent naturalist at the age of 10, the young Gerald lives in an unconventional and disordered household with his mother, sister, and two brothers. Convivial and open, the family plays host to a constant stream of quirky guests. But for Gerald, the main attraction is the wildlife of Corfu.
This memoir is soaked in the sunshine of Corfu, where Gerald Durrell lived as a boy, surrounded by his eccentric family - as well as puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies.
The enchanted island of Corfu was home to Gerald Durrell and his family for five years before the Second World War. For the passionate young zoologist, Corfu was a natural paradise, teeming with strange birds and beasts that he could collect watch and care for. But life was not without its problems - Gerald’s family often objected to his animal-collecting activities, especially when the beasts wound up in the family’s villa or even worse - the fridge.
These five stories, written and read by Gerald Durrell himself, are taken from his books Birds, Beasts and Relatives and Fillets of Plaice. They were recorded on Jersey in 1985 and are used by kind permission of the Estate of Gerald Durrell.
Rome, 1955. The artists gather for a picture at a party in an ancient villa. Bear Bavinsky, creator of vast canvases, larger than life, is at the center of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name.
With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction - both her own and others' - and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill.
Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every minute of this novel. Filled with slang and obscenities and written in raw, colloquial language, Journey to the End of the Night is a literary symphony of violence, cruelty, and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the public in Europe, and later in America.
On the Day of the Dead, in 1938, Geoffrey Firmin, an alcoholic and ruined man, is fatefully living out his last day, drowning himself in mescal while his former wife and half-brother look on, powerless to help him. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.
Lawrence Durrell's evocative memoir of living in Cyprus, just before the Greek/Turkish partition. This is a touching and atmospheric account of a place, now changed, where the two races lived side by side.
New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge - and Crescent City gets the rich, dark, sweeping audiobook it so deserves.
A police commissioner in a British-governed, war-torn West African state, Scobie is bound by the strictest integrity and sense of duty both for his colonial responsibilities and for his wife, whom he deeply pities but no longer loves. Passed over for a promotion, he is forced to borrow money in order to send his despairing wife away on a holiday.
Winner of the National Book Award when it was first published in 1964, Herzog traces five days in the life of a failed academic whose wife has recently left him for his best friend. Through the device of letter writing, Herzog movingly portrays both the internal life of its eponymous hero and the complexity of modern consciousness.
Set in the rural midlands of England, The Rainbow revolves around three generations of Brangwens, a family deeply involved with the land and noted for their strength and vigour. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. Their stories continue in Women in Love.
Told in three distinct and uniquely compelling sections, Asymmetry explores the imbalances that spark and sustain many of our most dramatic human relations: inequities in age, power, talent, wealth, fame, geography, and justice. The first section, "Folly", tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War.
In a legendary novel that appears to predict the Cuban Missile Crisis of 1962, Graham Greene introduces James Wormold, a vacuum cleaner salesman whose life in transformed when he is asked to join the British Secret Service. He agrees, and finds himself with no information to offer, so begins to invent sources and agencies which do not exist, but which appear very real to his superiors.
Set amid the corrupt glamour and multiplying intrigues of Alexandria, Egypt, in the 1930s and 1940s, the novels of Durrell's Alexandria Quartet (of which this is the first) follow the shifting alliances - sexual, cultural and political - of a group of quite varied characters.
In Justine, an English schoolmaster and struggling writer falls in love with a beautiful and mysterious Jewish woman who is married to a wealthy Egyptian.
As an added bonus, when you purchase our Audible Modern Vanguard production of Lawrence Durrell's book, you'll also receive an exclusive Jim Atlas interview. This interview – where James Atlas interviews Daniel Mendelsohn about the life and work of Lawrence Durrell – begins as soon as the audiobook ends.
Listen to all four novels in The Alexandria Quartet.
This production is part of our Audible Modern Vanguard line, a collection of important works from groundbreaking authors.
An excellent~~superb book and the narrator is one of the best.
That said i must also inform all those who purchased this title in the few months after it came out in october to ask audible for the version which is now available and is 9 hours 55 minutes and NOT the 8 hour 55 minute one[ only just taken down last week] which is missing part 4 of the book!!!
without the ending one is missing much of the story and would have difficulties continuing with the quartet--which i strongly recommend.
5 of 5 people found this review helpful
Would you consider the audio edition of Justine to be better than the print version?
I don't think it is actually better than the print version, but I read that four times over twenty years and love it madly. That said, the audio version with Jack Klaff is quite wonderful. He gets the characters and seems to understand the city and the circumstances better than most. I think his voice works well for this title...and probably the whole quartet as well.
What did you like best about this story?
The slow unfolding of the storyline/plot is beautifully handled and neither too fast nor too slow. I love this because there is a sense of leisure and of the Alexandrian baroque in the book. He is right when he says the city is a character...it affects everything that happens and everyone. This story would not have been the same in another city.
Time unfolds and the plot unfolds in a way which is not usually seen in novels. I love the books because there is time to savor what happens and discover what it means to the characters and to me.
4 of 4 people found this review helpful
Durrell's Alexandra Quartet (Justine, Balthazar, Mountolive, Clea) ranks as one of the seminal works of 20th century English fiction. Although understanding the setting might require a little research for some readers, the depth of these books, dedicated to Einstein's Theory of Relativity, surpass (IMHO) even Ulysses. Jack Klaff's versatile and sensitive narration exceeded expectation.
I'm not sure why the Quartet only ranked as 70th (out of 100) on the NY Times "Best Books of the 20th Century" list; my suspicion is that the usual not-set-in-NY biases were at work. Among the thousands of books I've read, I struggle to remember a novel or set of novels of such stunning beauty, complexity and human understanding.
3 of 3 people found this review helpful
How could the performance have been better?
I loved this book when I read it many years ago, and I have been looking for the audio book ever since. I was so happy to see it had finally been recorded, and when I heard the sample, Jeff Klaff's voice sounded wonderful in his seemingly natural British accent. However, his acted accents have such strong affectations that I found it painful to listen! He slows down, pauses at very odd moments, and drops his voice an octave making it distractingly hard to understand and listen to. All his Egyptian accents sound as if the person is on their death bed- even the women. It is hard to feel the intense infatuation for Justine that the narrator expresses when she talks in such a ridiculous voice!Sadly, I'm going to need to discontinue listening, and I will not buy the 3 other audiobooks, something I was really looking forward to. Jeff, you have a beautiful voice, have more faith in your own voice and use less affectation, I'd rather hear Justine and the other characters as a softer version of your real voice then the voice you or the director chose for her. It currently sounds like over acting. I'm truly sorry about the negative comments, but I hope that they will serve folks well in the future.
3 of 3 people found this review helpful
This book one of four is considered the best book ever written in the english language. The narrator brings each character to life with voices better than I could have imagined reading it myself. This is the only audio book Ive actually finished after going back over and over to make sure I had not missed anything.
3 of 3 people found this review helpful
I have loved the Alexandria Quartet for years. Durrell's writing is so beautiful that I thought it would be wonderful to reread the novels in the audio edition. I read the negative reviews of the narrator, but I listen to a lot of audiobooks, love the medium, and am in general able to adapt to the style of any narrator, so I was not deterred. But I actually had to stop listening to Justine, because I find this narrator impossible to listen to. His general reading is fine, but the voices he adopts for the different characters are contrived to the point of being ridiculous. I have tried, but I just can't do it. And this is one of my favorite novels, and one that should be so beautiful to listen to. Such a shame.
2 of 2 people found this review helpful
I really hate leaving negative reviews, but I have just given up on this audiobook after listening for an hour. I have been wanting to read the Alexandria Quartet for years, without ever finding the time, but I just can't listen to this narrator, especially the character voices. It may be a matter of taste. Please listen to a sample before you buy and see if you can take it. Audible.com - please see if you can get a version by another narrator!
5 of 6 people found this review helpful
A torrent love affair erupted b/w the damaged Jewish wife of an Egyptian aristocrat and his poor English friend, while the living, breathing city of early 20th century Alexandria injects its exotic mixture of degradation, desires, and philosophical reasoning into each of them. Durrell's prose is smooth as silk and sharp as daggers, his characters studies are forthright and bald on which the none linear plot weaves and slithers unto the pinnacle of writing art form.
1 of 1 people found this review helpful
I found the accents difficult to listen to and understand. The regular narration was just fine.
What disappointed you about Justine?
I listened for 2 hours, and the story never engaged me. Since I did not finish the book, I can only rate it on a partial read. However, the performance was so bad I could not concentrate on the story.
The main character is read in a singsong, pretentious, and monotonous voice. The female voices were especially terrible. I would not recommend this audio book with this reader. Perhaps it is better on the page.
How would you have changed the story to make it more enjoyable?
Different reader.
How could the performance have been better?
Different reader
This amazing book, the first of four very complex novels, takes us to the heart of Durrell's true love; the Levant. He introduces characters that will appear in all four works. This is a powerful novel where the reader is expected to work.
Although I appreciate the tour de force which is Jack Klaff's reading, it did not 'carry me', this may be because I had already read the work in print and had formed my own internal voice.
The character of Justine is drawn with sympathy and conviction. The engaging mystery is to understand motivation through complex and partial revelation.
To read only Justine is to miss the excitement and richness that awaits us as we move through the three subsequent novels.
8 of 8 people found this review helpful
Enjoyed the book and now the audio, was almost put off by a poor review but glad I took the chance.
2 of 2 people found this review helpful
What did you like most about Justine?
You need to listen to the whole Quartet to appreciate the story - set in Alexandria and dealing with complex personal relationships
Would you be willing to try another book from Lawrence Durrell? Why or why not?
The story is compelling and I shall listen to it all over again!
What about Jack Klaff’s performance did you like?
Best reader yet - his range of voices for different characters is exceptional and so true to the story
Did you have an emotional reaction to this book? Did it make you laugh or cry?
It is sad, funny, realistic, infuriating - some characters you love and others you want to shake! I love the whole Quartet
Any additional comments?
Essential to read the whole Quartet
1 of 1 people found this review helpful
Any additional comments?
Bearable overall, though the reader is strangely ironic and smug, and does some terrible over the top accents/ voices throughout (some very hard to understand), sounds like he's taking the mick!
1 of 1 people found this review helpful
The most moving prose ever. A book I have now bought in hardback and will treasure forever
This book combines an really awful reader with a very pretentious text. Part of the problem is that the book has a history of being "great", but it's dreadfully outdated. That might be less noticeable if the reading was not so truly awful. I had planned to complete my literary education by listening to the whole series - project abandoned. I made it through to the end through dogged determination and much walking! But you frankly don't care what happend to the characters and it's a huge relief when it was all over.
2 of 5 people found this review helpful
Narration was intensely annoying and inaudible at times because of the use of silly accents. A perfect example of the failings of audiobooks sadly.
Didn't much enjoy the book either. The deliberately poetic prose became irritating before the end of the first chapter. The complete lack of signposting or providing chronology is a fun literary device I'm sure, but coupled with the problematic narration and psueds corner prose, it just added to the chore of listening.
1 of 3 people found this review helpful
This first part of the Alexandria Quartet is superbly read and really brings the characters in the book to life. As a Brit, I would have preferred a British reader, as the author and characters are non-Americans. Nothing racist just looking for authenticity! The language is amazing and this volume certainly makes me want to read the other three in the quartet, have downloaded Balthazar and will definitely buy the other two.
1 of 3 people found this review helpful
I think I have a pretty high tolerance for dubious narration but this really takes the breath away. at 1.5 faster the general narration is good but the voices of the characters are so so awful. I read this book with my eyes and so had an idea of the elegance of Justine, the wittiness of Purswarden and so on. I think it's really sad and I just don't know how he got the gig. If you can turn off (that part of) your ears and pretend that Justine isn't speaking in the voice of a drunk cartoon toad then go for it. I bought the whole series because I really like this book :)
1 of 1 people found this review helpful