CivilWarLand in Bad Decline

Stories and a Novella

De: George Saunders, Joshua Ferris - introduction

Narrado por: George Saunders, Joshua Ferris

Since its publication in 1996, George Saunders’s debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world. With a new introduction by Joshua Ferris and a new author’s note by Saunders himself, this edition is essential reading for those seeking to discover or revisit a virtuosic, disturbingly prescient voice.

Praise for George Saunders and CivilWarLand in Bad Decline

“It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal

“Saunders’s satiric vision of America is dark and demented; it’s also ferocious and very funny.”—Michiko Kakutani, The New York Times

“George Saunders is a writer of arresting brilliance and originality, with a sure sense of his material and apparently inexhaustible resources of voice. [CivilWarLand in Bad Decline] is scary, hilarious, and unforgettable.”—Tobias Wolff

“Saunders makes the all-but-impossible look effortless.”—Jonathan Franzen

“Not since Twain has America produced a satirist this funny.”—Zadie Smith

“An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon

Reseñas de la Crítica

Praise for George Saunders and CivilWarLand in Bad Decline

“It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal

“Saunders’s satiric vision of America is dark and demented; it’s also ferocious and very funny.”—Michiko Kakutani, The New York Times

“George Saunders is a writer of arresting brilliance and originality, with a sure sense of his material and apparently inexhaustible resources of voice. [CivilWarLand in Bad Decline] is scary, hilarious, and unforgettable.”—Tobias Wolff

“Saunders makes the all-but-impossible look effortless.”—Jonathan Franzen

“Not since Twain has America produced a satirist this funny.”—Zadie Smith

“An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon

Worthwhile

These are very stylized and heavy handed but engaging, clever, and funny. Stay for the authors note at the end if you are an aspiring writer

Favorite author. Favorite narrator.

I have been waiting years and years for Saunders to read his earlier work. So happy to see both CWIBD as well as Pastoralia now available, read by the author. Thank you for taking the time to read these George. You are the best.

>>BUCKLE. UP.<<

George Saunders did not come here to play. CivilWarLand in Bad Decline is not here to enchant you with crisp prose (but the writing is unbeatably lean, clean, & deliciously wry), nor is it here to win you over with tart chuckles from firecracker sui generis characters (but each character is so rich with bizarre idiosyncrasies and strange hungers that you just keep leaning forward in your seat like, “How dreadful! Then what happened?”)— no, Saunders is here to serve up barely-there tales and to leverage the dry, hysterical, unhinged-cringe testimonies of the denizens of these collapsing twilight worlds and sundry dystopian theme parks; and in doing so, Saunders is here to participate in a tradition of his own design that shoves fabulist realism and grimed humor into the close quarters of short form fiction in such a way that (not unlike the mastery of Ursula K. Le Guin) we are viscerally dislocated from our own world grooves in a way that awaken and rattle us through the disarming power of comedy and (truly) sheer weirdness: and in the process, we cling to the only structures we understand and, in doing so, know them for the first time. (Be advised also that trigger warnings apply, as well as hefty allowances for cultural dialogues written in the 1990s that are clearly trying to rehearse and progress discussions of sensitive topics, including racial violence, PTSD, and disability.) If cringe and grime are not your jam, this George Saunders collection may not be your best fit— but! definitely your best bet if you’re a fan of the short fictions of Hemingway, Pynchon, and Vonnegut and cannot get enough richly imagined sardonic narrators writing from world after flawed world that makes so little sense, it’s glittering logic, welcome home, and hold onto something.

Author’s Note

The whole book is worth the price of admission with the addition of the Author’s Note, which describes his travails in getting to the point of publishing. It reads like one if his stories. I wonder how long he was able to keep his after the publication. He says he cut adjectives in his first unpublished book, so I will end here...good collection of short stories and a novella.

Essential if you’re already a fan of his work.

I’ve become a big fan of George Saunders. If you’re new to him, I would start with something else, but if you’re a fan, this is totally worth it. And no author is better at reading their own stories than he is.

Great story, horrible narration

for a non-native speaker, the mumbling, partly unintelligible narration by George Saunders was maddening and took a lot away from the storyline nuances. please use professionals, hardly ever the author's own narration adds anything.

horrible narration

Saunders might be a great writer but he's a terrible narrator. I'm returning the Audible and ordering a hard copy.

Wha?

How anyone could enjoy this book, in particular this dry & monotone reading of it, is beyond me. I thought that, as a series of short stories, at least a few of them had to be good. Was I ever wrong. The only decent writing was in the forward, by another writer. And on that note, Mark Twain must be rolling over at any comparison between him and Saunders. Twain had more clever satire in his pinky toe than what can be found in this (IMHO) waste of an Audible credit.

Nope. Just can’t care.

I tried to read this collection to the end, but I just couldn’t care about anything he was writing. I don’t know what all the acclaim is about. He writes well enough, but his subject matter just doesn’t matter.

A waste of time.