• Butcher’s Crossing

  • By: John Williams
  • Narrated by: Anthony Heald
  • Length: 10 hrs and 21 mins
  • 4.2 out of 5 stars (468 ratings)

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Butcher’s Crossing  By  cover art

Butcher’s Crossing

By: John Williams
Narrated by: Anthony Heald
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Publisher's summary

It is the 1870s, and Will Andrews, fired up by Emerson to seek ''an original relation to nature,'' drops out of Harvard and heads west. He washes up in Butcher's Crossing, a small Kansas town on the outskirts of nowhere. Butcher's Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down.

The journey out is grueling, but at the end is a place of paradisiacal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher's Crossing to find a world as irremediably changed as they have been.

©1988 John Williams (P)2010 Blackstone Audio

Critic reviews

“Harsh and relentless yet muted in tone, Butcher’s Crossing paved the way for Cormac McCarthy. It was perhaps the first and best revisionist western.” ( The New York Times Book Review)
“[This story] becomes a young man's search for the integrity of his own being....The characters are defined, the events lively, the place, the smells, the sounds right. And the prose is superb." ( Chicago Tribune)

What listeners say about Butcher’s Crossing

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A Holocaust of Hides

"He could hardly recall, now, the passion that had drawn him to this room and this flesh, as if by a subtle magnetism; nor could he recall the force of that other passion which had impelled him halfway across a continent into a wilderness where he had dreamed he could find, as in a vision, his unalterable self. Almost without regret, he could admit now the vanity from which those passions had sprung."
- John Williams, Butcher's Crossing

Stop what you are doing. Nursing a baby? Put it down. Dousing out a wildfire? Walk away. Those things can wait. This book is here. You need to listen to it NOW. Serious. Focus. Life is short and dreams die. You need to freaking prioritize and this should be at the top of your list.

This book might have just pushed right into my top ten books of all time. I'm not sure what book got pushed out, but perhaps the Old Testament just had to go. Seriously, this book is that good. Well, perhaps, not Old Testament good, but there were times when reading this I felt GOD's finger might have just been scratch this prose on a rock or bleached bone in a mountain somewhere.

”You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies at school. You live all your life on lies, and then maybe when you’re ready to die, it comes to you that there’s nothing, nothing but yourself and what you could have done. Only you ain’t done it, because the lies told you there was something else. Then you know you could of had the world, because you’re the only one that knows the secret; only then it’s too late. You’re old.”

It reminded me a bit of Cormac McCarthy that your mom can even read, or think of Moby-Dick, but instead of a white whale, Andrews, Miller, Schneider, and Charley Hoge are seeking an enormous herd of buffalo hidden in valley in the Rocky Mountains of Colorado. It is a story of death, obsession, nature, destruction, dreams, and the myth of the American West and the Wilderness Myth.

At times 'Butcher's Crossing' also reminded me of the beautiful, dreamy, obsessiveness of Werner Herzog's movies. Nature, in the end, doesn't whimper when you die. Nature often doesn't whimper when it dies. Hell, now I really want Herzog to make this book into a film.

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36 people found this helpful

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Another prose painting by a master.

Williams is the true underappreciated American author in my opinion. His works stand as portraits of men and women whose still waters run endlessly deep. His work Stoner was a masterful character piece. A wordsmithed painting about the world of academia and affluent duty, stuck and dusty as it could be, yet in the almost daily silence, a complex man struggled ... Here, in Butchers Crossing, we read of a young stagnant protagonist Hell-bent on finding himself, someone, something, anything; set against a tumultuous and changing landscape. In such an immense and powerful way, that land, the ever-changing world of men, is the protagonist. It is the land whose literal waters run deep, whose challenges of time and quiet force bend its will upon the human mind.
I love this reversal of rolls between the two books! I saw myself in Stoner and also in young Will Anderson, of Butchers Crossing. What is so special, is the two characters couldn't be more opposite! One was a wellspring of feeling, bottled so tightly, that he nearly cracked and exploded on his world. The other, had to be cracked by the world; only then, could magnificent, if ever so small insights, seep in.
So it is with the genius of John Williams! The insightful life lessons that I know Williams is pouring profoundly out of himself at the end of the story are greatly worth the read!

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16 people found this helpful

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    4 out of 5 stars
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The incomparable John Williams goes west

Three such different books -- Augustus, Stoner, and Butcher's Crossing -- all memorable. This one takes the tired western genre and kicks it back up to literary masterpiece, a coming of age tale told with cinematic sweep and exquisite writing. Some sections were so thrilling that I listened 2X. I mean twice, not doublespeed!

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Perfect.

Perfect writing. Perfect narration. Devastatingly perfect story. There may be no better American west novel.

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Loved it

I read this after reading "Stoner," expecting there was no way this one could be any good. As well-written as this is, you'd consider that it was probably written after Stoner although it was actually written 5 years prior. I am a fan of writers like Hemingway and Steinbeck, and I rank Williams up there with them. Nothing is said but what needs to be said. There's no pussyfooting around with the style. The pacing was perfect on this book. Exactly when I felt things needed to hurry up, they'd leap forward a matter of weeks or months in the storyline. This is a book I will read again at some point in the future.

The narration of this is perfect.

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Grim but compelling.

The narration is fine. I listened to this as an admirer of Stoner. This novel is not as good as Stoner, but I appreciated its nihilism.

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    3 out of 5 stars
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A Tiring Listen

I say this was a tiring read (not a tiresome one) for the sheer scale of the endeavour that the little group of four huntsmen endure. There is great thirst, distance, freezing snows, exhausting work in deplorable conditions to be read. It made me tired listening and at times I felt myself involuntarily dozing off from exhaustion, felt vicariously for these pioneers. I guess that endeavour is what built the countries that we now enjoy and there is some reason to take pride in it. There is also reason to reflect upon the waste (all those buffalo slaughtered) and the misfortune that courted every step. Williams captures all of that and, for that reason alone, his account is a worthy read. I can't say that I enjoyed the listen, but that was no fault of the writing, the reading or the underlying importance of the pioneer spirit. Heald captures the latter well, for example. For me, it was too real (if that is possible) and I am tiring just thing about it.

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Terrific book

This is a great novel, beautifully written and the plot picks up and gets quite suspenseful. Highly recommended.

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The Horror

Excellent novel. Extremely well read.
It and Stoner are an immense monument to futility and nothingness, finely written.

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Western with an Edge

When John Williams was writing “Butcher’s Crossing” around 1960, he said that “the subject of the West has undergone a process of mindless stereotyping.” This novel was his response.

The story has a simple framework, really: a callow young man entranced by Emersonian philosophy leaves Boston and Harvard to seek adventure in the West. In the minuscule settlement of Butcher’s Crossing, Kansas, he finds someone to take him on a buffalo hunt, and a four-man ensemble sets out for a secret valley in the Rocky Mountains where one of the last great herds of buffalo still roams.

The party comprises the young man, Will Andrews; Miller, a veteran buffalo hunter; Charley Hoge, a Bible-toting alcoholic (who for some reason, or no reason, is always referred to by his full name); and Fred Schneider, who can skin a fallen buffalo every five minutes.

The animals are there, all right, and in a few frenzied weeks the hunters kill them all, stacking the hides and leaving the carcasses to rot in the sun. They estimate they have some 4500 hides. Then a bitter mountain blizzard traps them so suddenly that they barely have time to fashion a cramped shelter (of buffalo hides) to survive the long and brutal winter.

Triumph eventually turns to tragedy, and the survivors return to Butcher’s Crossing to find that in their winter absence, the world has changed dramatically.

It’s an excellent, rugged, realistic story with an unexpected ending. The characters are hard-edged realists and not particularly heroic. Anthony Heald’s superb narration is lively as always.

There are times when it seems like the Western, and not just this one, could be defined as “A form of literature distinguished by the use of the term “spat”—the past tense of spit—every couple of minutes.” Nonetheless, this trailblazing novel led the way for others that eschewed movie-star glamor in favor of a more realistic portrayal of what the 1870s frontier must have been like.

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