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Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. The janitor at the local school has his faith tested in an encounter with an isolated man he has come to help; a grown daughter longs for mother love even as she comes to accept her mother's happiness in a foreign country; and the adult Lucy Barton (the heroine of My Name Is Lucy Barton, the author's celebrated New York Times best seller) returns to visit her siblings after 17 years of absence.
Russo's characters in these four expansive stories bear little similarity to the blue-collar citizens we're familiar with from many of his novels. In "Horseman", a professor confronts a young plagiarist as well as her own weaknesses as the Thanksgiving holiday looms closer and closer: "And after that, who knew?" In "Intervention", a realtor facing an ominous medical prognosis finds himself in his father's shadow while he presses forward - or not.
On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. He is determined to prove - to the subway bosses who have recently fired him, to his badgering, pregnant wife - "that the hours of his life belong to himself alone". In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears unbidden to direct the way forward for his widow and his unborn child.
In this first volume of his Frank Bascombe trilogy, Bascombe is a sportswriter attempting to cope with his failed marriage and the death of his son. Unable to establish true connections with people, Bascombe drifts into and out of various relationships, but retains an introspective eye that allows him to transcend life's obstacles.
When 81-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth - and, even more, a final opportunity to more fully understand his son, a writer and classicist.
Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America, like Ralph Waldo Emerson and Alexis de Tocqueville, inform our political consciousness or discussing how beauty informs and disciplines daily life, Robinson's peerless prose and boundless humanity are on full display.
Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. The janitor at the local school has his faith tested in an encounter with an isolated man he has come to help; a grown daughter longs for mother love even as she comes to accept her mother's happiness in a foreign country; and the adult Lucy Barton (the heroine of My Name Is Lucy Barton, the author's celebrated New York Times best seller) returns to visit her siblings after 17 years of absence.
Russo's characters in these four expansive stories bear little similarity to the blue-collar citizens we're familiar with from many of his novels. In "Horseman", a professor confronts a young plagiarist as well as her own weaknesses as the Thanksgiving holiday looms closer and closer: "And after that, who knew?" In "Intervention", a realtor facing an ominous medical prognosis finds himself in his father's shadow while he presses forward - or not.
On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. He is determined to prove - to the subway bosses who have recently fired him, to his badgering, pregnant wife - "that the hours of his life belong to himself alone". In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears unbidden to direct the way forward for his widow and his unborn child.
In this first volume of his Frank Bascombe trilogy, Bascombe is a sportswriter attempting to cope with his failed marriage and the death of his son. Unable to establish true connections with people, Bascombe drifts into and out of various relationships, but retains an introspective eye that allows him to transcend life's obstacles.
When 81-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth - and, even more, a final opportunity to more fully understand his son, a writer and classicist.
Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America, like Ralph Waldo Emerson and Alexis de Tocqueville, inform our political consciousness or discussing how beauty informs and disciplines daily life, Robinson's peerless prose and boundless humanity are on full display.
Anna Kerrigan, nearly 12 years old, accompanies her father to the house of a man who, she gleans, is crucial to the survival of her father and her family. Anna observes the uniformed servants, the lavishing of toys on the children, and some secret pact between her father and Dexter Styles. Years later her father has disappeared, and the country is at war. Anna works at the Brooklyn Navy Yard, where women are allowed to hold jobs that had always belonged to men.
With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction - both her own and others' - and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill.
When his mother passed away at the age of 78, Sherman Alexie responded the only way he knew how: He wrote. The result is this stunning memoir. Featuring 78 poems and 78 essays, Alexie shares raw, angry, funny, profane, tender memories of a childhood few can imagine - growing up dirt poor on an Indian reservation, one of four children raised by alcoholic parents. Throughout, a portrait emerges of his mother as a beautiful, mercurial, abusive, intelligent, complicated woman.
Told in three distinct and uniquely compelling sections, Asymmetry explores the imbalances that spark and sustain many of our most dramatic human relations: inequities in age, power, talent, wealth, fame, geography, and justice. The first section, "Folly", tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War.
As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived. And as he guides us around the city, delighting in its cultural, architectural, political, and social history, he interweaves the memories that are attached to particular places and moments.
The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented. February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill.
A gut-wrenching, beautiful memoir which explores toxic masculinity and the devastating consequences of war on one impressionable young soldier Matt Young joined the Marine Corps aged 18, after a drunken night that culminated in him crashing his car into a fire hydrant. The teenage wasteland he fled followed him to the training bases of California. Young survived training and then three deployments to Iraq as an infantryman.
These 11 stories by Joshua Ferris, many of which were first published in The New Yorker, are at once thrilling, strange, and comic. The modern tribulations of marriage, ambition, and the fear of missing out as the temptations flow like wine and the minutes of life tick down are explored with the characteristic wit and insight that have made Ferris one of our most critically acclaimed novelists.
Every summer, a once-sort-of-famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a weeklong arts conference in a charming New England beachside town. It's a place where, every year, students - nature poets and driftwood sculptors, widowed seniors, teenagers away from home for the first time - show up to study with an esteemed faculty.
Joan Didion has always kept notebooks - of overheard dialogue, observations, interviews, drafts of essays, and articles - and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama.
In the scorching summer of 1878, with the Gilded Age in its infancy, three tenacious and brilliant scientists raced to Wyoming and Colorado to observe a rare total solar eclipse. One sought to discover a new planet. Another - an adventuresome female astronomer - fought to prove that science was not anathema to femininity. And a young megalomaniacal inventor, with the tabloid press fast on his heels, sought to test his scientific bona fides and light the world through his revelations.
Since childhood Helene Stapinski heard lurid tales about her great-great-grandmother, Vita. In Southern Italy she was a loose woman who had murdered someone. Immigrating to America with three children, she lost one along the way. Helene's youthful obsession with Vita deepened as she grew up, eventually propelling the journalist to Italy, where, with her own children in tow, she pursued the story, determined to set the record straight.
From American master Richard Ford, a memoir: his first work of nonfiction, a stirring narrative of memory and parental love.
How is it that we come to consider our parents as people with rich and intense lives that include but also exclude us? Richard Ford's parents - Edna, a feisty, pretty Catholic-school girl with a difficult past; and Parker, a sweet-natured, soft-spoken traveling salesman - were rural Arkansans born at the turn of the 20th century. Married in 1928, they lived "alone together" on the road, traveling throughout the South. Eventually they had one child, born late, in 1944.
For Ford, the questions of what his parents dreamed of, how they loved each other and loved him become a striking portrait of American life in the midcentury. Between Them is his vivid image of where his life began and where his parents' lives found their greatest satisfaction.
Bringing his celebrated candor, wit, and intelligence to this most intimate and mysterious of landscapes - our parents' lives - the award-winning storyteller and creator of the iconic Frank Bascombe delivers an unforgettable exploration of memory, intimacy, and love.
Richard Ford's prose is as always remarkable. In this narration, Christian Baskous inhabits Richard Ford's mind and soul. This is an extraordinary, intimate and absorbing performance.
I'm sure the book is terrific. Ford is one of my all time favorite writers, but I can't continue listening after the first minute. The performer's whispery voice is too annoying and hard to listen to. I speak Dixie, so it's not his accent, which is pleasant. Too bad.
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